Guava returns to Control Freak with his longest EP, "The Dolphins are Back in Venice" - a fun comedy consisting of 4 dancers right for the club.

Since Control Freak release the EP ‘Lift’ in 2019, Guava has worked hard. After moving into Berlin (and number of releases) he return to the label with a new friend style and kept the songs happy the previous releases by shifting it focus to dance floor. - the-game in a clearly marked series.

As successful musician, Guava continuing explore the combination of analog and digital production and creative techniques by creating it's own guitar playing on recordings to incorporate human touch into his air production.

Guava - Framboise Baby

Pangaea returns to his Hessle Audio label, following up 2020's 'Like This' with darkside roller 'Fuzzy Logic'. Tried and tested impact across clubs and festivals in the first half of 2022.

Fuzzy Logic / Still Flowing Water

Pangaea - Fuzzy Logic (HES040)

READ > https://inverted-audio.com/premiere-pugilist-apple-core 

Melbourne-based producer @pugilistmusic serves up some punchy dub on @branchpoints forthcoming label compilation, sounding not dissimilar to Shed’s finest output.

Various Artists #1

Pugilist - Apple Core [Branch Points]

The fifth Redstone Press release comes from Glasgow based LWS, who is at the stepping off point of a soon-to-be prolific production career that has already drawn early support from the likes of Ben UFO, Elena Colombi and Surgeon. This is definitely a producer to keep two ears and eyes on.

The opener “Aerosol” showcases LWS’ flair for space, bass and catchy hooks with this stripped back percussive workout progressively morphing into a low end sound-system killer. The A2 “Spoker” is a far more chaotic and energetic affair, highlighting further LWS’ incredible detail for intricate, pulsating drum work, chopped vocal cuts and stretched out synths which draw you straight to the speaker. The B side contains two slower-paced and wonkier offerings. The groove-ridden and stumbling ‘“Chug Sequence”’ inexorably works its way into your mind via a mash of percussive hits, foreboding vocal whispers and rolling bass. Closing out the release is the slow burning “Rev Up”, LWS reverts to booming drums and stop/start beatwork that culminates in a rising, euphoric cacophony.

This one is a limited press of 100 records. Once they’re gone, they’re gone!

https://redstonepress.bandcamp.com/album/aerosol-ep

https://soundcloud.com/lws_trax
https://soundcloud.com/redstone-press

Aerosol EP (RED005)

PREMIERE: LWS - Aerosol [Redstone Press]

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* Read more: https://boltingbits.com/farsight-mr-right-breaks-n-pieces/
* Listen on Youtube: https://youtu.be/WPjztZRjcDA
* Pre-order: https://cheekymusicgroup.bandcamp.com/album/triangulation-ep

San Francisco based DJ and bass extraordinaire Farsight knows how to make an entrance, first bursting onto the scene with his adventurous and daring EP ‘Wisdom’ back in 2016. At the time Farsight's music sounded like it had been beamed from another planet and has played an important role in the cross-pollination of genres we’ve seen in recent years. Farsight has gone on to release on Scuffed Recordings, Maloca and Noire State, remaining firmly fixed on the future of club music. Now his blend of trap, jersey club, reggaeton and dancehall makes its way across the Atlantic with six mind-sizzling cuts for Breaks ‘N’ Pieces vol. 23.

Opening track ‘Triangulation’ combines rolling drums with party-starting vocal samples and steady whistles, letting listeners know we’re really off! ‘Mr Right’ then enters the fray with throbbing subs, ravey stabs and a vocal that sits halfway between fun and outright menacing. The A side comes to a close with ‘Leaving Las Vegas’ a dubstep infused cut of choppy breaks and wide-eyed melodies. A masterclass in raising tension, this track will shut down any club, please use wisely.

‘Lesser Light’ shows Farsight’s love for bass exploration; it’s looming shadow pressing amongst some of the darkest corners of electronic. A unique brand of grime infused techno. ‘Water Margin’ delves even further, adopting a more measured pace for those heads down moments. The record comes to a close with ‘Fulminous Edge’ and is a reflection of the artist’s darkest material. The drums still have a familiar spring in their step but the track’s melodic bassline is mesmerizing; resulting in a melancholy trance that deserves a second play.

PREMIERE: Farsight - Mr Right

Club Designs head honcho and infectious beat impresario Garneau is joined by Vanouver Slab party series producer Max Ulis for the “Big O EP”. Both extraordinary producers and DJs in their own right, these Canadian underground stalwarts never fail to impress.

@garneaumusic
@maxulis
@thirty-year

Buy:
https://thirtyyear.bandcamp.com/album/big-o-ep

PREMIERE: Garneau & Max Ulis - Do It [Thirty Year Records]

A pair of grandiose double doors marked the entrance to the house; they towered far overhead, seeming almost menacing in their presence. This wasn't how she'd remembered this place, it all seemed completely alien to the building she knew as a child; it no longer felt welcoming, it no longer belonged in her memories. She toyed with the idea of ringing the bell, of seeing who now called this place home, but something stopped her, she wasn't sure she really wanted to know. 

More Cowbell has been running since 2019 as a space for "all things percussive and bassy". Operated by DJ and producer Eich, and comprised of a club night, online community and record label, the platform is dedicated to exploring the plethora of UK bass and techno sounds coming out of the UK.

After making her production debut on Dublin-based label Woozy's VA compilation at the end of summer, Eich is now sharing her first solo release, Red. It's a rhythmic trip through the music that influences her, touching on dark UK techno and stripped back Chicago house, inevitably permeated with low end frequencies and tight drum patterns.

PREMIERE: Eich - Red [More Cowbell]

There were sirens echoing in the streets, it was cold out on the corner. The darkness of the winter months was oppressive and at times overbearing but it did bring with it opportunity.

Every night they gathered beneath the glow of the streetlight, it was important to show a signal, a sign of life to those who watched on from above.

The cameras were everywhere, picking apart the very fragments of society with a dystopian lens and a pixelated vision.

They remained out there though, in the city, in the streets of a time not far from now.

Plus One digs deep for an earthy, heads down EP on First Second Label. This one is the perfect soundtrack for a lonely late night bus ride, the hazy fog of a city morning and the atmospheric hum of a concrete jungle.

Catch Plus One in Dublin at a special label showcase tomorrow.

FSL013

PREMIERE: Plus One - We Out Here [First Second Label]

Will Hofbauer - 'Hiccups' (WSDM025)

Ptit délire ghetto house 😝

Pas ce que je compose 80% du temps, mais de temps en temps c’est amusant 🪩

GHETTO HOUSE

From 'MMXX Leap' compilation 

ceadcead.bandcamp.com/album/mmxx-leap

Karima F - Emma

Mgmt & Bookings: maarten@vowta.com

Mixdown inquiries: bradley@bradleyhutchings.com

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@treadrecords
@bradleyzero
@controlfreakrecordings
@r-srecords
@holdinghandsrecords
@nick-hoeppner
@breaka
@scenicroute_ldn


www.bradleyhutchings.com

Guava - Framboise Baby

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