Upcoming Gigs!
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Past Gigs!

23/2 SECRET LOCATION / STOCKHOLM
5/4 FOTOGRAFISKA STUDIO LIVE / STOCKHOLM
5/10 CLUB ZEFIR / UKRAINE
6/10 CLUB ZEFIR / UKRAINE
10/10 COOK'S CLUB / TURKEY
10/10 ROBIN HOOD / TURKEY
7/5 FOTOGRAFISKA STUDIO LIVE / STOCKHOLM
2/8 8EIGHT AVENYN / GOTHENBURG
22/10 ADE FESTIVAL (PRIVATE LOCATION / AMSTERDAM
23/10 ADE FESTIVAL (PRIVATE LOCATION /AMSTERDAM


𒀭𒀀𒉣𒈾

Hailing from the underground scene, UNKNOWN ENTITY has swiftly emerged as a formidable force in the melodic techno landscape. With a unique blend of atmospheric soundscapes and driving beats, UNKNOWN ENTITY captivates audiences and transports them on an emotional journey through sound.

Drawing inspiration from the ethereal sounds of European techno, UNKNOWN ENTITY crafts sets that are both haunting and euphoric. Each performance is a meticulously curated experience, weaving together deep basslines and intricate melodies that resonate long after the last beat has dropped. Known for a signature style that balances darkness with light, UNKNOWN ENTITY creates a sonic space where listeners can lose themselves and find themselves all at once.

With appearances at underground clubs and festivals across the globe, UNKNOWN ENTITY has garnered a dedicated following. Their commitment to pushing the boundaries of sound and exploring new musical territories sets them apart in a crowded scene. As an enigmatic figure, UNKNOWN ENTITY embodies the spirit of discovery, inviting fans to delve into the depths of melodic techno.

Keep an eye on UNKNOWN ENTITY as they continue to rise, bringing fresh energy and innovation to the electronic music realm. Join the journey, and be part of the experience that is UNKNOWN ENTITY.

“Understanding the order of time is important to anyone hoping to manifest a dream,” says Valerie June. “There is a time to push, and a time to gently tend the garden.”

Since the release of her 2013 breakout Pushin’ Against A Stone, June has been patiently at work in the garden of song, nurturing seedlings with love and care into the lush bloom that is her stunning new album, The Order Of Time. Some songs grew from seeds planted more than a decade ago, others blossomed overnight when she least expected them to, but every track bears the influence of time. See, time has been on June’s mind a lot lately. It’s the only constant in life, even though it’s constantly changing. It’s the healer of all wounds, the killer of all men. It’s at once infinite and finite, ever flowing with twists and turns and brutal, churning rapids that give way to serene stretches of placid tranquility. Fight against the current and it will knock you flat on your ass. Learn to read it, to speak its language, and it will carry you exactly where you’re meant to be.

http://www.hakunamatoma.com
https://linktr.ee/matoma

Booking North & South America: 
Ferry Rais-Shaghaghi | ferry.rais@caa.com

Booking Norway: 
Anita Wisløff | anita@allthingslive.com 

Booking Europe: 
Rolf Volkert | rolf@anna-agency.nl

Booking Asia Pacific: 
Sam Wald | SSW@wmeentertainment.com 

All other inquiries: 
matoma@miltonarcher.com

**PRODUCER TRYNA WRITE HITS**

BOOKING: bookbranchez@gmail.com

My name is Caroline and im a swedish sing and song writer.  
Be free to listen on my own creations here on soundcloud. 
Enjoy.

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

Management:
American International Artists, Inc.
Cynthia B. Herbst, President
+1 (518) 686-0972
Cynthia@aiArtists.com

Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

Music producer from Norway.


Booking North/South America: 
Joel Zimmerman  JZimmerman@wmeentertainment.com

Bookings International: 
Simon Clarkson SClarkson@wmeentertainment.com 


Management/All other inquries: 
myles@goldenharegroup.com

Press INFO:
US Press: myles@goldenharegroup.com
UK/EU Press: matt@getinpr.com

Scand: scandinavia.press@gmail.com

Grangfelt is following