C. Coiffure - Drain (INTL.PDCOMP001)

Alkini - Whale Dance

@lukasoppenheimer
@transatlanticrecords

Windowseeker is Lukas Oppenheimer and ‘Spiral 2 Success’ is his Transatlantic debut. It revels in the transcendent power of pure filth. It’s a yellow-eyed union of decadence and depravity and a corrupted testament to pure, oppressive darkness. This is music designed to make you the bad person you need to be to get to where you’re going.

‘Aspire+’ casts a smeared, neon pall over everything it touches, like a dirt-caked strobelight flickering in the void. It drives and propels relentlessly, a pacemaker for cold hearts. Flipside ‘Play With Me’ is a work of teeth-grinding hyperfocus, an ouroborosian bass buster that guides its listener further and further away from the comforting glow of virtue. ‘Spiral 2 Success’ contains reckless music for goal-oriented hedonism: the sound of vicious circles that wind their way ever and infinitely higher. Embrace the downward ascent.
credits

BC Pre-order: https://transatlanticrecords.bandcamp.com/album/spiral-2-success

pi pi pi premiere: windowseeker - Play With Me (Transatlantic)

Pro Unlimited refers to soundcloud premium accounts from the ancient ages. It's an archeological dig the label used to find its sources. 

This 17 tracks various is a wide spectrum gathering of label affiliates, newcomers and producers we had a crush on in the past months.

It's generous in term of styles and offers uplifting ambient, psychedelic ravy cuts, punk trip hop, post-clubbish belters and a big variety of sound design pleasures.

Available in CD limited edition and digital (link in bio)

Mastering : Lorenzo Targhetta
Design : Christophe Synak & Nina Muro
A&R : @sleekfata

05 - Jonnnah - Le Bout

Speed Oddity Vol. III

Hot Trash

https://maloca.bandcamp.com/album/siiix-vol-1

Lying somewhere between a collaborative EP and a compilation, Brussels-based label Maloca Records presents SIIIX, Vol.1, a body of work showcasing a dialogue between veteran Netherlands-based HIIIT (fka percussion ensemble Slagwerk Den Haag) and 6 producers operating across a diverse spectrum of electronic music. Shimmering between footwork, IDM, UK bass and ambient, this project is united by a shared acoustic palette.

Born in 2021, HIIIT was directed by group member and respected multi-instrumentalist/composer Frank Wienk (Binkbeats) to record a sample bank from their vast collection of instruments and unique percussive sources, comprising everything from plastic fuel cans to the largest tam-tam in Europe. A select group of producers were then commissioned to compose sketches from this sample bank.

Chosen by HIIIT are label newcomers Azu Tiwaline, upsammy, Julian Sartorius, Krampfhaft and Valentina Magaletti, as well as Belgian drummer and producer Hi Hats In Trees, who returns to Maloca after releasing his album ‘Artefacts’ on the label last year. Each producer was hand-picked for their percussion-focused music approach and in many cases, their background as drummers.

After creating their sketches, the works were sent back to HIIIT, who recorded more unique layers of percussion on top of these initial pieces. These were then returned to the commissioned producers, with the brief being to utilise the newly recorded material in any way; but to ultimately create fully-realised pieces of music with it.

The final result led to 6 wildly different sonic outcomes. From the high-energy workouts of upsammy’s ‘Embrytone’, Azu Tiwaline’s ‘Brain Rattled’ and Hi Hats In Trees’s ‘CAIRO’, to Julian Satorius’s warped rhythms in ‘Klutsel-Klötzli’, or the cinematic ambient spaces conjured by Kramphaft’s ‘Anticline’ and Valentina Magaletti’s ‘A Drink with the Queen of Wands’, Maloca x HIIIT is a collection of music which rattles and pulses across the electronic music continuum. What unites this record is the acoustic colour and sense of life which would have been next to impossible to achieve without the bespoke sonics from HIIIT.

As a whole, the record can be considered as an organic dialogue; be it between composers and producers from a conceptual standpoint, or between acoustic sound sources and the resultant electronic manipulation when listening to the material.

Artwork by Quentin Lacombe

SIIIX, Vol.1

Azu Tiwaline - Brain Rattled

spasm city (long–lost dub)

HipGloss

𝕭𝖆𝖉 𝕿𝖎𝖕𝖘🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Various - Chute Libre [r/c010]
ratio/club, 2025
𝓑𝓾𝔂 👉🏾 https://ratioclub.bandcamp.com/album/chute-libre

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://soundcloud.com/kheymysterio
https://soundcloud.com/stacktracedub
https://www.instagram.com/william_khey.mysterio/
https://www.instagram.com/stacktraced/

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://www.instagram.com/ratio.club/
https://soundcloud.com/r_atioclub

#newmusic #electronicmusic #Downtempo #Psychedelic #Bass

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#385 📢 Khey Mysterio et Stacktrace - Low Heat [ratio/club]

excerpt from my live coding set at werkstatthaus,
using recordings of gast's live set and 909 samples in supercollider

2025

grainn – 40jahrewerkstatthaus_livecoding_excerpt

Released on Public System Recordings - 
PSR005 / V.A - Archives Du Coeur Humain 2x12" LP

https://www.youtube.com/watch?v=cyDrw2ZoBGo

Israfil - PSY~ K

var grainn = ["sound art", "live coding", "noise", "deconstructed club", "glitch"]