THIS HAS BEEN ON REPEAT FOR DAYS. WHY HAVE I ONLY DISCOVERED THIS BAND NOW

synth pop

Future Classic: Recomposed

Clair De Lune (Original by Flight Facilities)

What's right
What am I supposed to do
I know the truth inside
I do

Heal inside
Born to Climb
Heal inside
Born to Climb

I can achieve
The impossible
I can achieve
My dreams

I can achieve
The impossible
I can achieve
My dreams

Heal inside
Born to Climb
Heal inside
Born to Climb

I feel I was tricked
I feel forgotten
I feel down
Before I begotten

Heal inside
Born to Climb
Heal inside
Born to Climb

I'll tell you
I'm supposed to be
I'll tell you
I must be free

I'll tell you
I'm supposed to be
I'll tell you
I must be free

Heal inside
Born to Climb
Heal inside
Born to Climb

Believe
Believe
Believe

I'll tell you
I'm supposed to be
I'll tell you
I must be free

Heal inside
Born to Climb
Heal inside
Born to Climb

Believe
Believe
Believe
Believe

Born to Climb

We were all knocked out by the Frankie Rose and the Outs album from 2010, the effortlessness of its gorgeous girl-pop mantras, the intimate immensity of its Spector-esque walls of reverb, the beauty of a song sung sweetly over the most graceful two-chord vamps. But are you ready for the new Frankie Rose? – her transformation into a wholly other kind of pop, the reverie and revelation of "Interstellar," an album that floats free of its maker’s history – time spent with Vivian Girls, Dum Dum Girls, Crystal Stilts, and creator of one of the most breathlessly compelling girl-pop albums of the past few years – and offers the listener something strangely other, as alien as it is familiar, as compelling as it is enchanting.

Talking with Frankie about the record, it’s clear she was itching for a new start. The first big indication – production by Le Chev, remixer supreme (for Lemonade, Narcisse, Passion Pit, and Frankie’s own “Candy”), an ensemble member of Fischerspooner, etc. “We recorded the record in a private studio dubbed The Thermometer Factory in Park Slope. I wanted this record to be totally different and in so doing I knew I had to work with someone who would lend fresh ideas and know how to make sounds that I wouldn't know how to make. I wanted to make a particular record and I knew Le Chev would be the one who could help me do it.”

So, out with the reverb of the Frankie Rose and the Outs, and in with something altogether more glam, glittering, shivering. On "Interstellar" Frankie takes the lessons learned with her debut album – like reverb as the holy route to pop-grandeur, scaling a wall of teenage tears – fully digests, and transfers those skills into the brave new world mapped out by ten new songs. In its place is the confident swagger of a singer and auteur fully aware of how to build the simplest of pop moves into aching, full-blown melodramas, how to grab hold of an emotion and ride its darker waves. “I always have a big picture in mind,” Frankie reflects. “I knew I wanted a HUGE sounding record. Big highs, big lows, and clean. There is no fuzz on this record. I knew I wanted to make a streamlined, spacious record with big choruses that sometimes referenced 80s pop.” But that referencing never swamps the melodies: this record isn’t a retro trip. If anything, it liberates sounds familiar from that decade and gives them new context, breathes life into clay golems of sound that too often become basic, pre-set triggers.

On "Interstellar," Frankie Rose goes epic, goes widescreen.

Out February 21 on Slumberland Records in US, Canada, Asia, Oceania.
Out March 19 on Memphis Industries in Europe.


Frankie Rose - Night Swim

Formed in January 2009, Girls Names quickly garnered recognition outside of the confines of their hometown of Belfast with the release of their eponymous debut EP in 2010 through New York's Captured Tracks. A mini-album through London imprint Tough Love soon followed, setting the foundations for their critically acclaimed debut LP Dead To Me, released in April last year again by Tough Love in Europe and cult West Coast label Slumberland Records in the US. 

Girls Names return in 2012 and are hinting at a slightly different direction and its all the more positive for it. This new single titled ‘A Troubled See’ makes up one half of a 7” split with label mates Weird Dreams. The release will be available from Tough Love records on 25th June and Slumberland Records the following day. The track itself has a wonderful simplicity, an endearing guitar hook that pulls the hip muscles back and forth yet staying that side of the dirty track where it’s ok to hang out. The band will also be playing a handful of shows in May including a performance at Primaverafestival in Barcelona. 

After a successful tour of Europe in October last year supporting stand alone single ‘Black Saturday’, Girls Names began to hint at a possible directional shift away from their often misperceived surf and indie-pop roots into something more a kin to Krautrock and Psychedelia. Indeed, the band has expanded to a four-piece and has spent the last six months in virtual seclusion honing and developing a more progressive and expansive sound, feeding on the darker sides of Echo and The Bunnymen, Spacemen 3, The Birthday Party and David Bowie's Low. 

So here we are in 2012 and Girls Names are going to come out of hiding with a sophomore record and right now ‘A Troubled See’ is as solid an introduction to the forthcoming chapter as you’re going to get.

Release/catalogue number: SLR 176

Girls Names - A Troubled See

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Twitter: https://twitter.com/haertsmusic
Official site: http://haertsmusic.com

Wings

Sock it to Me is the brand new LP from Colleen Green, and her first for Hardly Art. 

Sock it to Me

Time in the World

Colleen Green - "Time in the World"

"I Want to Go" digital single b/w "I Can Help" taken from the PDA LP: http://bit.ly/14zrr6f

PDA is out 7/9 on Mexican Summer. Pre-order on LP / CD / MP3 http://bit.ly/10HPfk4

Also available on iTunes:
http://smarturl.it/PartTime_IWantToGo

and on Amazon:
http://amzn.to/19lWLt0

Wings

HAERTS

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