performed by Yarn/Wire, November 2020, Time Spans Festival, New York (excerpt of larger work)

Curvo Totalitas (2016) excerpt

Lute improvisations for the December holidays 2024 and forward into the bleak mid-winter of 2025.

Thanks to Greg Davis, whose audio plugin "dentist 2023" (from his recent Max for Live updates of his Pluggo VST Plugins) was used exclusively for altering the sound of this recording.  You can find these plugins here:  https://gdpluggo.gumroad.com/

...which notes are the wrong notes, which the right ones...

December's Wandering

This was the original version of " Behind bars " I recorded for Slick Rick during his incarceration in the early 90's . The song didn't come out until 94 but to my surprise was remixed by Warren G and Def Jam scrapped my mix . Though Im still considered a writer of the song I was really hoping to have this heard ( well in 92 when we recorded it that is ) . Though it sounds pretty dated its still one of my favorites and I had the pleasure of working with a Genius Slick Rick . Enjoy the Prince Paul unreleased series .. share music ! 
Negroes on Ice

BEHIND BARS ( Slick Rick ) Prince Paul unreleased rough mix recorded 92 ?

Ariel Pink, Greg Davis, Sore Eros, Gary War & Signer
The Pitts of Satan Part 2
Live at Garfield Artworks, Pittsburgh PA, Nov. 22, 2004

The Pitts of Satan Part 2 (Live in Pittsburgh PA 11-22-04)

Scott Worthington- double bass
Matt Barbier- trombone
Scott Cazan- electronics

WasteLAnd Music @ ArtShareLA. 5/7/2017

Catherine Lamb- Matter/Moving

excerpt from recording session at Guebwiller cathedral, France
May 2023

with Ensemble Proton

Ingo Schmidt-Lucas, sound engineer

Curva Triangulus (2018/21) excerpt

Bryan Eubanks and Xavier Lopez, synthesis
first 16 minutes of an hour long piece
performance recording from November 2019 at Petersburg Artspace, Berlin

wave forming (astrum) excerpt

London Contemporary Orchestra, 
Robert Ames director, 
Tate Modern, Sept 2017

Prisma Interius V (2017)

James McVinnie and the London Contemporary Orchestra
October 2016, Union Chapel, London

Cumulus Totalitas (2016)

Jason E Anderson is an artist whose work includes performance, recorded works, video, installation, music for dance, producing and publishing. Anderson has been a longtime participant of Seattle's experimental music communities, which has led to the formation of many solo and collaborative music projects and his label Gift Tapes/DRAFT. Currently he lives in rural Eastern WA and performs/records music under his own name, and in performance art/film hybrid LIMITS with dancer Corrie Befort. www.jasoneanderson.net

The sounds of this piece, "Dermaptera," were created on a Korg Wavestation A/D, using SuperCollider and a LinnStrument to generate patterns and musical gestures. I edited passages from recordings I made in a barn and mixed them live on July 28th at 10pm. The mix was performed through studio monitors and recorded acoustically to capture the sounds in the barn as you might hear them, with an added bit of direct signal for definition. The barn is surrounded by wheat fields, so the music sits on top of a pleasant bed of insect sounds. I was hoping for coyotes, but they were a half hour late.

Thanks to Corrie Befort for giving me the time to work on this, to Harvey Gordon who brought me snacks, and to the many earwigs that no doubt influenced this recording.

Wayward in Limbo #40 – Jason E Anderson

descensus trio (2020)

first 15 minutes (pages 1 & 2) of premiere performance (55 minutes total) performed by:

Biliana Voutchkova (violin), Lucy Railton (cello), and Cat Lamb (viola)

commissioned by the DARA string festival, Berlin, August 2020
recorded by Roy Carroll

descensus trio (excerpt) 2020

electronic musician / record store owner
http://gregdavis.bandcamp.com
http://autumnrecordsvt.com