Préludes de Jacques- Martin Hotteterre (1674- 1763). 
L'Art de préluder sur la flûte traversière, sur la flûte à bec, sur le hautbois et autres instruments de dessus (1719).

Joan Izquierdo, flauta de pico/ Préludes de J.M. Hotteterre

The soundtrack from our YouTube video, Brandenburg Concerto No. 3 in G Major (BWV 1048), performed on original instruments by the Early Music ensemble Voices of Music

Brandenburg Concerto 3 G Major BWV 1048 Voices of Music

The soundtrack from our 4K UHD video of Brandenburg Concerto No. 4 (BWV 1049) performed on original instruments by the Early Music ensemble Voices of Music.


Brandenburg Concerto 4 G Major BWV 1049 Voices of Music

L'Art de préluder sur la flûte traversière, sur la flûte à bec, sur le hautbois et autres instruments de dessus (1719).


Joan Izquierdo, flauta de pico/ "Prélude" en si menor de J.M. Hotteterre

Oriol Espinal, guitarra/ Estudio 17 Op. 35 de Fernando Sor (1778- 1838).

Oriol Espinal, guitarra/ Estudio 17 Op. 35 de Fernando Sor

The soundtrack from our 4k Video of "Winter" from the Four seasons. 24 bit FLAC audio.

WInter from the Four Seasons

The Four Seasons: Winter, complete; Voices of Music, Cynthia Freivogel, baroque violin

A suite from the dance collection of Michael Praetorius, performed on original instruments. 24 bit FLAC files from a live performance.
Ballet-Courante-Spagnoletta-Volte-Pavane-La Bourree
www.voicesofmusic.org

Praetorius: Suite From Terpsichore, Voices Of Music

The Camerata of The Research Group on Renaissance and Contemporary Music interpret one of the first instrumental pieces from western Europe written by the Veronese Italian composer Vincenzo Ruffo (c.1510-1587).
Cesar Villavicencio and Paula Callegari - recorders
Fábio Cury - Dulcian

Camerata do GReCo - Vincenzo Ruffo - La Gamba in Tenor

The Camerata from The Research Group in Renaissance and Contemporary Music - GReCo - interprets one of the first instrumental pieces written in western Europe by the Veronese composer Vincenzo Ruffo (c.1510-1587).
Cesar Villavicencio and Paula Callegari - recorders
Fábio Cury - Dulcian

GReCo Camerata - Vincenzo Ruffo - La Gamba in Basso & Soprano

Daniel Landau's "COR" is a piece realized after a long process of exploring and developing two bizarre instruments: The MIDI Recorder and the MIDI controlled organ. These instruments carry a long tradition of baroque music which made the challenge and motivation even greater in incorporating this acoustical signatures into current technological environment. It is dedicated to Cesar Villavicencio.

Composition Organ Recorder - COR (1998) by Daniel Landau

Yidaki is the Australian aboriginal word for didgeridoo. The piece is based on the sounds of this instrument and the mentality of the aboriginal people. Their concept of time and space is incomprehensible to us. Time and space are non-linear and very related to each other. This means that what happens now will always be related to the place where it happened, and not to the time when the event is taking place. Eventually this will drive a western mind into chaos, while the aboriginal soul accepts the chaos as part of the dream that is time and  space.

Yidaki (1998) by Erik Stalenhoef for the e-recorder

Live Concert at the Dartington International Summer School in the event called "Hypermusic and the Sighting of Sound", sponsored by the European Commission Connect Programme 1999.

Improvisation with Evan Parker, Hilary Jeffery and Cléo Palacio-Quintin

Recorded at the Koninklijk Conservatorium, The Hague in 2002
Special thanks to my friends, who I so dearly miss, and to Frans Brüggen for his ornaments, which I here partly reproduce.

Luis Otavio and Leonor de Recondo - violins
Cristóbal Urrutia - viola
Cassandra Luckhardt - violoncello
Joshua Cheetham - contrabass
Alessandro Santoro - harpsichord

Giuseppe Sammartini - Recorder Concerto - Allegro assai

Giuseppe Sammartini - Recorder Concerto - Siciliano

Giuseppe Sammartini - Recorder Concerto -  Allegro

Mundos came as a necessity to express the hidden history of Peru, where I was born and raised. It did not take long to realize that the discovery of the Inca Empire by the Spanish hides a tragedy of the proportion of a holocaust, where more than 10 million indians were killed. Pututos, harps and voices are processed in a chronological discursive line were natural sounds are gradually subdued by technological ones. Thaks to Tito La Rosa for allowing me to record him playing the vasijas silbadoras, zampoñas and pututos.

Mundos (1999)

Recorded in the Studio I at the Koninklijk Conservatorium.

Cesar Villavicencio - e-recorder
Diego Espinosa - percussion

DiCe (2002)

Recorded during UEA Electric Orquestra concert at Sonorities Festival in Belfast 2005.

Cesar Villavicencio - e-recorder
Simon Waters - feedback flute

Belfast

This is a 6-voice motet by Gioseffo Zarlino "Miserere mei, Deus". 4 of the voices are written in polyphony and the other 2 execute a cantus firmus in canon. It has 3 parts; this is the recording of the first part. The motet is written in the 4th mode with final E and, because of the use of low clefs, the GReCo Consort, composed by a full recorder consort, 4 singers and dulcian, is playing it a 4th higher in the tuning of mezzo-punto (a=465Hz).

GReCo Consort plays Zarlino "Miserere mei, Deus" Prima Pars

ANDALUCIA --EN VIVO QUIXOTES + ANDY

For all the recorder  music lover.  Thank you to the flute,   recorder performers , compositor  and the groups who share their music.

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Jean-Charles B Music Blog
(@jean_charles-b) : Aim at entering the musical beauty that offers us the various musics of any countries, of any time(period);



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GONE WITH THE WIND - JeanCharlesB