All That You Are -(Yan Wagner NYC Remix)

Lauer album " Borndom " out now 
permvac 139-1 

Buy LP Or CD here 

LAUER - CREWNERS

NOW ALSO ON BANDCAMP: https://colour8.bandcamp.com/album/space-trix-vol-1

The 3D-mixed version of Matthew Dear's "Around A Fountain" available on Space Trix Vol.1 out now.

Available now from:
Colour8 - http://goo.gl/UKSTWu 
BLEEP - http://goo.gl/RYhoin
iTunes - http://goo.gl/uUb8yN

follow www.twitter.com/colour8records for more info.

LISTEN WITH HEADPHONES

Recorded with speakers playing back different frequency bands of the track with in a forest and recorded using binaural microphones. Co-ordinates for the approximate forest location: 
37°52'36.7"N 1°31'06.4"W

www.colour8.org

"Stunning compilation of tracks all mixed in 3D binaural to create vast soundscapes of atmosphere electronics and lost-in-space soundtrack ambience perfectly designed to be listened to on headphones. Hypnotic pieces from Mike Slott, Claude Speeed, Matthew Dear & many more have been edited and remixed by CJ Mirra in 3D (giving a feeling of being inside the music) onto a highly collectible USB stick and housed inside a bespoke hand crafted boxset with a 3D-printed Cosmonaut by Swedish digital artist Andreas Olsson. The Colour8 have crafted a truly exceptional release with Space Trix, Vol. 1, not only do the sounds captured within represent some of the finest work from the all star line up of producers involved but having it remixed and edited in 3D gives a completely new dimension to the music and when listened to on headphones has a surreal effect of full immersion like someone has dropped a bottle on analogue bubblebath inside a flotation tank. As an added bonus it even comes with a one-of-a-kind 3D-printed astronaut to boot. Opening with new material from LuckyMe's Mike Slott, 'Keep Me Here' is a super slow moving espionage journey through the nightside of Deckard's apartment while CJ Mirra starts off with what sounds like a Lee Gamble recollection of a half-remembered Detroit techno classic but with the drums long forgotten. Neon Jung keeps things on a classic AI tip while Claude Speeed paints his new age beats with a soaring cinematic brush across the audio sky built up on Air Loom. Elsewhere Matthew Dear lets drift a rolling tech-house cruiser as heard from a few thousand feet below and later highlight 'Moon Ego (Interlude)' by International Peoples Gang could be an off cut from that Public Info library comp Tomorrow's Achievements. One of the most interesting releases we have experienced in a long time, be it the 3D -printed Cosmonaut or the 3D soundtrack that encapsulates you whole with which it is in orbit, a real glimpse of future noir and sounds that blend the peaceful lucid dreams of AFX with the recently updated synth exposure of Suzanne Ciani to create a modern compilation of perfectly primed headphone escapism electronica that falls neatly into the lineage of futuristic sci-fi from classic B12 & Global Communication to early Eno airport ambience" BLEEP 2015

The original version of this track is available on his phenomenal album 'Headcage'

Matthew Dear - Around A Fountain 3D

Kim Brown - Nabi 1970 EP
Just Another Beat, JAB 11
Vinyl / Digital
Street: February 19th 2016
Tracklisting:
A: Nabi (Quarion’s Farewell To Hardware Remix)
B: Visiona 1970

After a 2-year hiatus from the mothership, Kim Brown return to Just Another Beat with a new 12“, including the brand-new track “Visiona 1970“ and an exceptionally impressive remix of “Nabi“, one of the outstanding tracks off their debut album “Somewhere Else It’s Going To be Good“, beautifully executed by Quarion.

It was Quarion aka Yanneck Salvo himself who approached the Berlin-based duo, being eager to work on his own version of the track and taking it to the next level. The result equals en epic transformation. Using only the key melodic elements of the rather quiet and lush original, Quarion’s version is much more than a remix. It’s more like a cover version, showcasing his own unique approach of how to first dismantle and then carefully, bit by bit, rebuild the peak time moment of the dancefloor. Clocking in at just under 10 minutes, to be enjoyed best from start to finish, this is a voyage extraordinaire.

On the flip, “Visiona 1970“ presents Kim Brown in a glistening rainbow of deep colours. With freely shuffling hi-hats, intimate percussion and some of their most beautiful melodies yet, this track marks a turning point for the project. Having mainly released remixes for other artists recently, Ji-Hun Kim and Julian Braun have been constantly working on a new album as well, which will finally see the light of day not long after the release of this EP. In the meantime, please enjoy these 2 tracks.

Visiona 1970

Taken from 'Lines + Colours' EP by Moiré, out March 25, 2016.

