LIVE!
https://www.youtube.com/c/LorenzRhode
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WHAT?
Imagine Rick James dating Chaka Khan, dancing to Daft Punk and Technotronic, making sweet love to a Stevie Wonder ballad, when suddenly a group of German robots and a Yellow Magic Orchestra come rushing into the hotel suite and… they all decide to go to France instead.

British born producer / DJ 1000DaysWasted is a Beatport and Juno Top100 artist with over 14 chart hits, 1000DaysWasted’s signature style is best described as Liquid Neurofunk, a combination of classic Drum and Bass sounds with a cinematic futuristic elements.  

Critical support has come from Beatport with 1000DaysWasted being featured five times on “Beatport Must Hear Drum and Bass” and also Beatport “Shifting Gears: Drum & Bass” charts

Owner and record label manager @Night45uk the Digital revolution has seen over 400,000 fans interact with 1000DaysWasted and his label.  Klear.com rank 1000DaysWasted in the top 3% of all social media users, and each of his posts are being seen by 2800 people.

As an International DJ, 1000DaysWasted is amassing fans and supporters around the world. In the time you have read this someone somewhere has played, streamed or DJed one of his tracks.  Give this planet smasher half a chance he can drive a truck through the venue.

For you to enjoy the music, or interact, go to www.1000DaysWasted.com or search 1000DaysWasted. Your ears will thank you for it.

Sound Designer I Music Producer I Planet Lover

Contact: contact@mayaschenk.com
Promos: promos@mayaschenk.com
Live Bookings: alex@nocturnalartists.com

Stay Connected 

Facebook - www.facebook.com/s2sfest 

S2S events, S2S FEST, Sunrise, Grooveboxx, Back By Dope Demand & Sanction.

Listen to my new track 'Velvet & Ice': https://selectedbase.lnk.to/velvetice

Ferreck Dawn is all about the drums. They have to be heavy and physical to get his dance floors full, while the vocal details bring the all-important heart and soul. After 20 years in the game, this signature sound is what the Dutchman is recognised for around the world. It has taken him to every major club and festival, to labels like Defected, Repopulate Mars and Club Sweat and to the Beatport number 1 spot a number of times. 

"I like to please everybody on the dance floor," he says of this mix of the visceral and more emotional. Whether using original vocalists or digging deep for a sample, it is the melody, soul and texture of the human voice rather than the words that Ferreck is drawn to. And it has been this way since his international breakout tune in 2014: 'Love Too Deep,' with his friend Redondo, got signed to Spinnin Records, made the daytime playlist on BBC Radio One and led Ferreck to quit his job and pursue music full time. 

His early tunes soon got support from the likes of Carl Cox, Luciano and Green Velvet, and another milestone came with 'In Arms' on Defected in 2018. It became one of the most played tracks of the Ibiza season, reached the overall number 1 on Beatport and gathered over 70 million streams. In 2021, he repeated the trick of serving up a sizzling summer anthem and Beatport chart-topper with 'Back Tomorrow' together with UK powerhouse singer Jem Cooke, again on Defected. As with many of his tunes, global radio support and high-profile DJ plays helped make it a modern classic.

Part of the reason Ferreck remains a chart-topping producer after nearly 20 years is his ability to do it all. He searches out interesting collaborators from different sub-genres to mix it up and find new inspirations. Whether it's David Guetta's house alias Jack Back, 'The Void' with Lee Foss, 'My Own Way' with A-Trak and Lord, he never stops evolving. Of course, the best in the scene also come calling for the famous Ferreck sound: he has remixed an a-list of artists including Diplo, Tiesto, Martin Garrix, Vintage Culture, Claptone, Oliver Heldens and many more. 

Ferreck traces his love of chunky bottom ends back to his earliest experiences of dance music. Growing up in the Netherlands, he was surrounded by gabba and hardcore. It swept him up and defined his early years as DJ Dusk. But the often high tempos and impenetrable grooves proved to be a creative dead end for him once he began producing. He had more to say and was keen to explore a wider array of moods and grooves so added a stylized version of his own first name, Freek, and flipped Dusk to Dawn. He gravitated towards a unique mix of powerful techno drums and emotional house vocals and Ferreck Dawn was born. 

As a DJ now, he understands people want to hear the signature Ferreck sound. So in the booth, he balances his own productions with tracks that speak most to him, as well as some carefully chosen classics and future gems. This means he is able to smash out a high-impact 90-minute festival set at Extrema Outdoor, but also go deeper and play all night long at cult clubs like London's Fabric, and everywhere in between.

Fresh off the back of his first solo tour of the US, Ferreck has a wealth of new music coming with Meduza, Vintage Culture, Dom Dolla and Izzy Bizu. "If I won't play it, I won't release it," he says, "and I stand by that 200%." It is that quality control that has kept him at the top of his game for almost 20 years. 

MGMT: dmc@purplewall.com / lucas@purplewall.com
Bookings: 
Worldwide: harrison@activetalentagency.com
North & South America: charlie@spinartistagency.com
Benelux: maurits@peoplesagency.nl

“another powerful and galvanic release from Calling All Astronauts, and the sign that the band are ready to  step out of the underground scene and stir up the biggest attention” Ringmaster Review
 
2016 has been another fantastic year for West London Electro Punks Calling All Astronauts.
It has seen the release of their widely acclaimed second album “Anti-Social Network” Their single Empire hit #2 in the Official European Indie Chart, they’ve had two #1s in the Hype Machine Twitter Chart, they headlined the Bandstand Stage on the final night of Beautiful Days Festival. They have seen their Twitter following swell to over 500,000.
They round off the year with their ninth single, “Life As We Know It” released via Supersonic Media on Dec 23rd in which we see a more mellow, electronic side to these usually noisy rockers. The single is backed by three remixes and would you believe a “shuffle” video. 

“We are not a band to release the same single over and over, yes they all sound like us, but we are very eclectic in our influences and I hope our music reflects this” David CAA

Over the past few years Boski has emerged as a new force in the underground House scene in the UK. His tracks are meticulously crafted, characterised by crisp drums, vocal cuts and driving basslines that make his style fresh and unique. It’s with this style of House Music that Boski launched Fracture Recordings in mid 2014, creating a platform for other talented artists to release their music.

With support from Black Girl/White Girl, Artikal, S Dance Live, Confetti Digital, WeAreBang Radio, Radio Provoque, Hoxton Radio, Reprezent 107.3fm, House Heads Radio, Br3akthru Magazine, TurnedOn Music, ItHz, One Take, One Tape, Budapest Bonkers, The Techno Kittens and many more DJs throughout the UK and worldwide, Boski is dedicated to pursuing his passion of making House music and playing sets at clubs and festivals around the world.

With releases on Fracture Recordings, Bloc Beatz Records, Sugar Shack Recordings and Pathogen Productions and two headline tracks on compilations so far in 2015, Boski has much more in store.

Buy Boski’s releases:
Beatport - pro.beatport.com/artist/boski-uk/405140
Traxsource - https://www.traxsource.com/artist/192376/boski-uk
iTunes - https://itunes.apple.com/gb/artist/boski-uk/id867727312 

Promos: promo@getboski.co.uk
Bookings/ Enquiries/Track Submissions/Remixes: booking@getboski.co.uk

www.facebook.com/getboski
https://tracks.co/BoskiUK 
www.bit.ly/bookboski 


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