toeffwave

VSS20 .2. pt.1- (Instrumental)

on my mind

verão

Facetime freestyle (rewards) prod. dj mustard
W/ Darrion 
mixed by Darrion Jackson

just adam. ~ rewards w/ darrion (freestyle)

thank you guys so much for 100k plays ! 🎉🎉🎉
i couldn't do much to celebrate cause i've been working like crazy, but i really appreciate you all listening to, and sharing the stuff i make..
i quit my job to pursue music full time about 7 months ago and its been the absolute worst time of my life financially, but the best decision i feel i've ever made. if you've ever listened to anything i've put on here, ily mane !

more music coming soon, keep up w/me in the meantime..

🎯 Instagram/Twitter:
www.instagram.com/therdchild
twitter.com/therdchild

the way my bank account is set up

New jam from THANKYOUTEZ pays homage to a Musiq Soulchild classic while using Francheska "HeyFranHey" Medina, of the "@TheFriendZonePodcast" by @LoudSpeakersNetwork, as his muse. Enjoy!

written by: M. Nunley / A. Gould
performed by: THANKYOUTEZ + Andrew Gould
produced + arranged by: THANKYOUTEZ
Rhodes: Martez "THANKYOUTEZ" Nunley
Alto Sax: Andrew Gould

mixed by; Matthew "M-Saw" Winn of IRAS, Inc.

Artwork: www.twitter.com/robbdraws

just fran's (sunny) smile

Stream

I really just don't know what I should do tomorrow

what2do2morrow

Sambaden

Artificial Love

This song took 3 years to make. It's been a journey filled with confident highs and doubtful lows. It started off with me sitting in my university dorm room wanting to make a lofi beat for my girlfriend to listen to, and turned into an international virtual collaboration. I asked a friend (Mutant Vinyl, UK) to lay a sax solo, then a friend wrote a rap verse (Drew Solomon, US) that I ended up singing, then I asked another friend (Elise Elvira, Sweden) to sing a verse, another friend to lay down a bass line (KAY JAM, Switzerland), and finally got my friend Gareth (Master Soul Boy, UK) to join and help me produce it. This song is about accepting that change is the only constant, and to embrace the present and move past regrets. It was completed in the midst of a global pandemic while we were quarantining at home. All the collaboration, since the beginning, has been done over the internet so none of us have actually been in the same room while working on this track. Therefore, it also serves as a testament of virtual collaborations.

Sambaden

Guy Newland