Remix of High Cross Society's debut single released 18/11/13, featuring cuts from DJ Downlow.

https://itunes.apple.com/gb/album/every-time-i-look-single/id751093481?ign-mpt=uo%3D4

High Cross Society - A Collaborative project brought together by Lazy Habits, Josh Whitehouse (More Like Trees) and Fjokra, featuring many amazing musicians.

Buy Me

High Cross Society - Every Time I Look (John Hendicott Remix)

Marina P - I Wish I Were That Girl

DJ Vadim – Can’t Lurn Imaginashun – Under Your Hat

TIGHT

We produced this beat for the Nneka last project "My Fairy Tales" 
check the EP out : http://apple.co/1MLX5nq


Nneka - Book Of Job

Quick Turn

The Herbaliser - Can't Help This Feeling (Grant Phabao Remix)
(Exclusive MP3 download on ParisDjs.com) 2009-05-23

Thanks to our resident DJ Soulist who booked The Herbaliser recently at La Maroquinerie in Paris, I had the chance to meet Ollie Teeba in the backstage and tell him about an upcoming reggae remix of Can't Help This Feeling that we were preparing for the Paris DJs virtual releases collection. He was really enthousiastic about it, saying the track could really work well in reggae mode and giving us his benediction... So here's the finished thing, with rumbling horns and skanking hooks, taylor-fit for all shaking dancefloors - another Grant Phabao instant hit!.. but I guess you're used to that kind of standard now. (Djouls)

Tracklisting :
01. The Herbaliser - Can't Help This Feeling (Grant Phabao Remix)

Note : DJs may want to contact us for a 256k MP3 version

Links :
About the Same As It Ever Was album by The Herbaliser
About the Can't Help This Feeling single by The Herbaliser
same-as-it-never-was.com
myspace.com/theherbz
grantphabao.com
myspace.com/grantphabao
parisdjs.com



The Herbaliser - Cant Help This Feeling (Grant Phabao Remix)

Shout It Out

Just The Same

Production heavyweight Rhys Adams returns with his second LP under the ‘YesKing’ moniker and his debut for the BBE label. Produced entirely by Adams, ‘Re-Record Not Fade Away’, marks a coming of age for the seasoned studio head and a sonic departure from the outfit’s 2008 debut ‘Rock This World’ (co-produced by Mark Rae of Rae & Christian fame). 

Borrowing it’s name from the strap line appearing in Scotch Video Tape’s 1980s TV adverts, ‘Re-Record Not Fade Away’ is both a metaphorical reference to the longevity of music produced with passion and a literal reference to Adams’ studio techniques - in particular his preference for recording live to a 1960s 1/4 inch ferrograph tape machine, a process which Adams describes as ‘integral’ to the album’s sound providing a ‘unique and authentic’ feel with a firm nod to the Dub and Reggae traditions which permeate the album. 

Featured artists provide a wealth of variety to the album’s underlying themes: Guitarist for The Soothsayers and Jerry Dammers’ Spatial aka Orchestra, Patrick Hatchett plays on much of the album also co-writing several tracks becoming, in Adams’ words, ‘central to the Yesking sound’. Togo born singer Kodjovi Kush adds afrobeat flavour to ‘One More Time’ with a vocal performance which displays his musical journey to East London via Ghana, Israel and ‘90s Central London cultural hotspot, the Africa Centre. ‘Rock This World’ collaborators make a welcome return in the form of Kenny Knotts, a UK dancehall vocalist with a string of top ten hits to his name and rapper Mystro, a seasoned veteran with a list of collaborations under his belt that reads like a who’s who of the UK scene. Representing the new generation of UK dancehall artists is Toddla T and Sticky collaborator Lady Chann providing unique sound system swag on ‘Secret King’. Decca signing Annie Bea adds a sweet summer feel to ‘Just Like Me’ and new voices Mel Uye Parker, Rioghnach Connolly offer accomplished vocals to lead single ‘Hardground’, a track which Adams is happy to describe as one of his proudest productions.  All in all a rich mix thrown in to the sonic melting pot via that all important tape machine mixdown! 

[The very tape machine to which the album owes so much is central to the album’s cover art produced by Adams together with artist Paul Curtis.]

 
