Title track from "Fading," a new @ohadpeleg EP set for release 17/06/21 on @sadan_rec.

All proceeds from the EP will be donated to the Palestine Children's Relief Fund. More info here: https://www.pcrf.net/

Artwork: @anis7k
Mixing: @philanxy
Mastering: @sodaplains

Fading - EP

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PREMIERE: Ohad Peleg - Fading [SDN006]

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@renslink - !85 EP
Label: Infinite Machine
CAT#: IM103
Format: Digital
Release: May 26th, 2023
Mastered by Fausto Mercier
Artwork by Luis Tomita

UK producer Renslink calls IM103 his first effort focused on the dancefloor, but it belies a lifetime steeped in it. This is prime material for the most advanced of DJs.

The first cut, Static, blends heavy, droning atmospheric sound design with the half-time template of dubstep, complete with jungle vocals. Before reaching the first half, however, it goes into a healthy techno gallop, making the track a perfect set opener if drama is your thing.

From that we go into the three-on-two mindbend of In My Mind, full of beautiful rhythmic trickery and rave culture nods in the sampled female vocals.

Cenotaph feels like a Pinch & Mumdance dub that they kept for themselves around the Control/Strobelight era, all rolling, persistent kick, dubbed-out dready vocals and dystopian hoover.

In Touching The Void we find a moment of drama and relative tenderness, as cinematic strings and choir soar over a busy rolling breakbeat. Occasionally, the proceedings are punctuated by a reese bass and bleeps fill that keep it fresh (an you on your toes).

Closer Silence is a mutant dembow wobbler with alien vocals by Nivalis, like dancehall for after the nuclear apocalypse, when we’ll have all the extra limbs we’ll need to dance to music like this.

Renslink - In My Mind

DJ ojo - Speckled

Elpac - BrentryFM

Maximum Euphoria w/  ecolagbohrsac2021 - 25/10/2024

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MEOW MEOW PEOW PEOW

J.G. Biberkopf
'Fountain Of Meaning' EP
DN010
Format: vinyl / digital
Release Date: 8 December 2017
Mastered by Rashad Becker at D&M
@jgb-k


Fountain of Meaning is a new sonic fiction from sound artist J.G. Biberkopf following last year’s Ecologies II: Ecosystems of Excess released on Knives. Emerging out of a situation of overflow, the record burrows deeper into his practice of palpable audio theater with a study of object and relations across space-time specific sounds. 

The Fountain as a theme reflects a spouting and spilling of information, an erotic gushing of imagined aural history. “The Fountain was the source of water in the public space in cities,” J.G. Biberkopf explains. “Now it’s pretty much a sexualised architectural gesture of both beautification and the spectacle of dominant ideologies.” 

The western classical musical canon, much like the perpetual coming of the fountain, flush the headphone space with stimuli. Reflex and memory guides the listener through a semiotic architecture of processed recordings of masses in Catholic churches and contemporary performances of pre-medieval music. A liquidity of structure has an anxious influence and is a closed system approach to form and imagination. When water flows, it fills every space, then spills over to claim more. History is equally abundant and alive. We have never had as much history as we have now. We have never been able to see ourselves as we can now. 

A knowledge of a grander architecture of knowing and recalling oppress the ecologies of human decision-making.The nature of the archive has  transformed into a total and panoptic intelligence. A life is a gamble as the inventory of the world overflows into the production of a spectral third, an other, a confrontation. Fountain of Meaning offers a dynamic tension and release. A molecular tragedy, our abject recovery into a collaborative reimagining of a trauma long forgotten. 

What can be gleaned from this overflow?

DN010 - Fountain of Meaning

Fountain Of Meaning

J.G. Biberkopf - Delirium

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