Migratory 

Robot Koch and BlankFor.ms team up for a new single release on Koch´s imprint Trees and Cyborgs.
"Migratory" is their 2nd collaboration track, following their successful first single "Subtle Ones".

Making use of BlankFor.ms signature degraded tape and synth sounds and Koch`s atmospheric and low-end heavy production, this pulsing hypnotic track combines detailed sound design with a contemplative mood and an uplifting feel that works equally well on the dancefloor as it does for headphone listening.

Both Robot Koch and BlankFor.ms have been busy this year so already, with upcoming artist projects, film and video game scores, and high-profile remixes for other artists.

Bio Robot Koch

Robot Koch is an award-winning artist/composer from Berlin, living in Los Angeles.
He has been steadily crafting an original sound that expertly combines a deep and cinematic atmosphere, emotional reflection, and forward-thinking production.
He remixed the likes of Max Richter, Rammstein, and Christian Löffler, collaborated with conductor Kristjan Järvi and the Nordic Pulse Orchestra, and played high-profile live shows at Coachella, Mutek, Sonar Festival, and Boiler Room.
Koch`s visual music lends itself to pictures and has been used on numerous TV Shows, Movie Trailers, Feature Films, and Ad campaigns over the last few years.
When he’s not pursuing his own artistic projects, Koch can be found working as a producer and writer for both indie and major artists worldwide, gaining gold and
Platinum records for his productions. 
He won several awards for his immersive Full Dome Live Show "Sphere" which sold out in Planetariums and Festivals worldwide and also won the German Music Composers Award in the category
'Best Composer Electronic Music’.
He has amassed over 75 million streams and garnered over half a million monthly listeners on Spotify alone. Koch is currently working on a movie- and videogame score as well as on new artist projects


Bio BlankFor.ms

BlankFor.ms uses degraded tapes and analog synthesizers to create sounds meant more for the body than the mind. He has become a notable figure in the world of experimental/ambient music, garnering accolades, high-profile remixes, and 95k followers across social media. 

His performance videos on Instagram were pivotal in inspiring an entire genre of top-down musical documentation on social platforms. 

His samples have been used by thousands of artists, including a cameo in the recent Ethan Gruska/Bon Iver single "So Unimportant". 

Over the next year he has a massive "Artist Series" instrument coming out with one of the world's most popular VST makers, a feature video in Ableton's "One Thing" series, and a video game score with an award winning software publisher. 

His contributions can be heard on records by Micah Jasper, Kiefer (Stones Throw), Robot Koch (Trees and Cyborgs), and many others. He has provided remixes for The Cinematic Orchestra, Arthur Moon, and Para One. Tyler grew up in rural Wyoming.

Robot Koch and Blankfor.ms- Migratory

Arcadia 214 is dedicated to the art of Hania Rani, Polish pianist and composer. Tracklist -

Today It Came	2:34	Hania Rani	Esja
Sun	5:23	Hania Rani
Now, Run	6:32	Hania Rani	
Luka	5:07	Hania Rani	

Tennen	6:05	Hania Rani	Home
Zero Hour	5:26	Hania Rani	
Home 4:49	Hania Rani	
Buka	5:03	Hania Rani	
F Major	4:52	Hania Rani	

Demons	8:34	Hania Rani, Dobrawa Czocher	Inner Symphonies	
Spring	7:41	Hania Rani, Dobrawa Czocher
Con Moto	5:04	Hania Rani, Dobrawa Czocher
Malasana	5:22	Hania Rani, Dobrawa Czocher

Nora  (from Nora)	5:16	Hania Rani Music for Film and Theatre
Wildfires  (from Truth in Fire)	5:16	Hania Rani	
Journey  (from xAbo: Father Boniecki)	4:27	Hania Rani
Soleil Pâle	3:53	Hania Rani
	
Annette	3:23	Hania Rani	On Giacometti
Allegra	4:01	 Hania Rani	
Alberto	3:48	Hania Rani	
Mountains	4:07	Hania Rani	
Time	5:53	Hania Rani	
Stampa	2:00	Hania Rani

Arcadia 214 29 June 2023

"Generation of Cycle Breaks"

The third Song of this "Waves Songs" ;

a Song to Encourage to heal and breaktrough all patterns.

When someone breaks the pattern of generational trauma, it means they are actively interrupting the cycle of negative experiences and behaviors that have been passed down through generations within a family or community. This interruption can involve diferent kinds of healing methods and therapies, developing healthy coping mechanisms, and making conscious efforts to prevent the transmission of trauma to future generations. Breaking this cycle is essential for healing and fostering positive change within families and communities.

"When we heal in this lifetime we also heal them, i reclaim by ancestors past with my present and future"

Can Also Be described as the cycle of our Karma, that can be understand consciously, accepted, and Manage.

there are many types of them and variations the principal ones are:

Sanchita Karma:

This refers to the accumulated karma from past actions that are yet to be experienced. It's like a reservoir of all deeds—good, bad, or neutral—that a person has performed in past lifetimes.

Prarabdha Karma:

Prarabdha karma is the portion of sanchita karma that is currently being experienced in the present lifetime. It's the destiny or fate that an individual is born into and must undergo in this life.

Kriyamana Karma (Agami Karma):

This type of karma refers to the actions performed in the present life, which will result in future consequences. It's the karma that one is currently creating through their thoughts, words, and deeds.


