Metronomy GREATEST HITS is out September somethingth (5th) along with a BBC SESSIONS LP 🔥

https://metronomy.lnk.to/GreatestHits

CheapShow is a comedy podcast all about getting the very best out of the worst! Be it Poundlands, Charity Shops, Car Boot Sales or Bargain Bins, hosts Paul Gannon & Eli Silverman poke around in the corners of the high streets and internet to find treasure in the trash.

One week it could be a studio based show, the next, a live comedy event. It could even be a location report or a scripted adventure! A few things it is, however, is rude, crude, silly and drizzled in pop culture, nostalgia and plenty of verbal violence!

It has guests, videos, songs, reviews, games and dares.  We apologise in advance!
www.thecheapshow.co.uk

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Join Dan Brown (the host) as he interviews a range of guests (the guest) while they are sat in a wardrobe (the wardrobe).
Relaunched for 2020 with guests now sitting in their own wardrobes. 
Surprisingly enlightening about people. Disappointingly uninformative about furniture.

ATTENTION: All my tunes are now here: youtube.com/@DaftLimmy

Rod, Jane and Freddy play Melt Banana on acid....in space....

Cinematic electronica's chief complainer.  Andy Dobson has been recording as Digitonal since the late 90s.  Part of the late phase of UK melodic electronica, he came to prominence on the seminal Toytronic Records label with a track on the Neurokinetic compilation and a debut album on the label shortly afterwards.  Since then he has recorded for Seed Records, Cactus Island, Uncharted Audio, B12 and Just Music who released Save Your Light for Darker Days in 2008, followed by a retrospective compilation.  Alongside frequent collaborator, Egyptian violinist Samy Bishai, and a flexible array of band members, Digitonal have toured extensively and have been in demand as a live act, known for their improvised sets of great range and beauty.

Gregor Smith is following