Francesco Mascio, Italian guitarist and composer, was born in Cassino in 1981. He has a multi-year career to his credit with a four-digit number of concerts both in Italy, from Turin to Caltanissetta, passing through Milan, Bologna, Rome, Cosenza, Naples, and abroad in Europe and in the United States. Numerous albums including "Europa Jazz Quartet" (2012), "Mantras for a New Era" (2013), "Ganga's Spirit" (2015), "Jaggae" (2017) which led him to play at the Auditorium Parco della Musica in Rome, "Wu Way" (2018), "I Thàlassa Mas" (2019), "Preview" (2020) and "My Standards (2022). He had the opportunity to play with the great masters of Jazz such as Tony Monaco, Francisco Mela, Shawnn Monteiro, Fabrizio Bosso, Flavio Boltro, Karl Potter, Baba Sissoko, Steve Wickham, Crystal White, Gegè Telesforo, Maurizio Giammarco, Rosario Giuliani, Pippo Matino, Giovanni Imparato and many others . His compositions have gone through numerous styles to arrive today at a completely original and characterizing production. Like all artists he does not like to be identified with a specific genre but, if we wanted to find a place for him we could include him in a peculiar "Jazz Crossover". His vocation is clearly experimentation, from East to West, without borders. Because Francesco Mascio absorbs every experience, lived and observed, and transforms it into a profound suggestion that, through music, he shares with the rest of the world.

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Insta : @ardent32m

Paris, France.

Founder of SMRs Blogs since January 19 2011.: 5 blogs   :http://smrcultureplus.blogspot.ca/p/blog-page_1.html#.U5nOv7HrzYQ)(link for descriptions)
If you have any promotional materials (prefer physical over digital) for review or mention (discographies, commentary etc. please contact me.

- a band with a ton of melancholy 

Luca (vox)
Matteo (keyb)
Marcello (guitar)
Giacomo (guitar)
Ilario (bass)
Luciano (drums)

Rompendo con la tradizione del “reading”, i Fèrsina Zoo provano un rovesciamento dello spoken anni ’60: allo schema del fatto letterario accompagnato dalla musica si sostituisce un impianto integralmente musicale. La voce vi si annette in quanto strumento non melodico, monocorde, industriale, alla costante ricerca della stessa “pasta acustica” di cui sono fatti i synth. Beat e melodie sintetizzate, di musica elettronica pura, emergono assieme al singolo enunciato, in un reciproco accordo.
Il risultato, fatto di suoni che evocano immagini, si accompagna alla proiezione di immagini vere e proprie, concretizzandosi come esperienza visiva e cinematica.
Per info e proposte, zoodelfersina@libero.it


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