Always at the forefront with an active role in emerging stylistic nuances Century Media has truly shattered the barriers and exemplified diversity in extremes while remaining rooted in the underground but giving bands opportunities outside of the normal means with major league international touring, commercial radio play, and music placement in high-profile films, TV and commercials. Despite all of the years and breakthroughs the company maintains their organic, family feel and business is still being conducted by fans of the music for fans of the music.

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

BitchHammer is Leipzig’s finest in black/thrash metal. Born in 2008 and armed with iron will,
a metal heart and a stereotype-spiked mace, the trio infernale from the East German metal stronghold Leipzig
did not come to revolutionize the scene, but to refresh the basic trademarks of the devil’s music
with a straight-forward and old-school-infected metal sound from hell. The spirit of ancestors
such as Venom, Sodom, Darkthrone, Desaster and Aura Noir is the essence of their sound
and the Infernal One lurks behind every corner. 

Various concerts took the band on stage for example at »In Flammen Open Air«, »Taunus Metal Festival«, »Morbide Festspiele«, the Metal benefit festival at »Skullcrusher« Dresden and »Brutz & Brakel Stromgitarrenfest« Berlin with bands and friends such as Arroganz, Asphyx, Warhammer, Division Speed, Fäulnis, Hellish Crossfire, JT Ripper, Ketzer, Necrophobic and Nervosa. The beast has released three blasphemies on its own: the dirty »Doomblessed & Chaosborn« tape, a cool 4-Way-Split-LP with three other bands from Leipzig called »Thrashers of the Apocalypse« and the “Raging Hell Rivers« EP, which featured the band’s most relentless tunes so far. In 2019 the horde finally puts out its first full-length album: »Offenders of the Faith« is released on CD and LP by Berlin-based label Iron Shield Records. And it is exactly what it says on the tin…

BitchHammer stands for passion, riffs and the undying spirit of old school metal. With various club gigs and underground festivals in their back and their new album at (left) hand, the band is still hungry and more confident than ever. But no wonder, for the band still forges its unholy metal directly in the lungs of His temple: black, dirty and ass-kicking.

Gory is following