Aristotle - The Poetics

Friend of the show Greg Sadler joined us for a look at Frank Herbert's Dune series. We discuss nomadology, war machines, imperceptibility, eternal recurrence, materialism, and much more.

Dr. Sadler is currently an adjunct professor at Milwaukee Institute of Art and Design, Editor of Stoicism Today, the producer of the Half Hour Hegel series, and the president of our local SOPHIA (Society of Philosophers in America) chapter. but you might be more familiar with his YouTube channel, Gregory B. Sadler, with over 120k subscribers.

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Greg Sadler - Speculative Heretics of Dune

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Moderator: Gregory B. Sadler, Ph.D

Woodblock: Panel Discussion On Future Of Higher Education

This lecture discusses the ancient Greek philosopher Aristotle' work, the Poetics, focusing on three key distinctions he brings up early on in the work, which bear upon different kinds of mimetic arts (including tragedy, comedy, epic, other poetry, and musical performances).

The distinction is between the:
Media of the mimetic work (en hois)
Objects (or content) of the mimetic work (ha)
Mode (or how) of the mimetic work (hōs)

The six parts or elements of tragedy fall into this
Diction and Lyric Poetry are the Media
Plot, Character, and Thought are the Objects
Spectacle is the Mode

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Aristotle, Poetics - Three Distinctions In Mimesis - Sadler's Lectures

This lecture discusses the ancient Greek philosopher Aristotle' work, the Poetics, focusing on Aristotle's definition of tragedy, which runs:
"Tragedy, then, is mimesis of an action which is elevated, complete, and of magnitude; in language embellished by distinct forms in its sections; employing the mode of enactment, not nar­rative; and through pity and fear accomplishing the catharsis a of such emotions. I use "embellished'' for lan­guage with rhythm and melody, and "distinct forms" for the fact that some parts are conveyed through metrical speech alone, others again through song."

He also identifies six parts or elements of tragedy, provides definitions of them, and sets out their order of importance:
"Plot, then, is the first principle and, as it were, soul of tragedy, while character is secondary. (A similar principle also holds in painting: if one were to cover a surface ran­domly with the finest colours, one would provide less pleasure than by an outline of a picture.) Tragedy is 
mimesis of action, and it is chiefly for the sake of the
action that it represents the agents. Third in importance is thought: that is, the capacity to say what is pertinent and apt, which in formal speeches is the task of politics and rhetoric. The earliest poets made people speak polit­ically, present day poets make them speak rhetorically. Character is .that which reveals moral choice-that is, when otherwise unclear, what kinds of thing an agent chooses or rejects ( which is why speeches in which there is nothing at all the speaker chooses or rejects contain no character); while thought covers the parts in which they demonstrate that something is or is not so, or declare a general view. Fourth is the diction of the spoken sec­tions: as stated earlier, I define diction as expression through choice of words-something which has the same capacity in both verse and prose. Of the remainder, lyric poetry is the greatest embellishment, while spectacle is emotionally potent but falls quite outside the art and is not integral to poetry: tragedy'  capacity is independent of performance and actors, and, besides, the costumier's art has more scope than the poet's for rendering effects of spectacle."

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Aristotle, Poetics - Elements And Definitions Of Tragedy - Sadler's Lectures

This lecture discusses the ancient Greek philosopher Aristotle' work, the Poetics, focusing on his discussions of what he considers to be the most important part or aspect of tragedy, namely plot or story (mythos).  Aristotle stresses that a good plot is complex, but forms a unity.

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Aristotle, Poetics - Plot, Structure, And Unity - Sadler's Lectures

This lecture discusses the ancient Greek philosopher Aristotle' work, the Poetics, focusing on  the different modes of what Aristotle calls "recognition" (anagnōrisis), one of the key features of good plots in tragedy. He writes:

"The definition of recognition was stated earlier. As for its kinds, first is the least artistic and the one used the most from uninventiveness: recognition through tokens....The second kind are those contrived by the poet, and hence inartistic. ... The third kind is through memory, when the sight of something brings awareness...Fourth is recognition by reasoning ­. . .There is also compound recognition which depends on the audience's mistaken reasoning...
Best of all is recogni­tion ensuing from the events themselves, where the emo­tional impact comes from a probable sequence."

To support my ongoing work, go to my Patreon site - www.patreon.com/sadler

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Aristotle, Poetics - Different Modes Of Recognition - Sadler's Lectures

This lecture discusses the ancient Greek philosopher Aristotle' work, the Poetics, focusing on his discussion of the development of modes of poetic works, including comedy, tragedy, epic, dithyramb, among others. Aristotle explains that these develop out of the human capacity for mimesis or imitation, an aspect in which human beings excel other animals

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Aristotle, Poetics - Development Of Types Of Poetry - Sadler's Lectures

This lecture discusses the ancient Greek philosopher Aristotle' work, the Poetics, focusing on his short history of the development of tragedy as a dramatic form until its main potential has been realized, focusing on multiple aspects of its ongoing development across generations of tragedians

To support my ongoing work, go to my Patreon site - www.patreon.com/sadler

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Aristotle, Poetics - Development Of Tragedy Over Time - Sadler's Lectures

Dr. Gregory Sadler joined me in the studio and we attempted a discussion about philosophy.   It turns out that it's good for you.  get a hold of some ideas ad take them for a spin.  After we shut off the microphones Dr. Sadler revealed that it's impossible to understand every idea in philosophy, and that's okay.

