Clubbing was in its infancy when Berlin-born Monika Kruse began her first residency at the Babalu bar in Munich, where she grew up. Classically trained in piano from the age of four, Monika has always had a love of music and her early sets spanned hip hop, funk, soul and early deep and vocal house. This new breed of electronic music seized Monika’s soul and imagination. Dance music was in its infancy and since there were few clubs where you could play techno she threw her own parties in illegal venues ranging from World War II bunkers to trams to empty houses. Fortunately the police were a little behind the musical curve… “I had some funny experiences,” she recalls, “But nice ones! They stopped us once in a tram because they thought the smoke machine was a fire!” On another occasion, they came and asked her to turn down the bass so the house they were playing in wouldn’t crumble. “Luckily, they didn’t have a clue about techno!” 
	
Monika Kruse's star is shining brighter than ever with a global fan-base hungry for her irresistible beats. In 2014 her club appearances included Space Ibiza with Carl Cox, Amnesia Ibiza with Marco Carola, We Love... at Space Ibiza, Sankeys Ibiza, Egg London and regular sets for her residency at Berghain Berlin.

She dazzled the festivals, too, playing events such as Time Warp, Melt Festival, 18 Hour Festival, Eastern Electrics UK, Ultra Music Festival in Miami and South America, Sonus Croatia, Awakenings ADE, and SEMF Stuttgart. She also hosted a stage at Amsterdam's Edit Festival, showcasing some of her favourite artists such as Pig & Dan, Nick Curly and Miss Kittin.
Classically trained in piano, Monika's love of music is broad and deep. She grew up buying records, accumulating a music collection that grew to span funk, soul, hip hop, and house music. When the revolutionary rhythms coming out of Chicago and Detroit captured her imagination it led her to throw parties in illegal venues including World War II bunkers, trams and empty houses.

Electronic music culture has evolved rapidly since those early days but Monika's talent and passion is constant. “My ethos is ‘sweat with a smile,’” she says. “I give love to my audience and they give it back. LOVE – it’s the best thing in the world. My aim is to help people forget whatever is going on in their life and have a little holiday – just get lost in my music.”
Monika is also an active producer. Her Terminal M label celebrates its 15th anniversary in 2015 and she chalked up hits this year with Pig & Dan collaboration 'Soulstice', a Beatport Top 10 techno anthem. The fantastic remix package of 'Summer Drops' was also a Beatport chart favourite, featuring Monika's track reworked by Nicole Moudaber, Uner, and Mendo. With just two releases Monika was one of Beatport's Top 100 techno artists for 2014. Look out for the special re-release of the album Monika Kruse @ Voodooamt 'Passengers' in celebration of Terminal M's 15th birthday.

Monika’s passion for spreading the love extends beyond the dancefloor, too. In 2000 she founded a charity called No Historical Backspin to fight racism and homophobia. “It’s sad and ridiculous that people still get beat up, or in some countries even killed, for being gay. Or get treated badly because of their skin colour, or gender, or because they’re a refugee” she says. “But it happens. Sharing and caring is the only way to make the world a safe place for everyone. It is important for DJs to show they respect everyone.” She is currently organising a No Historical Backspin party at Berghain. Funds raised will go to Amadeu Antonio Stiftung, which supports victims of hate-crimes and campaigns against right-wing extremism.
Her charity work, like her DJing and production, is an expression of Monika’s faith in the transforming power of music. “It was my first love,” she says. “Music was my best friend. It never let me down. In good times music was there and in bad times music was there.”

Bookings : ian@safehousemanagement.com

OUT NOW
Alan Fitzpatrick - Don't Stop [APX031]
orcd.co/apx031

Tour Dates & Music: https://alanfitzpatrick.komi.io

Labels
@wearethebraveofficial
@apexfaction

Management - Electric Ibiza 
Neil Evans 
neil@electricibiza.com
Lisa Barraclough
lisa@electricibiza.com

WATB/Apex Label Manager
Graham Sahara
graham.sahara@electricibiza.com

Socials - Tom Aves
digital@avesie.com
 
Bookings - UK, Europe, Asia & ROW
NGE Bookings
will@nge-booking.com

Bookings - North & South America
Emma Hoser
Liaison Artists
emma@liaisonartists.com

A man who needs little introduction, Southampton born techno legend Alan Fitzpatrick has spent the last decade carving out his musical niche and holding rank in the upper echelons of the underground electronic world. Few artists can claim to have headlined Berghain and also had a hit on daytime BBC Radio 1, but then there aren’t many artists like Alan Fitzpatrick. 

One of the most popular techno DJs in the world, he has rubbed shoulders with the likes of Carl Cox and Adam Beyer for the best part of a decade, performing at the world’s biggest clubs and festivals. Known primarily for his raw hard-edged sound, Alan has developed into one of dance music’s most versatile producers, equally at home putting out techno bangers on Drumcode as he is making disco-infused house anthems, or experimental electronica under his 3STRANGE alias, not to mention his impressive range of collaborations (including CamelPhat, Skream, Sasha, Rebūke and Jamie Jones). 

The We Are The Brave and Apex Faction label don adopts a no nonsense approach to A&R and in 5 short years Alan has welcomed some of Techno’s finest producers to his fold. The Englishman champions the musical output of both established artists and breakthrough alike, accumulating over 50 million Spotify Streams on We Are The Brave records since its inception in 2016. Fast-forward to 2021 and the southern powerhouse shows no sign of slowing down, his passion for music permeating all aspects of his career. The WATB frontman is renowned for curating an evening of exceptional magnitude, having already showcased his roster’s talent at The Warehouse Project, Shine Belfast, SWG3 Glasgow and the infamous Fabric nightclub in London.

More info --> https://www.rotterdamrave.com

Not many artists are lucky enough to release a track that defies genre classification and reaches into mainstream culture, with people enthusiastically embracing its melody and adopting it as if it were a football anthem.
His track “Rave” has become an instant classic, a timeless piece of music gaining more than 100 million streams (becoming the most clicked Techno track ever).
Since 1996, a landmark year for him thanks to the worldwide success of his track “Zoe” produced as Paganini Traxx, Sam Paganini’s stylistic experimentations have gone from strength to strength, leading him to collaborate and release his music on several record labels like Plus8, Cocoon Recordings and Drumcode, reaching the highest spots on Beatport’s Techno Chart several times. His unique musical journey has achieved great success both on the underground circuit as well as on the mainstream channels.
In 2016 Sam founded his own record label JAM as a new platform to play out his vision of techno music. At first an outlet for his own productions releasing 3 albums and nowadays also a platform to discover new talented Artists.
Beside his studio work and production time, Sam’s DJ appearances are among the most requested by promoters worldwide: his sets are characterized by powerful grooves and have been described as “Sexy Groovy Dark Techno”, which speaks volumes, literally, on what to expect from his performances.
He has taken the stage at legendary clubs such as Berghain (Berlin), Output and Cielo (New York), Rex (Paris), Fabric (London), Crobar (Buenos Aires), Exchange (Los Angeles), Fuse (Bruxelles), Stereo (Montreal), Pacha (Barcelona), Fabrik (Madrid), Amnesia (Ibiza), Privilege (Ibiza) and Cocoricò (Riccione) just to name a few, and at Festivals like Awakenings (Netherlands), Nature One (Germany), Mayday (Germany), Tomorrowland (Belgium), Sziget (Hungary), Sonus (Pag Island), Time Warp (Germany), Ultra (USA). KAPPA Future Festival (Italy), Dour Festival (Belgium) and Monegros (Spain).

Goscha Boyko is following