A selection of tracks and sketches by Inner Ear using the Preparation instrument by Physical Audio.

Wonderful Morning

Weird Spaces

Things On Strings

Outer Space

Mind The Gap

I recreated one of my favourite Aphex Twin prepared piano tracks off Drukqs by layering piano with Physical Audio's Preparation physical modelling synth. It’s the same “Net1” algorithm I used for “Pi” and other pieces of Multiverse, in plug-in form. The evolving and varied “muted prepared string” effect is achieved by applying random velocity in Ableton into my preset “Drukqs Plucks”, which ships with Preparation 2, by way of key and velocity mapping on string stiffness, rattler mass and nonlinearity.  You can get Preparation 2 for a discount by using the promo code GADI for all of August.  I am amazed how far the team has come since these algorithms were server based machine code, it’s basically ray-tracing for sound.

Aphex Twin - Jynweythek Ylow (Gadi Sassoon Preparation Study)

Repetitive I

Check out the accompanying visuals at https://youtu.be/NDGbNK0vAmc ... Enjoy! 🤗😁

telegraph pole
toppled down by
the tempest

Regarded as the father of contemporary haiku, Masaoka Shiki was a poet and literary critic during the Meiji period Japan.

He advocated realistic observation by “sketching” (shasei) poems and going out into nature with notebooks, thus abandoning the traditional subjects of haiku of the time. His advice for an aspiring poet was, “Use both imaginary pictures and real ones, but prefer the real ones.”

Haiku by Masaoka Shiki: https://mypoeticside.com/poets/masaoka-shiki-poems

To find out more and participate, visit www.naviarrecords.com/haiku-music-challenge/

visuals (YouTube)

halF tempesT [naviarhaiku566]

This is the track we made in TSS 045 - PHYSICAL MODELLING experiment. 

Used in the making of this track...
5 Instances of Collision
2 Instances of Tension
1 Instance of Corpus

FabFilter ProQ-4 over the main output. 

Feel free to add anything you hear on this track and share it with us in the group chat or in The Sunday Session next week. 

Have fun!

www.themusicproductionacademy.com

TSS 045 - PHYSICAL MODELLING

A quick demo of the new features of Arturia Pigments 6: modal engine, enhanced granular engine, vocoder.

Some of my Colors (Part 1)

Audio track from the trailer for our new instrument Tetrad

Tetrad Trailer

My entry for OSC #199

19 instances of Ripplerx - all from Init

DAW: Reaper

Dead Duck: Delay, Filter, Limiter, Autopan, TiltEQ
Oril River Reverb
Valhalla Supermassive
ReaEQ, ReaXComp
Limiter No6
SPAN, Youlean Loudness Meter

Gravity Gravel Cats

This track is made for OSC199 with RipplerX (https://github.com/tiagolr/ripplerx) 
As usual all sounds, composition and title image made by me.

RipplerX      11x

in Ableton 12 with following stock fx:
Multiband Compressor 1x
Glue Compressor      3x
Compressor           1x
Limiter             3x
Utility             4x
EQ8                14x
Shaper Midi         4x
CC Control          1x
Align Delay         2x

Hybrid Reverb       1x
Reverb              2x
Delay               1x
MPE Control         1x

Fbr - OSC199 - wrld!gn.crz#

There are plenty of threads to go around. For now, don't worry.
Just weave.

///
Vospi - Weave (#inktober2025, day 02)
Genre: Don't Wake Me Up

Done in one day, everything by Vospi. #inktober #vospi #inktober2025
vospi.com
https://youtu.be/h6fDXybQuG8

Vospi - Weave (#inktober2025, day 02)

Every marine animal needs a holiday once in a while.

///
Vospi - Starfish Gulyaet (#inktober2025, day 07)
Genre: Samba Rumba Lvumba

Done in one day, everything by Vospi.
#inktober2025 #inktober #vospi
vospi.com
https://youtu.be/GKhXas7nQOM

Vospi - Starfish Gulyaet (#inktober2025, day 07)

Stories about her gaze are still around.

