Majestatycznie pociągnięta atmosfera na muzycznym płótnie kosmosu.

Summertime Sadness 2

Illusion

Bridge Over Troubled Water

Unaware

... IDM/Electronica/Ambient/Glitch/Noisescore session from last week, recorded with my new Behringer 921 VC (oldschool Moog clone) Oscillator, Doepfer A-111-4 paraphonic MONSTER-Oscillaor, KORG Minilouge XD and of course my mighty POWER-drum modules ;) 

btw the last time Im using less and less VSTs for my productions, the last software-synth I was working with was NI kontakt (REALLY worked more than TEN YEARS with it, in EVERY track)

BUT I just didnt need it for my last productions, since my sample-modules Squarp Rample and Erica Synths Sample Drum are doing the WAV-job very well).. 

so finally there are just a few, favourite VST effects left, my Valhalla reverbs and delays, some Fabfilter VSTs, Sugarbytes Effectrix for the glitch-beat-action and a very OLDSCHOOL 32bit glitch VST SUPAATRIGGA from the early 2000s :-)

JeAnNe_D'aRc

Escape From Galaxy (part 1)

with Dagon, I endeavored to go beyond 'Invisible Cloak'. Dagon is written in multiple bpms. Each time I reloaded the .wav into a new project, I would change the bpm a little, from higher to lower and back again over many reiterations. In this way I could approach the canvas from multiple angles in time. It is not in any specific time signature. The time signature is fluid and morphing constantly. It is written off grid. I approached this piece as a visual art, not exactly as music.

Dagon

Verse 1

(scene 1)
A light and an embryonic 3d rectangle are centered on the scene.
A pulsating energy may also occur on the background’s empty lull.
They float and seemingly have no animation.
Suddenly without any visible provocation they decay into specks of matter which expand from the very same reality expanding to the left, then up, then down, until they have disintegrated into the nothingness that was there first.
The scene turns totally material void again.
Then, a one dimensional straight line, length synchronously expanding.
The line in constant moves from left to right and right to left of the screen.
It bends (initiating point), moves up and down, left to right at different angles until the separate end-alpha and omega- reconnect.
It also spotlights and gets thicker.
Reality synchronously expands.
When it reaches origo (also refigured-reference to scene 1), it swivels, two bend marks of each curving separate ends directly to the side at, apparently, a right angle of viewing perspective.
About the last second of this scene, reality expands a bit less, and curved still separated ends synonymously bends into forming nearly a blocky shape held by its sides.
Meanwhile the voice stresses out asking "where"

"Where have the years gone?"

2. Verse 2

(scene 2)

A pillar stands, and someone passes by interacting with it.
Different people (actors), dimbodiments, headless and so just normal movement of arms and legs and torsos.
body language without language. Flux syncing different people passing the pillar. Body parts (limbs) are interacting with the pillars, seemingly observing, getting reactions from it. Since the first person passed, the pillar synchronously spins and nothing occurs for the next 10 seconds or less.
Up to some point of the spin the pillar rotates in one direction and then another, till it stops.
Fire voice asks "can it speak".
"What it thinks?!"

Feeling confused faces, touching very bluntly against the object.
No one speaks.
Almost like a ritual.
Then the scene fades into two pillars back to back moving away from each other.
Separation, delay and combination in certain positions of the upright stand.
Patterns developing, standing up leaving, returning, pillars turning.

There are 12 pillars (two rows that are six back to back each one.
Both rows together back to back to form an arch of 12).

"What" the pulsar askes.."About the body and the soul"...between and in between them "Did they appear just to inquire about their spacial limits".

Then lifelike.
Black with hints of red and blue, constantly expanding and rejoining again.
Some sort of dance, symphony of colors.
Definitions harden.
"What about the colors in between?"
Spacial limits when try to join form flesh replica.
Lineless face, pupil eyes, more symmetrical bodies than before.

During the symphony a voice asks if pillars are smaller.
"If our visions vsible or just mine..."

Verse 3

Then more activity between the pillar and travelling persons.
The thread ends when the activity finalizes to people sitting down, comfortably sitting to walk face to face, body cirlevr outside, on the outside of their pegs.
Pathological synchronization.
Forming a large circle.
"They are like sons and daughters dancing and featuring humanity when waiting for the end of the line."

Can you see: silhouette faces?
Can you hear: "Yes the end the end..."?
Eye still trying to discern, "can you see the end"?

There a bright flash appears
And it says: "There were answers to these questions that were through!"
This is not that important alive listening engends: If you don't believe them it would make the thread of Truth tearing.
The product of superimposition holds water so long as we believe in it.

.˛  ºÇ•||<‹⁄∑˙˚’

Download/stream

i'm a thousand miles away

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This track is free to download and may be used for private listening or included in DJ sets.
Please note:
The track remains the intellectual property of the original artist (me). Redistribution, re-uploading, or use in commercial works (e.g. sync licensing, monetized content, remixes, edits, etc.) without permission is not allowed.

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frozen relay

Reupload of an album I made in 2024 and posted on my other account, DRUID.-RAZER. 

Bandcamp

All The Eyes That Hide In Plain Sight

My artist name is Eternal Sunset.  I enjoy creating music in several favorite genres: Glitch/IDM, Drum'n'bass/Jungle, Breakcore, Ambient, Electro-IDM, Acid-House, Hip-hop/Rap instrumentals.
My discography is on: http://eternal8bit.cba.pl/
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Influences: Squarepusher, Photek, Kettel, Telefon Tel Aviv, Aphex Twin, Clark, The Prodigy, The Flashbulb, Venetian Snares, Kid 606, Xela/Yasume, Ebola, Sci‑Clone, Robert Miles, AOKI Takamasa, Autechre, Hecq, Future sound of London, Biosphere, and many more
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I have second profile on soundcloud with nintendo style chiptunes: http://soundcloud.com/8-bitchintendo

Escape From Galaxy (part 1)

Glitch

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