Bad Vibes [prod. Clef Jones]

Music for everyone, music for others. A life against the current. No genre in music! It is too simplistic to give a genre to everything!! Music is an expression of human emotions and it is necessary to learn to understand humanity in its complexity.

𝖝𝖊𝖓𝖔𝖌𝖔𝖙𝖍𝖈𝖑𝖎𝖖𝖚𝖊
Insta: @imnotkoshi
Collab? hmu on DM

Welcome Coffee is a prog/rock alternative music project formed in Trieste (Italy) in 2012.
The basic idea of the project is to mix various musical sounds without identifying a particular genre, giving free rein to the attitude of the individual musicians.
In 2013 we released our first work “Box # 2“, a 5 track EP.
In 2015 we released our first LP called “UneVen“.
In 2017 we record a new Ep called “The Mirror Show” with a brand new lineup and sound. We also publish a video tribute to Twin Peaks called “Doppelgänger“.
In 2018 we publish the first official video clip called “The Mirror Show”.

Between the end of 2018 and the beginning of 2019 new material is composed for the next album between a live and another:
In June 2019 the recordings of the 11 tracks of the album begin.
Due to Covid-19 and lineup changes, in 2021 we finally finish the recordings of our second LP called “Light Years Away” which will be distributed and promoted by the indie label Overdub Recordings.
In July 2021 the first video clip of the single "Light Years Away" is released, which anticipates the release of the album.
In September, it is the turn of the second single "Ice in my Mouth".
The october 22th “Light Years Away” is available on all major digital platforms via Overdub Recordings.

Pls support our Canada Tour 24 on Kickstarter!!!
https://bit.ly/40uEGXo

I’m a Puerto Rican artist living in Philadelphia, driven by passion and powered by the hustle. I was born with muscular dystrophy and face breathing challenges, but I turn every obstacle into motivation. I make music in Spanish and English, blending rap, hip hop, reggaetón, and salsa. Through Inspire Hustle Studio, I share my journey to uplift others — proving that no matter the struggle, your grind, your art, and your purpose can still shine. Every verse I write and track I drop is a reminder that strength isn’t about what you carry — it’s about what you overcome.

Inspire Hustle Studio is more than a name — it’s a mindset. It’s where creativity meets determination. It represents every person chasing a dream with heart, no matter the odds.
Subscribe now — be part of the movement that turns struggle into strength and hustle into art.

🏳️‍🌈🏳️‍⚧️⚧️ she/they

linktr.ee/robinmccoy444

Started playing again, during lock down in 2020, play bass & guitar, put together a home recording Studio set up , so everything wrote, recorded at home, got loads of idea`s, just trying to make sense of them. hope you enjoy.

RUEBI (Ruediger Walter) is a German artist, singer; Bass player, from Hamburg.
In his youth he played drums in various new wave formations in his home town and in 1987 switched to the post-punk formation Pink Turns Blue as a keyboardist and bassist.

https://ruebihamburg.bandcamp.com/album/ausreisser

https://open.spotify.com/artist/0M7Fjef4dLBwOI6Akb8kh9?si=7WZWIAKCSZ6_HoJijnA6dw

https://www.facebook.com/ruebihamburg

https://www.youtube.com/@ruebi3382

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Bad Vibes [prod. Clef Jones]

GuttaThaNewWave