The Blackthorn Stick (Irish Tune)
remote duo
Arrangement, Dixon High and Low Whistles and Drawings: Susanne Vetter (Germany)
Guitar: Homayoon Saleh (Iran)

1st part: Low Whistle and Guitar
2nd part: High Whistle and Guitar
3rd part: High and low Whistles and Guitar

The Blackthorn Stick - 3 Parts - Susanne Vetter & Homayoon Saleh

The soundtrack from our YouTube video, Brandenburg Concerto No. 3 in G Major (BWV 1048), performed on original instruments by the Early Music ensemble Voices of Music

Brandenburg Concerto 3 G Major BWV 1048 Voices of Music

The soundtrack from our 4K UHD video of Brandenburg Concerto No. 4 (BWV 1049) performed on original instruments by the Early Music ensemble Voices of Music.


Brandenburg Concerto 4 G Major BWV 1049 Voices of Music

Coro de la Universidad de los Andes
Coro de la Universidad Javeriana
Ensamble de Percusión Universidad Javeriana
Ensamble Sinfónico Andes y Javeriana
Carolina Gamboa Hoyos, Directora

Johann Hasler, Salmo Por Las Víctimas De La Violencia

Da Lontano for string quartet

The soundtrack from our 4k Video of "Winter" from the Four seasons. 24 bit FLAC audio.

WInter from the Four Seasons

The Four Seasons: Winter, complete; Voices of Music, Cynthia Freivogel, baroque violin

A suite from the dance collection of Michael Praetorius, performed on original instruments. 24 bit FLAC files from a live performance.
Ballet-Courante-Spagnoletta-Volte-Pavane-La Bourree
www.voicesofmusic.org

Praetorius: Suite From Terpsichore, Voices Of Music

The Camerata of The Research Group on Renaissance and Contemporary Music interpret one of the first instrumental pieces from western Europe written by the Veronese Italian composer Vincenzo Ruffo (c.1510-1587).
Cesar Villavicencio and Paula Callegari - recorders
Fábio Cury - Dulcian

Camerata do GReCo - Vincenzo Ruffo - La Gamba in Tenor

Yidaki is the Australian aboriginal word for didgeridoo. The piece is based on the sounds of this instrument and the mentality of the aboriginal people. Their concept of time and space is incomprehensible to us. Time and space are non-linear and very related to each other. This means that what happens now will always be related to the place where it happened, and not to the time when the event is taking place. Eventually this will drive a western mind into chaos, while the aboriginal soul accepts the chaos as part of the dream that is time and  space.

Yidaki (1998) by Erik Stalenhoef for the e-recorder

Mundos came as a necessity to express the hidden history of Peru, where I was born and raised. It did not take long to realize that the discovery of the Inca Empire by the Spanish hides a tragedy of the proportion of a holocaust, where more than 10 million indians were killed. Pututos, harps and voices are processed in a chronological discursive line were natural sounds are gradually subdued by technological ones. Thaks to Tito La Rosa for allowing me to record him playing the vasijas silbadoras, zampoñas and pututos.

Mundos (1999)

Recorded in Studio I at the Intitute of Sonology - Koninklijk Conservatorium, The Hague.
Hilary Jeffery - trombone
Diego Espinosa - percussion

Groenten (2010)

This is a 6-voice motet by Gioseffo Zarlino "Miserere mei, Deus". 4 of the voices are written in polyphony and the other 2 execute a cantus firmus in canon. It has 3 parts; this is the recording of the first part. The motet is written in the 4th mode with final E and, because of the use of low clefs, the GReCo Consort, composed by a full recorder consort, 4 singers and dulcian, is playing it a 4th higher in the tuning of mezzo-punto (a=465Hz).

GReCo Consort plays Zarlino "Miserere mei, Deus" Prima Pars

A dream within a dream (2012)
ECO project (Ensemble Télémaque, l’ensemble Musiques Nouvelles, l’ensemble De Ereprijs), recorded on 12/06/2012 at ECO : TRY-OUT#03 - ORCHESTRAL MANOEUVRE IN THE SOUND - BRUXELLES - Flagey - Studio 4
http://www.ecosound.eu/

Vivons-nous dans une chimère quand, selon Edgar Allan Poe, « Tout ce que nous voyons ou paraissons n’est qu’un rêve dans un rêve » ? Ou bien non, la réalité est réelle, nos angoisses ne dépassent qu’un état d’esprit, et, ceci étant, nous pouvons retrouver nos repères et de l’espoir en l’avenir ? À partir de cet imaginaire évoqué par le poème de Poe, quels mondes puis-je vous inviter à parcourir ? Des zones transitoires, où se déroule cette étrange lutte entre la vie et la mort, l’espérance et la désillusion, le présent et le passé, la réalité et le rêve. Un cri lancinant, amplifié et répandu dans tout l’orchestre qui ne cesse pas de se heurter, de s’épurer, de trouver d’autres significations, d’autres mœurs, d’autres habillages, d’autres profondeurs. Un seul cri, dévoilant de manière vertigineuse ses plus belles et plus sombres facettes.

Tatiana Catanzaro - A dream within a dream

In the midst of our quarantine, Luiza, my daughter, and I decided to play music to fill our souls with some hope and happiness. This is one of the musics we prepared. We hope you like it. Good health to everyone.

Sem Fantasia

For all the recorder  music lover.  Thank you to the flute,   recorder performers , compositor  and the groups who share their music.

My Music blogs :

Jean-Charles B Music Blog
(@jean_charles-b) : Aim at entering the musical beauty that offers us the various musics of any countries, of any time(period);



Yidaki (1998) by Erik Stalenhoef for the e-recorder

Cesar Villavicencio

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⭕️Ernesto Schmied⭕️

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