Somehow I'm waiting for your first animated film on Soundcloud ;-)

Ho lavorato principalmente sul pianoforte e la sua timbrica.
Con EQs e Compressori vari ho "schiacciato" il timbro sulle frequenze medioalte/alte.
Ho usato le prime battute del pianoforte per creare un loop, dove velocità e timbro vengono modificati.
Il loop si alterna tra i canali ed è l'elemento portante e caratterizzante del pezzo.
 Dopo circa un minuto appare una fascia con funzione di bordone.
Altri elementi percussivi e di disturbo.

Dimenticavo.... remake/remix del brano dell'illustrissimo Marco Lucchi.

La Confessione (R/R "Soliloquy" by Marco Lucchi)

From Where We Came

This track was created for the Naviar Haiku group.
565

https://www.naviarrecords.com/naviarhaiku565-springtime-woods/

2024-10-31

Springtime Woods (Naviarhaiku 565 )

live improvisation on the buchla music easel at Steinhalle Emmendingen, Freiburg October 5, 2024, ZeM, Freiburg.

live recording, steinhalle: Theo Bloderer
artwork: Thomas Breuer

feedback improvisations

steinhalle

Disquiet Junto Project 0670: Right of Way
The Assignment: Music for turn signals.

With an indicator, we either want to turn only left or only right, but in my head it was always left or right within the same indicator. So I added some undecided strings. And because life has many surprises in store that don't want to fit into the constant back and forth, these one too. 

Credits for used CC0 samples:
wesleywestmusic
https://freesound.org/people/wesleywestmusic/sounds/644427/
rafunzela
https://freesound.org/people/rafunzela/sounds/677998/

More on the 670th weekly Disquiet Junto project, Right of Way — The Assignment: Music for turn signals — at https://disquiet.com/0670/
https://llllllll.co/t/disquiet-junto-project-0670-right-of-way/

undecisive [disquiet0670]

recommendation: to catch the lower end, avoid tinny speakers
method: crave (with compressor and ringmodulator pedals) , vocoder vc340, r20, audacity, samplitude (vst small church organ; eq, stereo spread, production)
narration: see introduction [ in brackets ]
image: copyright jo richter

poem / copyright jo richter:

[ a note of caution:
in this poem and
soundscape, three 
different modes of  
experience intermingle 
without being 
clearly marked out ]

when she had peeled off
for he knew no other
that camouflage conscript
of light deflection

the singular meaning
she had all empty
his room deserted
but she felt her mer-

cury breath reshape
for his waveform
memory of lingering
like a desert mirror, mirror

foil

f o i l

Visualized Circuitry

Check out the accompanying visuals at https://youtu.be/NDGbNK0vAmc ... Enjoy! 🤗😁

telegraph pole
toppled down by
the tempest

Regarded as the father of contemporary haiku, Masaoka Shiki was a poet and literary critic during the Meiji period Japan.

He advocated realistic observation by “sketching” (shasei) poems and going out into nature with notebooks, thus abandoning the traditional subjects of haiku of the time. His advice for an aspiring poet was, “Use both imaginary pictures and real ones, but prefer the real ones.”

Haiku by Masaoka Shiki: https://mypoeticside.com/poets/masaoka-shiki-poems

To find out more and participate, visit www.naviarrecords.com/haiku-music-challenge/

visuals (YouTube)

halF tempesT [naviarhaiku566]

Disquiet Junto Project 0674: Cerberus Sample
The Assignment: Make a song not just with but from just one sample.

Step 1: You’re going to make a song with just one short sample as its entire sonic source material. Select your sample wisely.

Step 2: Make a song in which the sample you selected in Step 1 serves as the raw resource for all the different parts of the song. Use nothing but that solitary sample. Here is one example of a song with four parts: melody, backing chordal material, bass, and beat. Three parts may be best, but make as complex and busy a piece of music as you desire, certainly.

Tasks Upon Completion:

Label: Include “disquiet0674” (no spaces/quotes) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track, but if you post more than one, clarify which is the “main” rendition.

Share: Post your track and a description/explanation at https://llllllll.co/t/disquiet-junto-project-0674-cerberus-sample/

Lunero y yo - disquiet0674

miXture_01

Delighted to announce a new Counter Silence release, "Pathways" on Subexotic records.  Available to download and on a beautiful limited edition clear vinyl (now sold out). 

https://countersilence.bandcamp.com/album/pathways

The Garden Of Unearthly Delights - from my new release Pathways, OUT NOW!

Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰

halF tempesT [naviarhaiku566]

halF unusuaL

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