нармааааааааааввльнааа

Mixed from Moscow by Low Bob

Новый микстейп нам записал основатель важнейшего российского электронного лейбла @gost-zvuk-records — Ильдар Зайнетдинов, который диджеит под псевдонимом low808 и пишет музыку как @8ousyboy. Вся его деятельность направлена на поддержку и развитие отечественных музыкантов. У каждого альбома, выходящего на «ГОСТе», есть ровно одна одна задача — помочь музыканту раскрыться и при этом как можно сильнее сохранить творческую свободу. Следующий час не будет исключением. Здесь так же работают его кураторские и селекторские качества: нам встретится французский неосоул и безмятежный, глубоко уносящий в подсознание пасторальный эмбиент.

«Всем кто ложится спать – спокойного сна»

Tracklist:
??? 
DX2OV - Интерзона (Gost Zvuk forthcoming)
jde - Miel 
Félicia Atkinson - Adaptation Assez Facile 
Perila - Transient 
Heath Brunner - vdub 
i/dex+hhtp - i 
Harmash - Through The Dark Woods 
I. Zaynetdinov – CC_2 
Vtgnike – Definition 
Fama 87 - Lirica 
S A D – Crystal Lake 
Karin Krog - The Meaning of Love 
Hodge - One Last Dance 
Brugmansia in Excelsis - February

Download link: 
https://bit.ly/3DnI9v6

Cover art by @pseudo-art-rose
pseudo-art-rose.tumblr.com

Mixtape For W Λ V E S

Support

Low Bob – Mixtape For W Λ V E S 095

lovvlifer & qwqwqwqwa & Sergei german — 4 hour recording from the third day of St. Petersburg’s nightclub «Ugly» closing night by its residents. Banging minimal, 00-s greatest, microhouse, indie and pop.

lovvlifer & qwqwqwqwa & Sergei german — 4 часовая запись с третьего дня закрытия петербругского «Агли» от его резидентов. Минимал, лучшее из 00-х, микрохаус, инди и поп.

* В эту субботу 25.06 в баре REX пройдет шоукейс Петербургской команды Ugly. 
Подробнее о мероприятии по ссылке:  https://t.me/heyugly/452

@uglysc
@lovvlifer
@qwqwqwqwa
@sergeigerman

TASCAM DR-40X

right.cast — Ugly final b2b2b

SIL на ВРАГ! Трек "СVC"
Парень фром Sakskøbing рекордс и Deficit
more go - https://soundcloud.com/silskkbrec

ПЭ№54 - SIL

For Oleg Azelitskiy, known as DJ Slon, the nineties and the first half of the aughts were an era of “firsts”. First squat parties on the banks of the Obvodny Canal and more legitimate ones at Tunnel, first proper techno club in Russia. First DJ sets, first vinyl records in his collection, first radio shows at Port FM. He is a true veteran of the Russian techno movement, who carried his love for the genre through three decades and inspired more than one generation of musicians. Album №1 is the first edition of his music on vinyl. It comprises the music that Azelitskiy made during 1995 – 2005, except for the track My 40th Vesna, produced in 2010.

Azelitskiy’s love for techno was born out of contradictions. Thanks to the Soviet synth band Zodiac and the French pioneer Jean-Michel Jarre, he had loved electronic music since his childhood. When he grew up, he got into the dark, introspective pieces by Einstürzende Neubauten and Bauhaus. Not only does the wide-ranging palette on Album №1 reflect its creator’s taste, it echoes the changing times of the Russian nineties. It was the time when confrontations with criminals were inseparable from the parties and get-togethers bustling with local artists.

His affection for various genres led to many monikers and projects, all represented here on Album №1. He recorded most of his music as DJ Slon. Then there was a project Zhutkiy Lazer (Scary Laser), where Azelitskiy made music that was more experimental but still techno-oriented, with the occasional help of his friend Aleksey Gaponenko (Lazer became a proper solo project of DJ Slon in 1999). There are also tracks under the aliases Mass Fatality, which combined techno and synth-pop, and Razrushiteli Mozgovych Uliev (Brain Hive’ Destroyers), with its more direct tight techno tracks.

