Joy Division (британская басуха) здорово! Спасибо за подборку

можно ли каких-то подробностей или ссылок на инфу об этом коллективе/исполнителе?

и про группу метро хотелось бы что-то узнать. не загуглить

Не могу найти исполнителя ...

DJ from St. Petersburg, a part of the Samara label "oblast" , a resident of TESTFM radio, the "Izich" club and the "Sumeba Miyako" association. Inside the recording there are non—obvious musicians, the work of frendly producers and selector intuition.

Диджей из Петербурга, представитель самарского лейбла Oblast, резидент радио TESTFM, клуба Изич и объединения Sumeba Miyako. Внутри записи — неочевидные музыканты, работы друзей-продюсеров и селекторская интуиция.

@tsyo

Tara Clerkin Trio - Hellenica (Pat Benjamin Remix)
Abramov - Monster
LINJA - Hermitage Garden
Dekalb Works - with
HMOT - Hell Is You, Yourself 
Wojciech Bąkowski - MASKA
Lyckle de Jong - os
ST/NE - Change the Winning Team
Dunning & Underwood - In Suggestible State
Wanda Holt - I didn't had me a job since 1998 
MM-KM - Pressureless
The Guy Known As S. Merlin - Agent Ch
Group A - A’s Den
Justyna Stasiowska - Fetish Fatigue
ᕦ(ò_óˇ)ᕤ - B1 (feat. Ryan & Kouhei)
Margenrot - Одноголосый / Odnogolosii 2.0
Oxana Grigoryeva - Lush
vxlam & thelonious bong - mangosapphire
Office of Passion - Самоисполнение
James Marrs - Caving
ng2 - explore
wei.xzy & beennooutside & ruslan - okis'

collective podcast 13 : Tsyo

Запись выступления нашего большого друга и музыкального шамана Богдана @bogdaaamn Бойчука с шугейз-вечера No Wave!. В сете — шумовой романтик-коллекшен, гитарные колючки и счастливый трип низкого качества.

No Wave! shoegaze evening w/ Bogdamn @ Underdog Moscow

болтаем с нашим хорошим другом Тимошей ака stereometrix

кавер бай раф ака сузоръе

в гостях stereometrix

Kosaya Gora b2b

http://www.instagram.com/kosaya.gora

2MR TRANSMISSION with Kosaya Gora (Kedr Livanskiy and Flaty)

What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called ‘northern’ variety) rather than dub. Gost has a history with the town of Smolensk. It’s home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun’s members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn’t truly exist.

The Russian word for oak, ‘dub,’ looks exactly like the genre, and the chariot emerged from the name for the group’s jams – ‘telega’ – which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There’s no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).

We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism — and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the “Russian mutation of dub,” is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The “fool” in question is not naïve at all; he’s trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.

Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy “fools”), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a ‘postsong’, taking the form of “linguistic, formal and symbolic indeterminacy.” The duo’s faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying “eto delo v lob,” which means something like “it’s a straight-on thing.” This is very direct, almost in the vein of folk music. This is a great – and, it must be said, successful – experiment in searching for the soul of Russian dub. Simple as that.

GOST018 Oaken Chariot "Biznes Time"

Side 1

A1: They are looking at us from above
A2: BIZNES TIME 08:39
A3: Free Poetry 01:51

Side 2
B1: Splendor of Wasteland
B2: Purer Than Love
B3: Volchok
B4: Random Regularities

Music and recording — Anton Dvoenko, Vasiliy Shilov
Mix — Anton Dvoenko
Mastering — @poducedbyflaty
Executive producer — Ildar Zaynetdinov
Cover – Eduard Kulemin "Field" 1988

12" LP full-color sleeve.
October 7, 2022

© «ГОСТ ЗВУК»

GOST018: Дубовая Колесница "Biznes Time"

n.1 петр мамонов • цветы на огороде
n.2 красивая пришла • я, ты, рептилия
n.3 юрий морозов • человек
n.4 k.u. street spring • bells
n.5 the bach revolution • d.e. 108
n.6 kletki • globophobic journey 
n.7 новые композиторы • любовь
n.8 вова синий и братья по разуму • инородная песня
n.9 virgo intacta • cяду на…
n.10 латр • радиоактивная пыль
n.11 бм • пьедестал 
n.12 dubtv meets dr i-bolit • звезда по имени джа
n.13 атлантис • я тащусь
n.14 кофе • принцесса
n.15 тамбурин • я не знаю 
n.16 доктор • купите мои вздохи 
n.17 телевизор • цветные сны
n.18 вагиф мустафадзе • ритм
n.19 урфин джус • чего это стоило мне
n.20 юка • камней драгоценных ладонь

начало

@nts_live
https://www.nts.live/shows/buttechno/episodes/butttecho-30th-october-2017

Pavel Milyakov NTS monthly show #1 — Odessian groove

@tofudj

c-x-e-m-a.com/eng/cxemcast/078-tofudj

c-x-e-m-a.com

Cxemcast 078 – Tofudj

That was her long route from restoring church domes to illustrating in her own style (you can see her works here https://www.behance.net/yuliamrachnenko), and also, Yulia is part of our team and today she shared her favorite hip-hop compositions, which so correspond to the life credo reflected in her art: “life is cool”, “stay high”

faxxe mix: Yulia Mrachnenko

Normal People have occupied the 20ft container again for another show, led by music enthusiast and super talented Kyiv-based producer Victor Konstantinov, aka Polje, who seems to be collecting the incongruous in his selection of psych, urban romances, brezzy loungers, melted electronics, outsider music and other local spill oddities.

More: https://www.20ftradio.net/normal-people/

Normal People #04 w/ Polje @ 20ft Radio - 26/11/2020

Our friend Leva Zhitskiy aka @koyil investigating 80'-90' industrial and new wave tapes from Russia and ex-USSR.

Шесть Мёртвых Болгар - Охота-2
ZGA - World Has Thinned Out
Невроз Навязчивых Состояний - Повелитель
Новая Конъюнктура - Разговор с собаками
Ivanov Down - Tua (Jazz)
Штраусс - Танго
Коллежский Асессор - Гарем султана
Модель - Кали-юга
Velvet And Velvet Dolls - Electric Wedding
ELena - Елена 
Метро - Лунная Страна / Россия-матушка
Самцы Дронта - Крокет
Доктор - В небе луна, как бумажный макет...
Игорь Чернявский - Заблудившийся Трамвай
Лысые Игрушки - Выключи свет, придурок
Inquisitorum - Кирпичи (ГОВНО)
Ganzha - Я Хочу Кушать

ГОСТМИКС 033: Leva Zhitskiy

Gost Zvuk Records

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