Name: GOST ZVUK x NTS monthly show #35 w/ Mårble by Gost Zvuk Records
Duration: 1 h

Wow what wss that tune??? The one with vocals

Mixed from Moscow by Low Bob

Новый микстейп нам записал основатель важнейшего российского электронного лейбла @gost-zvuk-records — Ильдар Зайнетдинов, который диджеит под псевдонимом low808 и пишет музыку как @8ousyboy. Вся его деятельность направлена на поддержку и развитие отечественных музыкантов. У каждого альбома, выходящего на «ГОСТе», есть ровно одна одна задача — помочь музыканту раскрыться и при этом как можно сильнее сохранить творческую свободу. Следующий час не будет исключением. Здесь так же работают его кураторские и селекторские качества: нам встретится французский неосоул и безмятежный, глубоко уносящий в подсознание пасторальный эмбиент.

«Всем кто ложится спать – спокойного сна»

Tracklist:
??? 
DX2OV - Интерзона (Gost Zvuk forthcoming)
jde - Miel 
Félicia Atkinson - Adaptation Assez Facile 
Perila - Transient 
Heath Brunner - vdub 
i/dex+hhtp - i 
Harmash - Through The Dark Woods 
I. Zaynetdinov – CC_2 
Vtgnike – Definition 
Fama 87 - Lirica 
S A D – Crystal Lake 
Karin Krog - The Meaning of Love 
Hodge - One Last Dance 
Brugmansia in Excelsis - February

Download link: 
https://bit.ly/3DnI9v6

Cover art by @pseudo-art-rose
pseudo-art-rose.tumblr.com

Mixtape For W Λ V E S

Support

Low Bob – Mixtape For W Λ V E S 095

50th Gost Zvuk episode on NTS w/ Igor Dyacheko @igordyachenko

Igor Dyachenko - Layer 17
Janek Schaefer - beam me up (with Radovan Scasascia)
Jan Jelinek & Masayoshi Fujita - Helio
Elysian - chorus line
Mads Emil Nielsen - Constellation
Nikita Alexeenko - Spec grains 2
Yo9o Tatara - emission controverse (edit)
ura - figure 1
SERWED - Cryo
xtclvr - halcyon mxx
Headlock - Suck
OL - Gel Light
Krush Lumpkin - Rilascio(excerpt from side b)
Andy Nicolson - Cave Rescue
Igor Dyachenko - Impulse 3
all light hits u - Gives shape
tiblc - Hypertranslucent
Klotho - Xeno
evanful chart - morph abode
Purelink - At Nest
Igor Dyachenko - Saccade

GOST ZVUK x NTS monthly show #50 w/ Igor Dyachenko

Flaty NOODS mix 29-06-22

01 psor - doom13_2
02 Beatrice Dillon - sg1
03 OL - sick rari add
04 d.towärds - f ch
05 ewer - attraction 
06 Nocow - memory feat Fama87
07 SERWED 4 unknown
08 Vtgnike -  loop fact12
09 Shutta - Great bass drone
10 Flaty - TARG22—11 AR2 200
11 Stas Karpenkov - EvpaTrans+
12 Satin Doll - Sandy Bay Unlimited
13 psor - doom16-glitch2
14 Flaty - sl sky
15 OL - 8 Wizharp
16 Salama - SL 
17 Nadezhda Sound Prospective - utilitronium
18 Simulyakr - 1-Audio 0002 [2022-06-21 220525]  / am
19 Ekaterina Bazhenova-Yamasaki - EBY_050122

Flaty NOODS Radio Mix [29-06-22]

03/09/22 mic iphone

ПОЛЕ
Москва

Dj Kassir – Ugly Label Launch

tracklist: https://www.nts.live/shows/buttechno/episodes/buttechno-26th-september-2022

Pavel Milyakov @ NTS 26.09.2022

Bryozone — Eye Of Delirious 
@gannabryzhata

“Eye Of Delirious” is a long-awaited debut Muscut's release of Chillera’s band bass player Ganna Bryzhata — an Odesa-based sound artist. An ambient LP is a smoothy-flow sub-nautical journey with the songs of Black sea sirens glowing under the moon.

Format: C40, cassette / Digital
Edition: 100, hand-numbered
File under: ambient, dub, experimental

Face A:
Smoothy Flow 
Sub Nautica 
Sequence One 
Glowing Sirens 
Ghost Tribe

Face B:
Ambiency 
Liminal Tribe
Eye Of Delirious 
Fateful Torment 
Ground Floor

Mastering by Gennadiy Boychenko 
Artwork by Volodymyr Pavlov 
Graphic design by (DN) daynight.info 
Neu Medieval and Heymland typefaces by KTF 
Riso print by Hands on Press 
Muscut, 2023

Eye Of Delirious

Order

Bryozone - Smoothy Flow (Muscut 27), March 2023

This short text is written to tell you about a new record on the waves of Right.FM made by the Saratov artist, musician and DJ Camin' and uncover a little about the author.

In 2015, inspired by the activities of the NII club and the Gost Zvuk label, Vikenty together with the Total Resistance creative community team began organizing events in his hometown and inviting artists from different cities of Russia. While the parties were held, Camin' wrote a lot of music and released it on various cool labels like Kazan's Get Busy, British Opal Tapes and Cong Burn, Odessa's Sistema and New York's Dirty Tapes. The music has depth and groove.

Vikentiy's DJ sets always share a link, some resemblance with his own music, and this does not depend on the genres he uses. A blend of ambient, IDM, dub and breaks awaits us on the link, and we will gladly press play.

