Spinoff

War broke our lives to BEFORE and AFTER its start... Russian aggression has no boundaries, it's Universal. Our house happened to be on the war front line so our family had to leave behind our home and escape just to save our lives. We had spent 8 days in hell being under Russian missiles and bombs...
 In my "previous" life I used to create music and still have got some unreleased works.
 All the tracks are played, recorded and mixed on Yamaha Clavinova CVP505 without using any software.
Now I have no piano, no more chance to record music. The only sense of life is to survive. If you're Russian please don't follow me. We have nothing in common anymore. We'll never forgive you this disgusting bloody war against Ukrainian children. Each of you is GUILTY. 
  Any support from musical friends would be much appreciated on www.patreon.com/syntaleta and now you can PayPal me to to_scorpiette@yahoo.com
https://www.paypal.com/donate/?hosted_button_id=GZWM6KXA6WNDG

Please follow Syntaleta on Spotify https://open.spotify.com/artist/5NGoMdnTju2t25gnnnFPoD, YT and YT Music where you can listen for free to the 3 albums in a good quality. 
"A Distant Star" 2016
https://www.youtube.com/playlist?list=OLAK5uy_nVPUPCq3T4atZr6lBZZGT3STqbih5nk_o
"In Solitude" 2017
https://www.youtube.com/playlist?list=OLAK5uy_lacFkqQrvuZBYbwsGhXZ_8LPrx9k3nbfA
"Flying in the Dream" 2020
https://www.youtube.com/playlist?list=OLAK5uy_mF15v_U9hJoVv07vk6sfIo72ljSwDQzbg&app=desktop
A huge thank you to Patreon supporters!

Welcome here to all music lovers and thanks for your support 🎈 

[ 🛎️ Important information (October 2024) :
I’m distributed now on other - more mainstream - platforms where you’re very WELCOME TOO !
You will hear on them some songs that were here but in remastered and more efficient versions.
And also some of my new stuff in the future !!

However I keep my Soundcloud especially for fantastic colleagues and public I’ve met here, and I hope I have time to publish soon some others of my more alternative, raw and low-fi tracks ! ]


Multi- styles composer,  guitarist , bassist and author / singer, I present here a blend of very different songs or instrumentals, recorded on more than three decades

        So you can find here ones with my rock band  The CATS BLEED, who had a bit of success in France in the mid nineties.
 Some with GOLDEN AGE , an Anglo-French pop-folk duet in the mid 2000s.
And some totally solo as LOONY in the early 2000s or later
 Or BRUNO C for my first compositions, from mid 80’s to 90’s 

      


https://open.spotify.com/artist/1mDnyuPaI4RhiGaTRDjJFW?si=Z5xa7rwVRQSqwyZ_UIkE1w


https://youtube.com/channel/UC4Rf_HIxsZlLGE9sKnhzfMw

https://instagram.com/loonydebussy?utm_medium=copy_link

brunochassaigne.mus@gmail.com

Please no offers for more followers, listeners or other advertising. I don't pay for advertising!

I believe music is a powerful remedy and a way of expressing the beauty and pain of life throws your way.

When I was a little girl, my grandfather wrote me a letter about dandelions. He described them as dreams in flight, twirling through the wind, each tuft holding a spark of hope.

Dandelions are weeds, but they can survive anywhere, even cracks in cement. They constantly move, flow, and evolve. They adapt to whatever environment they find themselves in, ideal or not. They survive and thrive without needing to be cared for. Their beauty is in their resiliency.

This idea has stuck with me in the years since that letter. Growing up, I moved so much that I felt like an international nomad with no distinct roots or place to call home. Hence the name Sans Roots. Sometimes, it seemed like I just struggled into being, much like the dandelion poking through the cracks.I believe that home is not necessarily a physical location, but rather a person or a state of mind that brings peace and fulfillment.

My music blends my experiences in different cultures and countries with elements of various genres, including soul, 90s hip hop, and contemporary Scandi. My songs are anthems of hope and the ability of the soul to heal. If you love Sarah Bareilles’s “Gravity,” Alanis Morissette’s “Ironic,” or Kate Bush’s “Running Up That Hill,” my songs are meant for you. I hope they inspire you to keep chasing that silver lining and know that you can overcome anything.

Love, Sans Roots

Olga De Almeida Bandcamp 
Clint dao FB
Clint Dao YouTube 
hhClint Instagram 


A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Caveat: I explicitly prohibit the use of any material I post for purposes of torture, brainwashing, hypnosis, bedazzlement or any other nefarious activity. This prohibition applies to all governments, corporations, institutions, agencies and individuals. 

“The avant garde is dead. That is its triumph. Let it lie.” - Chris Cutler in “Not As We Choose: Music, Memory and Technology”. (Highly recommended!)

“… there is increasingly less call to exercise an already too rare generosity of aesthetic hospitality.” - Chris Cutler

" Music is one of the great Mysteries. It gives life. It is not a career, nor a business, nor a craft. It is a gift... and a great responsibility. Because one can never know where the creative spark comes from or why it exists, it must be treasured as a Mystery. For the most part I believe creativity chooses you, not the other way around." - John Zorn (excerpt from the liner notes to 'Magick')

“Listen as if you were being told a secret” - Federico Fellini

“Experimental and electronic music was once not-so-benignly tolerated at the margins of western art music, but it has over the last decade or so moved toward a central position as something of the soundtrack of our digital culture. Where it once was merely tolerated it is now more engaged and doesn’t have to apologize to anyone”.  - Douglas Kahn 

"Through technology, voices are amplified and silence is broken. Spaces are shared." – Laurie Anderson

"I frequently hear music in the heart of noise." - George Gershwin

"'Tis an ill wind that blows no minds." - 
Malaclypse the Younger in 'Principia Discordia'

“Let us cross a great modern capital with our ears more alert than our eyes and we will get enjoyment from distinguishing the eddying of water, air and gas in metal pipes, the grumbling noises that breathe and pulse with indisputable animility, the palpitation of waves, the coming and going of pistons, the howl of mechanical saws, the jolting of the tram on its rails, the cracking of whips, the flapping of curtains and flags. We enjoy creating mental orchestrations of crashing down of metal shop blinds, slamming doors, the hubbub and shuffle of crowds, the variety of din from the stations, railways, iron foundries, spinning mills, printing works, electric power stations and underground railways.” — Luigi Russolo in 'The Art of Noises' (L'arte dei Rumori)

Urban Dictionary (https://www.urbandictionary.com/define.php?term=Mesmo)
(New Norberian English)

1. lit. in a state of mesmerism, hypnotism; in a trance
2. in a state of bewilderment or confusion, daydreaming; 'out of it'
3. mind bogglingly awesome, spellbinding, captivating

(1) "He swung that watch in front of her face and she got all mesmo"
(2) "When the teacher called me to the board I had just woken up and was still pretty mesmo"
(3) "The new N64 cartridge is totally mesmo, bro”

Banner: The Hearing Trumpet_Leonora Carrington (detail)

Thank you for taking the time to listen,  please 'like' my work if you are so inclined, and please comment, I do this by myself, so I appreciate all feedback..
It goes without saying, but no AI or Music Maker here, I'm responsible for every chord, melody and word, mix and master, for better or worse! (I do use VST's and samples)

Thank you all for listening and your incredible comments, I appreciate them all

Support all styles and genres of music.
Repost your music https://hypemusicprm.com

Spinoff

Gravity Wins