As a bit of a midsummer refresher, this week we step away from the sounds of clubland and sit back with tunes to unwind the mind. Whether you're chilling at home or out for an evening cruise, the Slowdown Special is back to soundtrack a more easygoing nighttime. Expect music from Nailah Hunter, DOMi & JD Beck, Roy Ayers, Lettuce, and a very special guest selector session from Toronto-based harpist and film composer Grace Scheele featuring 100% of her own original works!

Broadcast live Friday, August 12, 2022 on WERA 96.7FM Radio Arlington.

Follow Grace Scheele:
@gracescheele
www.twitter.com/graceharpsit
www.instagram.com/graceharpsit_
www.facebook.com/graceharpsit
www.gracescheele.bandcamp.com
www.gracescheele.com

HOUR 1 w/ NocWax
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The Grid - Floatation (Special Request Remix)
SAULT - Heart
Eusebeia & Akuratyde - All That Came Before
Alina Bzhezhinska & HipHarpCollective feat. Lady Sanity & Tom TheyThem - Paris Sur Le Toit
Crumb - Locket
Quiet Village - Free Rider
Nailah Hunter - Forest Dark
ABUNAI - sixteen hours
Dan Berkson - Momentum (Rhodes Rework)
44th Move - Broken
Durand Jones & The Indications - Cruisin to the Park
Roy Ayers feat. Merry Clayton - Mystery of Love
Yusef Lateef - Love Theme From Spartacus
Lonnie Liston Smith & The Cosmic Echoes - Sunset
DOMi & JD BECK & Herbie Hancock - MOON
Lettuce - Resonate

HOUR 2 w/ Grace Scheele (53:56)
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Grace Scheele - greensborough
Grace Scheele - i can only understand in snippets and snapshots
Grace Scheele - pu·sil·lan·i·mous
Grace Scheele - cacchinate
Grace Scheele - 12 Layers
Grace Scheele - landings


www.wera.fm

Nocturnal Wax Presents: Studio 96 on WERA 96.7FM

Support the groove!

Nocturnal Wax Presents: Studio 96 #207 - Slowdown Special II feat. Grace Scheele (August 12, 2022)

MSPC E06: Subsume, Greydini, and Grace Scheele

You are cordially invited to our bday party to be held at Tranzac, 292 Brunswick ave on October 19th. mainstream 6.66 [libra szn] featuring lo-fi ai, folk vr and improvised quadraphonic sounds.

Snatch yr tix: https://www.eventbrite.com/e/mainstream-666-libra-szn-tickets-728604223847?aff=oddtdtcreator

I believe it was Ryan Trecartin who said: “We’re gonna make a jail and raise him to be a rose without thorns.” That’s what we got for you in this month’s ep.

Gandolfini era mouth breathing as we circle each other in the composer’s studio at Artscape Gibraltar Point.

Yr new faves:

Subsume– the force, the beauty, the birds
IG: www.instagram.com/subsume.wav/
Bandcamp: https://subsume-wav.bandcamp.com/

Greydini– lore-core genre-ist
IG: www.instagram.com/greydini/
Bandcamp: https://greydini.bandcamp.com/music

Grace Scheele– ‘what heaven sounds like’
IG: www.instagram.com/graceharpsit_/
Bandcamp: https://gracescheele.bandcamp.com/music

from your hosts:

Ben McCarthy
IG: www.instagram.com/paleeyesmusic/
Bandcamp: paleeyesmusic.bandcamp.com/

Tax Haven
IG: www.instagram.com/1000000000000000000000000likes/
Bandcamp: taxhaven.bandcamp.com/

MSPC E06: Subsume, Greydini, Grace Scheele

live performance from CK13, Novi Sad, December 2014

Milana Zarić, harp
Richard Barrett, electronics


Richard Barrett - tendril for harp and electronics (2013)

A piece for harp and electronics (composed in 2005/6)
Harpist: Lucia Bova

Q6 for Harp and Electronics

Franziska Schroeder - alto saxophone
Tanya Houghton - harp
Justin Yang - live electronics

Superimposition for Harp, Saxophone and Live Electronics

Kaija Saariaho - Fall For Harp And Electronics

performed by Hanna Kinnunen (fl) and Lily-Marlene Puusepp (hp) on defunensemble's debut album DefineFunction

In mathematics, Curl denotes the amount of rotational flow at a given point in a vector field. In this piece, I wished to investigate juxtapositions of continuity and discontinuity. Manipulating the flow of material with this mind led to music that resists linear development, and often seems simultaneously to move and stand still, as if stuck in a whirlpool.

Define Function (2015, Defunensemble, [Disc 2])

Curl (For Flute, Harp And Live Electronics, 2010/2013)

1/23/2018 : improvisation on limitations. 

Improvisation inspired by osker wyld's music. Check out his improvisations here : https://soundcloud.com/oskerwyld. :)

harmonics

Premiered at the Ann E. Pitzer Center in Davis, California on 4/12/17
Harp - Jennifer Ellis
Electronic patch built by Derek Kwan in Pure Data

Parallax Oblivion for Harp and Live Electronics

Meghan Cheng - Violin
Gabo - Piano
Pouneh Dashti - Santoor

 Recording & Mixing: James O'Callaghan
 Assistant Engineer: Elizabeth A. Baker


Big thanks to everyone at https://wrcms.org/

sapwood

Written for and performed by Emily Morse. Premiered November 2018 at the University of Victoria. Recorded December 2018 at the University of Victoria.
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Stages of our lives come and go along with the people and the things we choose to give our time to. Some people that we meet affect us profoundly and others only there for a moment. We change as people and we don't stay the same for too long, the world doesn't allow it. Life can feel like there is so much going on and then it passes. The beginning of something new only lasts so long as until we become acquainted. The end follows suit sometimes before we want it to. This is a piece about these moments.
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Photo taken by the composer

These Moments are Fleeting, for solo flute

American-Canadian Grace Scheele is an award-winning contemporary harpist, composer, curator, and improviser. www.gracescheele.com