Name: BWV 998 - Allegro, J.S.Bach - Guilherme Vincens, guitar by gvincens
Duration: 3 min 28 s
Description: Featured in Guilherme Vincens' CD Portrait, released April 2011. Recorded, edited and mastered by GV in São João Del Rei, Minas Gerais Brazil

Chicago Symphony Orchestra
Riccardo Muti, conductor

Schubert Symphony No. 9 in C Major, D. 944 (Great)

Peter Boyer's Symphony No. 1 was commissioned by the Pasadena Symphony, and premiered by that orchestra under his direction in April 2013. The three-movement, 24-minute symphony is dedicated to the memory of Leonard Bernstein. This is the first movement, "Prelude."

The symphony is the centerpiece of a new recording of Boyer's music by the London Philharmonic Orchestra, conducted by the composer at historic Abbey Road Studio One in 2013. Released worldwide by Naxos in its American Classics Series in February 2014, the recording also includes four other Boyer orchestral works. It has been broadcast on over 150 radio stations around the U.S. and abroad.

"Boyer, who claims more than 300 performances by more than 100 orchestras, writes in a fluent, powerful style that fuses conservative American currents with Hollywood-ish size and populist sentiment... eloquent, spaciously recorded performances…"
-- Gramophone

"Like all of the music on this disc, the symphony is tuneful, expertly crafted, colorfully scored… Boyer knows what he wants, and how to do it. This very well engineered disc is lots of fun, and a really good listen."
-- ClassicsToday.com

"The performances here are simply superb, showing off [Boyer's] engaging and easily accessible cinematic style. This is certainly a recording that should have broad appeal, and one which you will likely find yourself returning to time and again. The music is brilliantly orchestrated with engaging thematic ideas and a fine sense of dramatic shape."
-- Cinemusical

"Classical music listeners apprehensive about 'new music' have nothing to fear, and everything to love, about Peter Boyer. The American composer writes music in a neo-romantic style with an unabashedly direct and popular appeal… His Symphony No. 1, a tribute to his muse Leonard Bernstein, is a stirring work, filled with soaring, 'American sounding' themes and propulsive rhythms… a recording that’s sure to win him many new fans."
-- WRTI (Philadelphia), New Releases

To purchase on iTunes: https://itunes.apple.com/us/album/boyer-symphony-no.-1/id804059505

Music © 2013 Propulsive Music. Recording © 2014 Naxos Rights US, Inc. Used with permission.

Buy on Amazon

Symphony No. 1 - Movement I: Prelude – London Philharmonic Orchestra/Peter Boyer, conductor

Zusammen sind wir Stark, Das Wir gewinnt! ( Chello )

THOMAS GOULD Live in Riga
Sinfonietta Riga

1-3. Violin Concerto in D, Op. 61 - Ludwig van Beethoven
	I. Allegro ma non troppo
	II. Larghetto
	III. Rondo (Allegro)

4. The Lark Ascending - Ralph Vaughan Williams  

Produced by Raphaël Mouterde
Executive producer Dave Stapleton

‘Live in Riga’ is the major new album from the celebrated 31 year old British violinist Thomas Gould.  Recorded live in concert with Sinfonietta Riga on April 11th 2014 at the Great Guild Hall in Riga, Latvia, it confirms Gould’s enormous potential as one of the most inventive and colourful instrumentalists of his generation.  Gould is no ordinary classical musician but one of a new generation who refuse to be defined by a single genre.  He has developed impressive jazz credentials, but it is in this environment as soloist/director of classical repertoire where he really excels.  The Times recently described Gould as “intent on becoming the Nigel Kennedy of his generation”.  Gould, however, is incomparably his own musician.  Bold and courageous enough to forge his own path and follow his singular vision, he steps outside the footsteps of the greats.

