fata morgana (2021), for organ
performed by Huw Morgan at Mainly Slow Organ Music, St Thomas the Martyr, Bristol. 14th May 2022

fata morgana

e.21e (2012) Bajo el volcán, octeto de contrabajos, creación en vivo in memoriam Stefano Scodanibbio.

Encargo para Ludus Gravis de la Rassegna de Nuova Musica

Bajo el volcán (2012), Ludus Gravis

JACK Quartet premiere ‘melancholy objects’ (2022).
Ernst C. Stiefel Hall, NYC; 15th December 2023.
Commissioned by JACK Quartet.

melancholy objects

melancholy objects (2022)

eolo'oolin (Recorded in Akron, Ohio in 2006)

Dedicated to and commissioned by the Ensemble Multilatérale and ARCo – Art, Research and Creation 2024 (Cooperation between the Mozarteum University and the Gmem Marseille)

I. on the glittering canvas
II. torn agonies
III. caresses

Program text:

The fog is dense, dynamic and it is the scene of a confrontation between agonies and expansive forces.
However, this conflict leads to a transformation, where the fog becomes a transcendental and ecstatic space.
This metamorphosis suggests a turn towards a completely contrasting and, at the same time, possible horizon.
____________________________________

French premiere on September 22, 2024

Théâtre L'échangeur in Paris, France
festival ensemble (s)

Foto: Michael Klimt

murmures et soupirs obscurs · ensemble (2023 / 2024) - festival ensemble (s)

German premiere
Wittener Tage für neue Kammermusik 2024

IEMA Ensemble 2023 / 24
Raimonda Skabeikaite Conductor
___________________________________

Shy
branches
grow
slowly cracking the arctic sky deep,
insipid, vast.
Greyish
murmurs caress the impenetrable skin.
The warm
underwater light
allows
to hear the stealthy footsteps ofthe shadows...
(Petals
snow
and rest tender on the strands of the frosted valley... )

First version for the Idea academy in the context of the Rondo festival in Moncalvo, Italy 2022 - Divertimento Ensemble.

Second version for the masterclass at the Muzički biennale Zagreb, MBZ 2023 - Klangforum Wien.

Third version for the newcomer concert Wittener Tage für neue Kammermusik 2024 - IEMA Ensemble.

Oltre l'iride (2022 / 24) · ensemble - Wittener Tage für neue Kammermusik 2024

The title word "Alu" is a somewhat gnomic term found on a variety of runestones. While a clear definition of the term is not agreed upon, it is used in the context of benediction in the closing of rune texts and perhaps derives from "ale." In this composition, some inspiration was taken from the encryption techniques used to hide deeper meanings within the poetic, ceremonial inscriptions on runestones. In addition to the association of runes with the practice of encoding, there remains an association of runes with the crudeness of the technology of antiquity. This association, combined with the notion of monoliths as unwieldy objects, led to a musical vision of the chamber orchestra as a fairly uniform body articulating swarming, mass textures. The music takes a step back from many of the modern advances in experimental or virtuosic performing technique, preferring a crude and jagged approach to both form and material.

Alu was premiered on Sunday April 20, 2025 by the University of Iowa Center for New Music

Alu (2024) for sinfonietta

Ensemble Hezarfen:
Violin: Ozcan Ulucan
Viola: Ulrich Mertin
Cello: Ozan Tunca

Edition Peters, Leipzig



iv 8 für Streichtrio

FROM: Music performance for violin, cello and narrator by Maria Aloupi & Andreas Diktyopoulos based on the literary work Z213: EXIT from the Dimitris Lyacos' poetic trilogy Poena Damni. 
Composition: Maria Aloupi & Andreas Diktyopoulos
Performed by the Das Neue Ensemble, Germany (violin & cello)
Stage Performance: Dimitris Lignadis

Recorded: Saturday 9th October, 2010 @ Athens, Greece

http://about-art.gr/?lang=en&q=other&id=o101009

Z213:EXIT - Chapter 8 [part 33-end]

Brass Ensemble, UCSD, Jean-Charles Francois, Director, 1983.

e.12 (1975-78, rev. 1979) Canto naciente, octeto de metales (3 tpt, 2 cor, 2 tbn, 1 tuba)

Octeto de metales cono distribución espacial en 1 cubo, con 1 ejecutante en cada uno de los vértices.

Canto Naciente (rev. 1979), Brass Ensamble UCSD, Jean-Charles Francois

e.18c (1983) yuunohui'yei, violonchelo

Zapoteco: yuunohui, barro fresco, ye, número 3. Primera obra de la serie de los yuunohui para instrumento o voz solista (1983-2019). Un registro cronográfico de la evolución de un conjunto de componentes del macrotimbre (frecuencias rítmica y sonora, ataque y amplitud, color y vibrato) es la base para su conversión a notación musical. Cada uno de los distintos yuunohui para solista(cbajo, viola, violín; teclado, ruidista, alientos o voz) es el producto de una conversión original. Cada uno de los yuunohui puede tocarse solo o en superposición on otras versiones en ensemble'yuunohoui, para versiones colectivas.

yuunohui'yei (1983)

Gregory Rowland Evans is a classical cellist and composer.

Alu (2024) for sinfonietta

Gregory Rowland Evans

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