-

Этот ĸоротĸий теĸст написан, чтобы рассĸазать вам о о новой записи саратовсĸого художниĸа, музыĸанта и диджея Camin’ и немного о самом авторе — на волнах Right.FM.

В 2015 году, вдохновившись делами ĸлуба НИИ и лейбла ГОСТ Звуĸ, Виĸентий вместе с ĸомандой творчесĸого ĸоммьюнити Total Resistance начал делать мероприятия в родном Саратове и приглашать туда артистов из разных городов России. Поĸа делались вечеринĸи, Camin’ написал много музыĸи и издал её на разных ĸлассных лейблах вроде ĸазансĸого Get Busy, британсĸих Opal Tapes и Cong Burn, одессĸой Системе и нью-йорĸсĸих Dirty Tapes. Музыĸа отличается глубиной и грувом.

В диджей-сетах Виĸентия всегда ощущается сходство с собственной музыĸой и это не зависит от используемых им жанров. По ссылĸе нас ждёт смесь из эмбиента, idm, даба и брейĸов, и мы с удовольствием нажимаем на плей.

@camin-mraz-1

right.cast — Camin'

What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called ‘northern’ variety) rather than dub. Gost has a history with the town of Smolensk. It’s home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun’s members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn’t truly exist.

The Russian word for oak, ‘dub,’ looks exactly like the genre, and the chariot emerged from the name for the group’s jams – ‘telega’ – which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There’s no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).

We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism — and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the “Russian mutation of dub,” is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The “fool” in question is not naïve at all; he’s trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.

Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy “fools”), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a ‘postsong’, taking the form of “linguistic, formal and symbolic indeterminacy.” The duo’s faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying “eto delo v lob,” which means something like “it’s a straight-on thing.” This is very direct, almost in the vein of folk music. This is a great – and, it must be said, successful – experiment in searching for the soul of Russian dub. Simple as that.

GOST018 Oaken Chariot "Biznes Time"

Side 1

A1: They are looking at us from above
A2: BIZNES TIME 08:39
A3: Free Poetry 01:51

Side 2
B1: Splendor of Wasteland
B2: Purer Than Love
B3: Volchok
B4: Random Regularities

Music and recording — Anton Dvoenko, Vasiliy Shilov
Mix — Anton Dvoenko
Mastering — @poducedbyflaty
Executive producer — Ildar Zaynetdinov
Cover – Eduard Kulemin "Field" 1988

12" LP full-color sleeve.
October 7, 2022

© «ГОСТ ЗВУК»

GOST018: Дубовая Колесница "Biznes Time"

info: https://radio.syg.ma/episodes/guests-172-morgotika
https://soundcloud.com/morgotika

GUESTS

GUESTS 172 – Morgotika

»Izhevsk is a city located between the Ural mountains and the Volga river. In other words, in the middle of nowhere – there’s no chance you’ll be passing it by unless it is your final destination. Comparing to other Russian cities, Izhevsk is a town where it is still easy to find silent places. Since this is a ‘factory-town’, there are sounds of working factories distinguishable in this silence in some places and by night. As a teen I spent a lot of time outdoors with my friends imagining where those sounds could come from. Years later I learned that it was not only me who heard the sounds. I think the atmosphere of the city much influenced the phenomenon of ‘Izhevsk music wave’ and Izhevsk as a ‘Russian capital of electronic music’ in the late 80s and 90s. This mix embodies this atmosphere, this time and those sounds. 

Unfortunately it’s impossible to find an archive or Discogs catalogue music of this time and listen to it. There are only few records in high quality, which seems to be natural. Some records in 90s and 00s were produced on CDs, tapes and different mixtapes; some were never released, others are released now – like a vinyl record by Samtsi Dronta put out in 2019 and compiled from mp3 records. Today we can proudly say that the band Стук Бамбука в XI часов (Stuk Bambuka V XI Chasov) invented trip-hop simultaneously with Bristol scene. It was possible to do in such a context. 
The phenomenon of Izhevsk seems to become more trending from year to year – and now on air at Radio Cómeme. Enjoy!«

SD – Sound 2
Virgo Intacta – Warm Winter
Стук Бамбука В XI Часов – Слабый Тигр
Stereosobaka – Box 
Manhattan Hands – Не бросать 
Красивая Пришла – Конькобежцы 
Velvet and Velvet Dolls – Electric Wedding 
Юка – Шары 
Soda – Hallelujah Izhevsk
RяБа Mutantъ – Gut Kaiser Song
Lancer – C Valley
Rhodesia – Xenophobia
Samtsi Dronta – White Child (early version)

Radio Cómeme - Izhevsk – Sounds from nowhere – by Denis Riabov

35th Gost Zvuk episode on NTS w/ @m-rble
Photo by Michael Voropaev

1. A F R - Exodus 
2. Echotourist Sound System - Kazachki Intro 
3. Koyil - Sloboja 
4. Indian Field 
5. Misha Sultan - Kaleidoscope 
6. Mårble - Rasta Fazer (Moto Voc.) 
7. Пурпурный Дядя - Lao Dub 
8. Minereed - In The Morning 
9. Jaaba - Muzikalny Dom  
10. Echotourist Sound System - Royal 
11. Koyil - Vāg 
12. Dyad and the Sleepers Club  - 2020 October 
13.  Psee - Iisusse 
14. Minereed - Oidípous Týrannos 
15. Dyad - Untitled br 1  
16. A F R - Communication 
17. Mårble - Joki  
18. Пурпурный Дядя - Miri Baht

GOST ZVUK x NTS monthly show #35 w/ Mårble

Gost Zvuk Records

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