The music of DJ Slon sounds fresher and more alive on Album №1 than ever before. Noticeably, this record, first and foremost, is dance music. As a voice on one of the album tracks boldly states, we came to dance.

GAR004: DJ Slon и Жуткий Лазер "Album №1"


Side 1
A1: Jenny (6:27)
A2: Dance In The Shadow (6:15)
A3: Bassline On Rimsky-Korsakov (4:03)

Side 2
B1: We Came To Dance (3:42)
B2: Vesna (3:24)
B3: Disturbance (4:28)
B4: Palahuni (5:17)

Side 3
C1: Pop (5:29)
C2: My 40th Vesna (5:36)
C3: Lunatic (5:09)

Side 4
D1: RMU 02 (7:49)
D2: Z80 (4:12)

Music – O. Azelitskiy
Tracks "Jenny" and "Z80" were recorded together with A. Gaponenko
Mastering – Flaty
Text – A. Makarskiy
Executive Producer – I. Zaynetdinov
Photo from the personal archive of O. Azelitskiy

© «ГОСТ АРХИВ», Moscow, Russia, 2022

GAR004: DJ Slon и Жуткий Лазер "Album №1"

Manipulations of Bevissthet

Kosaya Gora b2b

http://www.instagram.com/kosaya.gora

2MR TRANSMISSION with Kosaya Gora (Kedr Livanskiy and Flaty)

What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called ‘northern’ variety) rather than dub. Gost has a history with the town of Smolensk. It’s home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun’s members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn’t truly exist.

The Russian word for oak, ‘dub,’ looks exactly like the genre, and the chariot emerged from the name for the group’s jams – ‘telega’ – which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There’s no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).

We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism — and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the “Russian mutation of dub,” is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The “fool” in question is not naïve at all; he’s trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.

Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy “fools”), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a ‘postsong’, taking the form of “linguistic, formal and symbolic indeterminacy.” The duo’s faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying “eto delo v lob,” which means something like “it’s a straight-on thing.” This is very direct, almost in the vein of folk music. This is a great – and, it must be said, successful – experiment in searching for the soul of Russian dub. Simple as that.

GOST018 Oaken Chariot "Biznes Time"

Side 1

A1: They are looking at us from above
A2: BIZNES TIME 08:39
A3: Free Poetry 01:51

Side 2
B1: Splendor of Wasteland
B2: Purer Than Love
B3: Volchok
B4: Random Regularities

Music and recording — Anton Dvoenko, Vasiliy Shilov
Mix — Anton Dvoenko
Mastering — @poducedbyflaty
Executive producer — Ildar Zaynetdinov
Cover – Eduard Kulemin "Field" 1988

12" LP full-color sleeve.
October 7, 2022

© «ГОСТ ЗВУК»

GOST018: Дубовая Колесница "Biznes Time"

– Что для тебя Расцвет?

@shutta: [Время, когда меняются правила]

AHOLA [rɐsˈt͡svʲet] 02: Shutta

Poem

https://www.youtube.com/watch?v=LooQw_dmt4k

OL is coming back to GOST with his first double LP - a one hour masterpiece that sums up his research of the Soviet sound heritage. The album titled “Height Difference” fluctuates through different genres and tempos reflecting the ups and downs of daily life. This refined and sincere work showcases the talent and unique sound of a prolific Russian producer.

Sao Ra

Moving through the woodland there was a strange creature which walked alongside him in the dense glow of the twisted moonlight. He held his torch high to cast a small path of light ahead of his stride as the lion marched on in tandem. He was not the brave soul he had hoped he might find himself to be - the woods were dark and scary and as the trees howled and roared in the strain of the wind he began to shiver and shake. This place was spooky and haunted, like something from an old film. The sound echoed in the distance as he walked towards the light outside...

Koyil is he musical alias of Lev Zhitskiy who is set to release a new EP on Moscow based record label DIG Records. It's a beautiful, enchanting ethereal release which channels a wide range of instrumentation and style. Highly recommended, big TIP as some might say.

GOST018: Дубовая Колесница "Biznes Time"

Gost Zvuk Records

Recent comments

pushaty

pushaty

gosh_

Alexey Flint

Related tracks