Follow Moiré: https://soundcloud.com/moirelines

Order vinyl + digital at The Ghostly Store: www.theghostlystore.com/products/lines-colours-ep

Lines + Colours

Moiré - Lines + Colours

Parisian dance music veteran DJ Koyote has just reactivated his Supergenius imprint and the first release is a split EP featuring two tracks of his and two others produced by Brittany luminary Christophe Le Gall aka Too Smooth Christ. The Koyote sound has distinctive live feel : you can visualize him jamming over his keyboards – and having fun at it. Seine St Denis Hills is a dark house tune with an eighties plastic sheen and ominous vibe, yet it has an almost comical simplicity to it that makes it unmissable.
The same vaguely parodic but at the same time very serious sensation keeps vibrating in the second track, «Poly800 Bass», a roaming stomper with just a few elements but massive impact. TSC’s «Face Reality» is a more hyperactive affair, but shares the eighties urban music inspiration : freestyle synths and raw deep house bass are all over the place. «Arp-Emogol-Peggio» stays in the edgy, angular electronic zone but adds a mysterious touch to this honest-to-goodness EP. Those four tracks are native speakers of the dance language and manage to use it per- fectly with no need to get sophisticated, over produced or post-modern. They just make you feel the right way. Out now!

https://soundcloud.com/supergeniusrecords

LISTEN ON YOUTUBE

PREMIERE : Too Smooth Christ - Arp-Emogol-Peggio

This is the first track of my upcoming album "Cancerboy" that I make available publicly. More info about the release on it's microsite: www.cancerboy.csides.net

My most favorite video artist, Ronni Shendar (www.ronni-shendar.com), created an amazingly beautiful and touching video for this track. Check out the preview ('track video' button above), the full video will be released soon.

***

His 3rd studio album, Cancerboy, is another milestone conjoining powerful musical expression with heavy content. Cancerboy is an intimate autobiographical journey investigating one of the major experiences that shaped his life, his childhood struggle with cancer. Cancerboy is a personal, private chronicle of battles won and struggles lost, a sound-log suspended in an in-between world.

Cancerboy is an album on the edge of consciousness. Faraway reverbs and analog roughness gain presence, and forward strides an unreserved sound; candid, direct and near. It’s music that allows itself to be angry and desperate, to battle and depart, to challenge and gall. Yet within all its darkness are driving, hopeful moments that shine bright - celebrating a deep love of life.

Cancerboy will be released as CD / 2x12'' / Digital on May 7th, 2012.

Passages (taken from the album 'Cancerboy')

Unloved - Love Lost (Nathan Micay's Pulsating March Remix)

Debut ozone release on ESP INSTITUTE [ESP006A]
http://www.esp-institute.com/

Very visual, kind of like some early 90s anime high tech castle flying in the sky robot nightclub type of vibe. Real deep sounding.

Buy  online
http://www.juno.co.uk/ppps/products/460198-01.htm



[ESP006A] Michael Ozone - Hetrotopia

A limited 12" on Rotters Golf Club for Record Store Day 2013 alongside the Wooden Shjips remix of "One Minute Silence"

Additional vocals by Scarlett Etienne
Mixed at The Phantasy Sound

http://www.facebook.com/danielmarkavery
http://www.danielavery.co.uk
http://www.twitter.com/danielmarkavery

The Asphodells - We Are The Axis (Daniel Avery Remix)

Oh, well hello there - thanks for visiting! 

Enjoy this tune, "Our Time Has Come" - be sure to let us know what you think!

The Mole "Caregiver" due June 24th on Maybe Tomorrow. This track will be on there. 

Contact: london@maybe-tomorrow.ca
Bookings: AdK-Agentur der Künstler / nicole@adk-berlin.com


Our Time Has Come - The Mole

Glitterbug is a composer, producer, DJ, artist and curator; standing tall in all musical genres he puts his fingers on. Be it deep techno, remixing, ambient works, writing music for films or audio-visual installations, his musical language always resonates with a score-like, visual approach.
Glitterbug draws from the manifold of his social and global experiences to bring substantial content to his delicate sounds. With masterful production and greatest attention to broadened frequency and smallest detail, he has managed to create unique audio landscapes; sonic experiences, emotive and powerful.

It’s his unique, heartfelt and artistic approach to club music that won him international praise, breaking definitions and expanding borders; His live-sets are an analogue prodigious fest; profuse sounds envelop the dance-floor, defined and intense, building moments of abyssal melancholia and points of ecstatic rapture. His long-established collaboration with Israeli visual artist Ronni Shendar, has become an indivisible element of his performance; creating a cinematic, stirring and encompassing experience.

His music and remixes have been released on internationally acclaimed labels such as Ware, Wolfskuil, Mule, Notown, Ghostly, False-Industries, Ki, Obsolete Components, and of course his own c.sides label.

Rene Passet of Dutch DJ Broadcast Magazine crowned Glitterbug as “Germany’s best kept techno secret”, MCD France titled him”The Derek Jarman of Minimal Techno”. Germany’s leading recording magazine ‘Keys’ gave his debut album a perfect 10/10 for both musical content and sound production. Intro Magazine said of his last album ‘Privilege’ that it is “destined for nothing less than eternity” and Germany’s De:Bug Magazine wrote “when one listens to Glitterbug’s music, it feels like listening to a better world, a utopia without words”.