///
Vospi - She Stings (#inktober2025, day 11)
Genre: Live Jazz

Done in one day, everything by Vospi.
#inktober2025 #inktober #vospi
vospi.com
https://youtu.be/EMdPt6n-FwE

Vospi - She Stings (#inktober2025, day 11)

We might as well create something while we're here.

///
Vospi - Rivals We Are Not (#inktober2025, day 20)
Genre: Soundtrack

Done in one day, everything by Vospi. Including music, mixing, filming, editing and colorgrading. :heart:
#inktober2025 #inktober #vospi
vospi.com
https://youtu.be/uthJNcqAgsM

Check it out, it's a movie about https://www.deviantart.com/eugeniafantazerka
 
that she didn't know about. That I filmed and scored in one night.

Vospi - Rivals We Are Not (#inktober2025, day 20)

The Music Production Academy (The MPA), is a London-based online Music Production School, that aims to teach and provide innovative, useful production techniques for people working with music and sound. Our process and techniques have been finely tuned over three decades of lived studio experience. 

Learn directly through knowledge gained from Producing, Mixing, Engineering, and Mastering sessions for artists such as, Björk, Massive Attack, Depeche Mode and U2 to name a few. We aim to show you the process you haven’t lived yet, sharing with you what it is like to be in the studio with some of the most talented bands and artists in the world.

Along the way explaining what it is like to be in the room for those moments in musical history, teaching you the techniques used to make those records.

The MPA endeavour to foster creativity through engaging and playful experiences. We combine past influences with modern concepts and possibilities, to allow a place for new ways of working and thinking while allowing original ideas to flourish.

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

Physical Audio® exists to push the boundaries of real-time physical modelling synthesis. We create audio plugins using pure numerical modelling of acoustic systems such as bars, strings, plates and connecting elements. These techniques produce physical models that have real acoustic qualities and dynamic expression, without using any samples or impulse responses.

Dark ambient and experimental music from Hannover, Germany.

When I first listened to electronic music in the 70ies (Klaus Schulze, Tangerine Dream, Brian Eno), i was immediately fascinated by synthesizers and what one can do with them. But I never played one until... I started to experiment with synthesizers in 2011.

My tracks have intentionally no names - so it is open to the listener to imagine titles for them. May i change that in the future? Maybe... Their style is mostly (dark) ambient - soundscapes, drones and weird sounds...

Good ambient triggers a movie in the listener's mind - hope, that my music does so...

Please listen before following!

Music on:
A Strangely Isolated Place
Until Riots
Ninja Tune

Born in 1989 in Kosovo - Yugoslavia. Fehmiju, started playing the accordion and piano at the age of eight. He majored in violin in Istanbul Fine Arts University State Conservatory setting from the age of 11. He studied composition from an early age and entered the university's composition department in 2007. In 2014, he graduated from musicology at the same university. He worked as a theory lecturer at the same university for two years between 2012 and 2014. In 2015 he moved to Japan where he studied computer music for one year as a research student at Kunitachi College of Music and started a doctorate program at the Sonology Department of the same university in the spring of 2016. 
He attended workshops of musicians such as Domenico Nordio, Flamur Muco, Atilla Aldemir, Edward Sielicki, Jan Risberg, and Gürer Aykal. In 2010, he participated in the World Choir Competition held in China as a member of the chorus representing Turkey and won the gold medal three times. Received the second prize at the 2012 Turkish Ayvalik International Composition Competition. Fehmiju, exhibited at the 2016 Seoul International Computer Music Festival, 2018 New York City Electroacoustic Music Festival and North Macedonia - Ohrid Summer Festival. He Received the first prize at the 2018 Istanbul MIAM Composition Competition. In the spring of 2019, he joined the Sound R&D of KORG Inc. Since December 2019, he has been a member of the bFaaaP (Barrier-free assistant as a pedal for Piano) project. In March 2020, Fehmiju received a PhD in the Computer Music Composition - Sonology Department at Kunitachi College of Music. Fehmiju also continues his further research, performances, and compositions as a freelance artist.
Fehmiju is the project leader of the Japan side and product manager of the Korg Fisa Suprema project.

New tracks tagged #physical modelling