work like this truly excites me about the future of r&b. This is so gorgeous. 

oh my god it gets better i didnt think it was possible

from Genre-Specific Xperience on UNO

avalailable digitally on <a href="http://itunes.apple.com/us/album/genre-specific-xperience-ep/id471458547">iTunes</a>  and physically at <a href="http://www.unonyc.com/shop/">UNO</a> 


hip hop spa

Marina Herlop - miu
Label: PAN
Cat.No. PAN 128S
Format: DL
Release Date: 10 September 2021
Purchase: pan.lnk.to/miu
Video: https://bit.ly/3k1RoJD

Barcelona-based artist Marina Herlop joins PAN with a striking new single, titled "miu". The artist invites the listener to step into her otherworldly dreamscape and in turn go down a sonic rabbit hole into her garden of forking paths. Resisting attempts to interpret her work, Marina Herlop prefers to create open worlds which nourish and stimulate the imagination. Experimenting freely with konnakol syllables and carnatic rhythms harnessing the processed human voice and electronics, "miu" can be treated as a black box or cenobitic toy which the listener can project their desires and dreams onto.

Composed, produced and recorded by Marina Herlop
Electric bass: Òscar Garrobé, “Garru”
Mix: James Ginzburg, Marina Herlop
Master: Rashad Becker
Artwork by Robert Clark

@marinaherlop

Marina Herlop - miu (PAN128S)

DL: https://www.dropbox.com/s/4jz9zuhetcp9eob/Damsel%20in%20Distress.mp3?dl=0

100% crafted/handled/lifted by @LOTIC. 

cover by @M-E-S-H

Lotic - Chunk
Lotic - Heterocetera
Lotic - Hummingbird feat. MikeQ, Bobby Johnson, and Miss Modular
Lotic - 2 Pressed
Lotic - Faded (How The Hell...?) feat. The Queen, barking stans and CBS censors
Lotic - Fractures (but just the chromatic growl)
Lotic - I Don't Just Wanna Chill With You (Love Letter) with help from PARTYNEXTDOOR and Timbaland
Lotic - 9th Inning feat. Rizzla, Missy, and a shy Björk howling in the distance
Lotic - KIDDIKUGKIDDIKIGKIDDIKIDDI feat. the historic Buddah vs. Sugur skirmish
Lotic - Ascension
Lotic - Suspension
Lotic - Battery

Lotic - DAMSEL in DISTRESS (JANUS001)

"spectrum" taken from the full length album fantasii out July 21 2017


Creative Direction and Design, E. Jane
MUA, Allison McDaniel
Photographer, Naima Green
Hair Stylist, Edamame Drame
Flower Arrangement, Snapdragon Flowers (West Philadelphia)

spectrum

Have fun

Half life

Inspired By True Story

RIP Douk Saga / Marguerite 
Purchase at : https://crystallmess.bandcamp.com/album/mere-noises

Just Because This is A Funeral It Doesn't Mean We Can't Rave

Sequrity (M.E.S.H. Remix)

written, produced and recorded by Lyra Pramuk 
additional mixing and mastering by Ben Pramuk
artwork by Helin Sahin

Download:
https://lyrapramuk.bandcamp.com/album/scrytch

Scrytch

from the album INNUENDO https://abyssx.bandcamp.com/album/innuendo
WATCH THE VIDEO: https://www.youtube.com/watch?v=jCQwE9Qd8Vk
Recorded, produced and mixed by Abyss X
Mastering by Lorenzo Targhetta

Love Altercation

Patrick Belaga - Blutt 
Format: LP / DL
Cat.No. PAN 117
Release Date: 2 April 2021
Purchase: pan.lnk.to/Blutt

Conceived at the heel of Italy’s boot-shaped peninsula in Apulia, Patrick Belaga’s Blutt makes music for the unruly imagination. The title is an old German word for ‘naked’, ‘bare’, but it can also mean ‘blood’ when spelt blut. Take away another letter and it makes ‘butt’. None of these definitions and adaptations were what prompted the classically-trained composer and cellist to name his second album with a word simulating the sound of a punctured artery. That came later.

Blutt’s nine woozy compositions are inspired by a contemplative road trip with a friend, and the mysterious muffled music heard from an unidentified source. It was a combination of jazz and classical music that haunted Belaga’s wanderings through the Byzantine town Gallipoli, and soon infected his dreams of long-gone civilizations. This record is its outcome, where organic instrumentals and electronic production merge into a sound that’s both contemporary and ancient. Samples of mewing incantations and tape hiss sway atop the waltzing thud of piano chords on “Sigh”. Composite layers of Belaga’s cello play in downcast harmony on “Rust”. There’s a wistful sense for the romantic, in the eerie rhythm of a piece like “Momentum”. The quarter tones of an Eastern European and Middle Eastern folk scale probe a profound melancholy via Kai Knight’s violin. Its notes are haunted by a field recording of running water on “Unsoft”, echoes of panpipes and a Jew’s harp on opener “Lilt”.

As a consummate composer and performer known for his work with artists Wu Tsang, boychild, Josh Johnson and Asma Maroof, Belaga’s Blutt is itself marked by flawless collaborations. Vocalist and instrumentalist Jazmin Romero sings and composes the surreal melodies of “Grey Eye”. Multidisciplinary dance artist and producer Riley Watts contributes to the muted, motorik movement of “The Tunnel is a Tower”. Together, the record plays as a stunning soundtrack to the strangeness of sleeping, and the heartbreaking transience of time. Like an intense dream half-remembered, the emotions persist after waking but for the sharp machinations just outside of the mind’s reach. 
credits

The album is mastered by Rashad Becker, featuring artwork by Giovanni Forlino and design by Bill Kouligas & NMR. 

@patrickbelaga

Blutt

Patrick Belaga - Lilt (w/ Kai Kight) (PAN 117)

Since 2015

The doorway to a voice
And a new manifestation

spectrum

Halcyon Veil

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