Name: Mutaciones para sexteto de percusión melódica. by Guido Bisocoli
Duration: 9 min 14 s
Description: "Mutations for melodic percussion sextet", finished on 2011, for Celesta, Piano, Vibraphone, Marimba, Xylophone and Tubular Bells. / Finalizada en 2011, para Celesta, Piano, Vibráfono, Marimba, Xilofón y Campanas Tubulares.

fine composition and arrangement. I just thought it could be softer, at least in some parts.

Score available here: / Partitura disponible: http://www.megaupload.com/?d=UTBL1IM7 (pdf - 462.71 KB)

Great, Guido! Would be very challenging to play live!


Another version with Thai Monkey men goin da Diddeti da, da dideio da de dei de sampled in wud be Mad Yummy, liky the composition of tis

When percussions refuse crashes and aim at a caressing reverie, mutation is spellbinding... Y mis orejas se cambian en dos corazónes.

the sounds are cool. but could use some switching up. overall its nice.

I love the way this builds up and flows, is it recorded or done with midi?

Really cool stuff, melodic, sounds like a progressive lullaby 

This part is really intense. I find that very inspiring.. Nice job!

Track 1 from our EP, Motive Kamatsu.

Download from Bandcamp - http://shanghaisally.bandcamp.com


facebook.com/shanghaisally


Areyla's Rejection

"Mutations for melodic percussion sextet", finished on 2011, for Celesta, Piano, Vibraphone, Marimba, Xylophone and Tubular Bells. / Finalizada en 2011, para Celesta, Piano, Vibráfono, Marimba, Xilofón y Campanas Tubulares.

Mutaciones para sexteto de percusión melódica.

dou•ble•think

: a simultaneous acceptance of or belief in two contradictory ideas; thought marked by the acceptance of gross contradictions and falsehoods, especially when used as a technique of political or self-indoctrination.

"To know and not to know, to be conscious of complete truthfulness while telling carefully constructed lies, to hold simultaneously two opinions which canceled out, knowing them to be contradictory and believing in both of them, to use logic against logic, to repudiate morality while laying claim to it, to believe that democracy was impossible and that the Party was the guardian of democracy, to forget, whatever it was necessary to forget, then to draw it back into memory again at the moment when it was needed, and then promptly to forget it again, and above all, to apply the same process to the process itself -- that was the ultimate subtlety; consciously to induce unconsciousness, and then, once again, to become unconscious of the act of hypnosis you had just performed. Even to understand the word 'doublethink' involved the use of doublethink." - George Orwell, Nineteen-Eighty-Four (1949)

First Study for Alto Saxophone: doublethink (Part I; 2012) by Jason Thorpe Buchanan was commissioned by Michael Rene Torres to be premiered at the North American Saxophone Alliance Biennial Convention in Tempe, Arizona on March 15, 2012. The work was completed January 12, 2012 as the first segment of a larger harmonic blueprint for a series of five to six works for solo Alto Saxophone.

For more information on the composer or to request a score for performance, please visit http://www.jasonthorpebuchanan.com

First Study for Alto Saxophone: doublethink (2012)

A study of field recordings captured at Manchester City football matches. 

The piece explores the potential of processed field recordings and spatial concepts through physical characteristics of crowds, stadium acoustics and proximity whilst also considering mass and density on both a spectral and dimensional level. 

Material for the piece was captured around the stadium including on the pitch-side near the tunnel and corner flag as well as high up in the Colin Bell Stand Level 3 and behind the goal in the South Stand Level 2.

This material was then arranged, transformed, processed and manipulated through various techniques and processes in an attempt to compose a creative sonic interpretation.

Étude Ebb & Flow

Olivier Messiaen - "Abime des Oiseaux" from Quatuor pour La Fin du Temps
Christopher Grymes, clarinet

Recorded February 11, 2011, Purchase College, SUNY. Adam Abeshouse, engineer/producer

"Abime des Oiseaux" is just one of six works on "A Function of Memory", an album of music for clarinet with piano, with electronics, and alone. Christopher Grymes, clarinet. Xak Bjerken, piano. Open G Records, New York, NY

Olivier Messiaen - Abime Des Oiseaux

Bread

Xodoxobox

Main Theme (from Clive Barker's "Undying")

Слово

Twelve-Tone (Serial) and Atonal music for 2 Electric Guitars, Bass and Drum.
Música Serial e Atonal para 2 Guitarras, Baixo e Bateria.

Composed on June 17, 2011.
Composta no dia 17 de Junho de 2011.

Scalassara Prando - Metal - Guitarras Baixo & Bateria --- 05

--- ENGLISH ---
I'm a composer (since age 12) and drummer (since age 15) from Argentina, born on 1982. Popular and academic music. My music is free, all works under CC BY Creative Commons license (see: http://creativecommons.org/licenses/) this means you can do whatever you want with it as long as you credit me. Share and promote free music. 

I play drums and compose on http://soundcloud.com/silence-band.

Also check my old music http://soundcloud.com/invisuu
and follow me on facebook: http://www.facebook.com/pages/Guido-Bisocoli-Compositor/171371522949222

--- ESPAÑOL ---
Soy compositor (desde los 12) y baterista (desde los 15) de Argentina, nacido en 1982. Música academica y popular. Mi música es libre, todas las obras bajo la licencia CC BY de Creative Commons (ver: http://creativecommons.org/licenses/?lang=es) esto significa que podés hacer lo que quieras con ella siempre que me des crédito por ella. Compartí y promové la música libre. 

Toco la batería y compongo en http://soundcloud.com/silence-band.

También escucha mi música vieja http://soundcloud.com/invisuu
y seguime en facebook: http://www.facebook.com/pages/Guido-Bisocoli-Compositor/171371522949222

Mutaciones para sexteto de percusión melódica.

Guido Bisocoli

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