In this episode we discussed:
Micheal Moorcock
Chronicles of Cornelius
Philip K. Dick
Tank (rock band)
Seneca and the Stoic Opposition
Cicero
Fundamentalism
Eclecticism
weddings
Anher management
Dostoevsky Versus Nietzsche
Shestov - "All Things Are Possible"
The Two Minute History of Philosophy
University Problems
Aristotle's Categories

Image for Hire - 2018-04-17 - Freelance philosopher Dr. Gregory Sadler

In the studio with The Skrauss, Renegade scholar and Speculative Fiction Expert, Gregory Sadler.
Topics discussed:
Imagination
"On Truth and Lies" by Nietzsche
Dick realism
"Do Androids Dream of Electric Sheep"
Emanuel Kant's Copernican Turn
Stick with your Existential Crisis and See Where it Goes
"Zapgun"
"Perelandra"
"The Three Stigmata of Palmer Eldridge"
"Flow My Tears, The  Policeman Said"
"Through a Scanner Darkly"
Dickish Themes:
1)Insect Mind
2) reality unraveling
3) seeing the break in reality and figuring out what to do about it
4) transcendence
"The Man in the High Castle"
I-Ching
Pot in our times
"Radio Free Albumeth"
Dick's "Exegesis"
Robert Crumb
Nag Hammadi Library
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Image for Hire - 2018-08-14 Doc Gregory Sadlerand The Skrauss  talk SF (Speculative Fiction)

I explore some of the contours of what a BLR (Beyond Left and Right) political philosophy might look like, and in particular try to answer the charge that it is a (potentially) reactionary philosophy ("reactionary" is not good, if you haven't heard the term).

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Ep. 16: Is BLR Reactionary?

: In this ninth episode of the Wisdom for Life radio show, hosts Dan Hayes and Greg Sadler examine a common image of concentric circles used to understand relationships with other people towards whom we might have affection, care, or moral obligations.  The smallest circle is that of close friends and family, while the largest extends to all humanity, and potentially beyond.

They discuss how differing philosophical and wisdom traditions, including Stoicism, Buddhism, and Utilitarianism have used this image, and developed practices designed to help us develop attitudes of justice and benevolence towards other beyond the circles we most typically focus upon.

They also examine a common issue that arises when considering circles of community - to what extent should a person focus on their nation or political community as the most important?  Should their focus instead be on all people, or on people closer to them?

They end the show by introducing a very helpful philosophical practice derived from several schools of Buddhism, Metta or "loving-kindness" meditation, which employs the conception of circles.

Show Music is by Scott Tarulli

Wisdom for Life: Circles of Care and Concern

In this tenth episode of the Wisdom for Life radio show, hosts Dan Hayes and Greg Sadler examine a common matter in everyday life - lying. What is a lie, and what counts as "lying"?  Can lying ever be something good, right, required, or even just all right?

They discuss different ways we can classify and understand lies, including the distinction between white, black, and blue lies.  Moral theories help us to understand and evaluate the rightness or wrongness of lies - and why they are right or wrong, good or bad - and they examine lying through the rigorous deontological lens of Immanuel Kant, and the more forgiving utilitarian lens of Jeremy Bentham and John Stuart Mill.

They also examine a common issue that frequently arises.  What about people who embellish stories?  Are they lying?  And is that embellishment morally bad, or is it something that contributes to enjoyable communication

They end the show by introducing a very helpful philosophical practice designed to help people develop an understanding of what kinds of lies or deception they engage in, and why they do it, so they can make better choices about these matters 

Show Music is by Scott Tarulli

Wisdom for Life:  Is Lying Ever Good?  2020-05-23

In this thirteenth episode of the Wisdom for Life radio show, hosts Dan Hayes and Greg Sadler discuss the Social Contract, a classic philosophical concept that plays a key role in American politics and everyday ethics, and which also bears on recent nationwide protests over police misconduct and aggression.

They discuss first what the social contract is and whether or not it has been broken for many Americans, referencing the recent short talk given by Kimberly Jones.  They also look at what ideas from classical social contract theory - found in Thomas Hobbes, John Locke, Jean-Jacques Rousseau, and John Rawls can be useful for understanding our present situation

They also discuss who has been systematically excluded from the social contract, examine a few of the key points that Charles Mills discusses in The Racial Contract, and look at the features Nicholas A Christakis outlines for a better social contract.

They end the show by discussing a practice that listeners could engage in - trying to imagine a new social contract that would be equitable and just for all.

Kimberly Jones "How We Can Win" video - https://youtu.be/llci8MVh8J4
Charles Mills, The Racial Contract - https://amzn.to/3ea6rM1
Nicholas A Christakis, Blueprint: The Evolutionary Origins of a Good Society - https://amzn.to/2BZj9id

Show Music is by Scott Tarulli - https://www.scotttarulli.com/

Wisdom for Life: The Social Contract Today

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Aristotle, Poetics - Different Modes Of Recognition - Sadler's Lectures

Sadler's Lectures

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