SITC002
Side A: World Needs Love
Side AA: Summer Came My Way

Following the first steps on his return to record production last year, Greg Wilson delivers the second release on his Schooled In The Classics imprint just in time for the arrival of the summer sunshine. While the first Schooled release coupled 2 instrumental tracks, 'Blue Angel' and '12-Turn-13', we've taken things a whole stage further this time around, introducing vocals, courtesy of boss Merseyside singers Katherine & Carmel Reynolds, who are making their vinyl debut, having recently announced their presence via their contribution to the 'Blind Arcade Meets Super weird Substance In The Morphogenetic Field' mixtape: 
https://soundcloud.com/gregwilson/blind-arcade-meets-super-weird-substance-in-the-morphogenetic-field

Two symbolic sides - heart and sun, love and warmth. An infectious disco treat, 'World Needs Love', with its positive unifying message, has been eagerly anticipated ever since Greg began to feature it in his DJ sets towards the end of last year, whilst the chiller-vibed 'Summer Came My Way' has so far been kept quietly under wraps, in readiness for that lazy summertime haze evoked so strongly by the track's ethereal mood, Balearic groove and melancholy air.

Available as a limited edition 180g vinyl pressing. Issued 23.06.14.

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Greg Wilson Presents Schooled In The Classics 'World Needs Love'

* Traxsource www.traxsource.com/artist/214644/fran-deeper
* Beatport: www.beatport.com/artist/fran-deeper/444728
* JunoDownload: www.junodownload.com/artists/Fran+Deeper/releases/
* Bandcamp: https://spaindisco.bandcamp.com/
* Soundcloud: @fran-deeper
* Instagram: www.instagram.com/frandeeper/
* Facebook: www.facebook.com/FranDeeperDj/

Fran Deeper - Grooving On Disco (Ilya Santana Space Remix) [Astrolead Recordings]

Scruscru - F'n'D (Feat S.Timoshenko)

Panic in the House (part 14)

Iggy E-Plasma Floor [Mutant Rebels]

Busted Volume 1

Free Download

A1- Love is Torturing Me (danyb ReVision)(FREE DOWNLOAD)

Premiere: LTJ Edits 'Bringing Me Over'

* Read More: https://boltingbits.com/hotmood-good-old-days-de-la-groove/
* Watch on YouTube: https://youtu.be/NUYwaLy_vTI

Hailing from Guadalajara, Mexico, Hotmood has been quietly constructing a dedicated fandom after successful inter-continental tours and timeless, boogie-inspired club cuts released to the world via imprints Whiskey Disco, Tugboat Edits, and his own label, Hotmood Records. We’re thrilled to be premiering his new track, “Good Old Days” which will appear on De La Groove’s Blazing Waves Summer compilation.

To put it simply, this track is six minutes of pure sunshine. Hotmood lays a solid rhythmic foundation in the opening bars, gracing listeners with the punchy, animated kicks, snares, and hi-hats for which his disco edits have become known. Rounding out the ensemble, a guitar lick, slap bass, and electric piano tangle themselves into a bright, feel-good melody accented with playful drum fills and the occasional brass punctuation. Though the intermittent vocal sample calls us to reminisce about, “the good old days,” I imagine countless situations, perhaps sitting poolside with a margarita in hand, when this track will actively construct those days in the right here, right now. A perfect tune for the first month of Summer, be sure to keep Hotmood on your short list of disco heavy-hitters.

PREMIERE : Hotmood - Good Old Days

Felix da Housecat We All Wanna be Prince-Fiero Remix

Now available to my Bandcamp subscribers ...
https://peza70.bandcamp.com/subscribe

I started editing this with a Cornish sunset as a backdrop, finished it in a drizzly, grey Wolverhampton! I love pretty much everything by The Bunnymen, this might be my favourite!
Hope you like the edit...subtle but brings a few elements out I think.

Subscribe!

BOTDH - Peza Edit

About the full compilation on Bandcamp:

Weird times indeed! So here is something to brighten your day/night: We put together a fun package of Bottled Sunshine for your entertainment: A Bandcamp-only compilation of 20 exclusive Yacht-Disco Edits by our favorite and smoothest modern reworkers. The vibes will take you on a virtual holiday straight into a tropical sunset…Just Fly away with us!

Huge Thanks to all edit/rework legends who shared their tracks with us! We love You!

For those who buy the whole package/bundle, we have a special present: An exclusive Download of a Dj Supermarkt 1:45 hours DJ-Mix featuring all 20 tracks in full beauty.

Bandcamp is waiving its revenue share to support artists and labels on friday, midnight (Los Angeles time, 9am in Berlin) to midnight. So this might be the perfect time to purchase the package, if you want to help musicians in these difficult times.

Compiled by Dj Supermarkt.
FInal mastering by Jan Fabritius
Artwork by Dennis Ratzlaff/Typoindex

#19 Dis Moi (Bilingual Edit)

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.