Vikarma:

Vikarma refers to actions that are against the natural order or righteousness. These actions generate negative karma and can lead to suffering or negative consequences.


Akarma:

Akarma, sometimes referred to as "non-action," is performing actions without attachment to their fruits or outcomes. It's the idea of acting selflessly, without expecting personal gain, and can lead to positive spiritual growth.

Karma Yoga:

Karma Yoga is the path of selfless service or action. It involves performing one's duties and responsibilities without attachment to the results, dedicating all actions to a higher purpose or the Divine.


all is connected.



Music, Production and MIxing by:
@Intiche
at Organica Studios Berlin

Master by:
@Tillmann Wasser

Download

Generation of Cycle Breaks

Notgoodenough & SVSH - Soundnum22

Last Remnants of My Once Great Ambition

Last Remnants of my Once Great Ambition

“Niwe Mang” is an instrumental piece that moves between modern electronic soundscapes and the colors of Eastern music. At its core, the Duduk and Iranian Tar take the lead — traditional instruments woven into processed, synth-based textures that bridge the past and the present.

The track begins in a dark, mysterious atmosphere, where sounds drift, fade, and return in slow motion. Gradually, it opens toward light and brightness, expanding into wide, immersive layers that surround the listener in warmth and depth.

“Niwe Mang” floats between chillwave, ambient, and atmospheric electronic genres.
It’s music for those who seek a new path between darkness and light — between sound and silence.

Niwe Mang (Feat. Amirhosein Kianpour, Shayan Ebrahimi)

out on April 28th
dronarivm.com

"Avifaunal" is the latest album from UK based duo Pausal, the audio and visual art project of Alex Smalley and Simon Bainton. It follows previous releases on labels such as Barge Recordings, Students of Decay, Own Records and Infraction. Individually, Alex has released numerous works under his Olan Mill alias and Simon has released on Hibernate Records. 

Their music has been described as "billowing, vaporous, and cloud-like", "a shimmering haze of humid ambience and sparkling field recordings", "a colourful, yet ghostly, world of slow-moving, rejuvenating sound". Live shows are a complete immersive experience, utilising large scale visuals created by the band. They have performed across the UK and in Europe supporting artists such as Grouper, Mountains, Stars of the Lid, Chihei Hatakeyama and Greg Haines. 

In 2015 the band were asked by Martin Boulton of Touched Music to perform in Pembrokeshire, Wales and set about generating new material for the show. It was also an opportunity to develop a new equipment setup including looped turntable, voice microphones and synths. A local hall was hired for improvisation and practice sessions which provided an interesting sonic space to explore and possibilities to work at far louder volumes, both of which helped shape the eventual live set and the track "Murmuration" as that is represented here. "Spiral", "Scatter" and "Soar" were also edited and assembled from the recording sessions around this time. 

Taken as a whole, the resulting album is a diverse affair but could be said to have more in common with their heavier work to date (such as "Forms", 2012) combined with an appreciation of texture (previously evident on "Sky Margin", 2013) than the ambient material they are perhaps better known for ("Lapses", 2010 and "Along The Mantic Spring", 2014). From the crackling drone fog of "Murmuration I" and darkly psychedelic "Murmuration II" - through to the urgent percussive metallics on "Scatter" and serene synth-scapes of "Soar"; there is a wide ranging sound world here for the listener to experience and just as the title of the record suggests, they are encouraged to allow mind to take flight...

Mastered by Porya Hatami

Avifaunal

Buy CD / DL

PAUSAL - Murmuration III (from 'Avifaunal" CD)

Michael Nyman &amp; David McAlmont - Secrets Accustions &amp; Charges - Max Cooper Deconstruction/Reconstruction

I wrote these two remixes as a pair, starting only with two audio files, one orchestral part of all the strings, piano etc, and one vocal part of David McAlmont singing. It wasn't easy to tame the parts into an electronic format that I was happy with, so I opted to cut everything up into tiny segments and reconstruct my own track which ended up really different from the original - my "Deconstruction" mix. Then I was faced with the problem of exactly that, that the remix sounded nothing like the original, so I then tried to reconstruct back to the original from the parts I had made - my "Reconstruction" mix. It was an interesting production exercise I guess, not an easy remix job, but hopefully it yielded something interesting.

It's out now on Last Night on Earth!

And Nick Cobby has amazed me with his video for the tracks, it's really amazing - He invited people to be 3d mapped at his studio, and then cut there digitised face footage perfectly to the segments of audio I used to create the music - you gotta watch it!! &gt;&gt; http://www.youtube.com/watch?v=khlLc7NNOok

Michael Nyman - Secrets - Max Cooper Reconstruction

Planet Mu stalwart Ital Tek remixes ‘Silver Pit’ from Ben Chatwin's 2018 album 'Staccato Signals', seizing the slow-burning cataclysmic energy of the original and reforming it with bold, cinematic crescendos.

The remix is the first taste of 'Altered Signals', an upcoming remix album which sees Ben working with some of his favourite producers in the electronic world.

Ben Chatwin - Silver Pit (Ital Tek Remix)

text by Emily Dickinson

Love is all there is,
Is all we know of Love;
It is enough, the freight should be
Proportioned to the groove.

picture by Vaidas Jokubauskas Photography

SOFIIA - That Love

Elysia remix for The Soft "Mori" 

Coming to a world near you. 

Last Remnants of my Once Great Ambition

GMM