‘Live in Riga’ is a defining album for Gould, his first disc of a three-album deal with forward-thinking British jazz and classical record label Edition Classics.  Over the last decade he has been in demand as a soloist with major orchestras worldwide, including the Royal Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Hallé Orchestra and LA Phil New Music Group.  He is also much in demand as a leader/director, working with Britten Sinfonia, Aurora Orchestra, Mahler Chamber Orchestra and the Australian Chamber Orchestra’s ACO2, but it’s when he brings these disciplines together that the magic happens.  As Gould explains, “It means that everyone plays in a more engaged way. There is a group commitment to making it work, so the process is much more collaborative than when working with conductor.”

Sinfonietta Riga is an orchestra with a story to tell.  Formed in 2006, their vision is as bold as Gould’s.  Equally happy to play in concert dress or T-shirts they are intent on building new audiences for the music while reaching for the highest artistic standards.  Their collaboration is a perfect match and a unique experience for both the orchestra and for Gould.  This live concert recording bears witness to this special musical symbiosis.

To release an album featuring Beethoven’s Violin Concerto and Vaughan Williams’s The Lark Ascending is a bold decision.  As two cornerstones of the violin repertoire, there are plenty of performances to compare, but Gould’s versions demonstrate a brilliance of tone and colour that demands attention.  His flexibility and breadth of musical interests is fully evident.  Gould’s playing has the clarity you would expect from any major performer but radiates a freedom in its expression as though improvised with an immediate elegance and poise.

For Gould it’s all about achieving the right balance.  Whether it’s jazz or classical, written or improvised, as soloist or director, Gould is right in the eye of the storm.  If the dark clouds gathering in the wider music world imply that the days of the single-minded virtuoso are coming to an end; if to succeed in that brave new world we need to attract more diversity and brighter colours, then in Thomas Gould we may have found the lightning conductor to spark a new generation.


THOMAS GOULD Beethoven - Violin Concerto In D, Op.61 - II. Larghetto

guitars: F.Hiemenz & O.Kälberer
music by Luigi Boccherini(from quintet no 4 in D major for guitar and string quartet, arr. for two guitars) 
---------------------
We played this during some kind of music festival, which took place in a sports hall.
Just in the right moment, a little swallow entered the hall, began to sing and so made itself unforgettable. That was really funny and amazing. You still can hear it if you listen carefully ;-)
'87
---------------------
Painting "El Jaleo" (excerpt) by John Singer Sargent 
[source http://commons.wikimedia.org/wiki/File%3AEL_JALEO-SINGER.jpg]


Grave & Fandango by L.Boccherini (played by F.Hiemenz & O.Kaelberer)

Featured in Guilherme Vincens' CD Portrait, released April 2011. Recorded, edited and mastered by GV in São João Del Rei, Minas Gerais Brazil

BWV 998 - Allegro, J.S.Bach - Guilherme Vincens, guitar

guitar : F.Hiemenz
-------------------------
This recording  was part of my very first studio production, long long time ago...
Listen to all tracks of this production at http://soundcloud.com/fhgitarre/sets/affettuoso-assai-old-archive
-------------------------
Recorded in puzzlepie studio Munich/Türkenfeld '85
Restored from old analog tape with WaveLab7 by FHgitarre

"Vals Venezolano No2" by Antonio Lauro

Guitar: F.Hiemenz
Part of a recording session, mostly in "prima vista" playing, to produce background music for a spoken therapeutic CD. 
recorded in puzzlepie studio Munich/Türkenfeld
'93
-------------------
Find more Études from Fernando Sor at :
http://soundcloud.com/fhgitarre/sets/fernando-sor-estudios-easy-to-medium/
-------------------

Etude in E minor (op.60 Nr 22) by Fernando Sor

original music : Johnny Mandel
arrangement for solo guitar : E.Clermontet
additional 2. guitar : F.Hiemenz
both guitars played&recorded by F.Hiemenz
('85)

~ "The Shadow of your Smile" ~

Encore complete with coughs. Played after a rendition of Schumann's Piano Concert.

Robert Schumann: Gesänge der Frühe op. 133: 1. Im ruhigen Tempo

Chicago Symphony Orchestra
Herbert Blomstedt, conductor
Bertrand Chamayou, piano

BWV 998 - Allegro, J.S.Bach - Guilherme Vincens, guitar

gvincens

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