My son and me started producing edm tracks during lockdown. This is our last attempt...still learning phase. In a local newspaper we made a videoclaim to release at least some tracks publically. We're on the way to a dub techno EP hopefully. #GetMorePlays

Breathing Yellow

Krakatoa (count me out)

Sheck your ass baby

130 Mix 2022

This is Mozhgan & Solar at An Interdimensional New Years this year at Marble Bar, directly before an interstellar set from Intergalactic Gary. Catch Mozhgan this week opening No Way Back in her inimitable mesmeric style. 

Mastered by Jim Gibbons of AVS.

Interdimensional Transmissions Podcast

IT Podcast

IT.podcast.s12e07: Mozhgan & Solar at An Interdimensional New Years

Amber Gillen (IT / WCBN) meditates on craft, American music history, and the roots of funk right before Samhain. 

Moods is community curated and community supported. By helping us out, you're directly supporting artist commissions, curator fees, merchandise, and materials for parties. Give us a buck, four, or more a month here: https://moods.substack.com/p/moods-62-amber-gillen

For her first mix released in over a decade, Amber Gillen (immersive installation artist and visual artistic director for Interdimensional Transmissions) takes us on a journey through time—and ultimately ourselves. It’s also Samhain: the end of October where the boundary between the past, present, and future feels thin and energy flows thick. It reminds us of Keith Moxey’s suggestion that time might not “run at the same speed and density” in all places. Either way (or any way), it’s the right time to have Gillen take us through her sonic past across ambient, rock, and funk.

Read her interview, tracklist, and more on Substack: https://moods.substack.com/p/moods-62-amber-gillen

We’ve paired Gillen’s mix with a piece from Berlin-based, Sulaymaniyah-born Hiwa K. Hiwa, while originally a realist painter, now crafts sculptures, videos, and sounds that  “aim [not] for an accurate depiction of a reality that could be, but reinvent and transform the reality at hand.” Work such as Blind as the Mother Tongue unspool the debris of capitalism to better see how social structures like borders and time zones are reinforced. “The work I do is very much about reminding how many fingerprints we have onto each other,” Hiwa mentions, “[and] how much we are embedded into each other.”

For more on Hiwa, we recommend reading about his exhibition at the New Museum in 2018: https://brooklynrail.org/2018/11/artseen/Hiwa-K-Blind-as-the-Mother-Tongue

For keep up to date on Amber Gillen’s work, head here: https://www.instagram.com/amber.gillen/

For the interview, tracklist, and more, read on our Substack: https://moods.substack.com/p/moods-62-amber-gillen

Moods 62: Amber Gillen

a spontaneous neurotic thriller cut from a session with me and John Ryan

Memory Deletion (featuring John Ryan on vocals and warping)

Kooky Scientist - 10 Year Anniversary of Plus 8 at St. Andrews Hall - 10.28.2000

Recorded live 5/25/2000 over the air just off the 88.3 FM frequency onto VHS during Crush Collision radio show at WCBN-FM Ann Arbor, MI. Intentionally degenerated and privately released on cassette the same year. This version was edited by CS & BMG @ I.T. for limited CD reissue in 2002

Memory Deletion (featuring John Ryan on vocals and warping)

Fonzique!