OK, so this strays a little from the junto brief, but this is where things led!

My field recording ended up being a noodling around on a SW radio dial, avoiding actual voices as much as possible ... The  resulting recording went through (iZotope RX) speech-to-text, which created the crazy text copied below.  That text then became the basis for the (Google) AI 'vocal', which inspired the final track ... a kind of bendy AI rap ... The SW radio recording is still in there somewhere as well ...

Here's the transcription of what the speech-to-text 'heard' - follow along! The track goes through the complete text twice:

ctured 

is 

that yougoing on 

sayin 

itn't 

hbs 

and i thought it in 

no one d'artagnan offer you there said is 

isled on the he said to missus ellivoice i followed with england is now indeed one of masks thou some otherwise if i think employed having his 

eyes on women soon none of the orange do past for battle but it white 

allwith a black beyond oil the touch of the touch of mitya felt a thought he 

you're just a little fairy and osborne 

ilie 

i'm still 

you'll 

have spaster nothing of saint eliza lady's 

a o'er 

my 


More on this 608th weekly Disquiet Junto project, Nature-to-Text (The Assignment: Using a speech-to-text tool, turn a field recording into instructions for a composition), at: https://disquiet.com/0608/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0608-nature-to-text/

more halF unusuaL

halF texT [disquiet0608]

2nd page for various off-cuts, outtakes, oddities, pre-mixes, remixes and reminiscences.
Main page:
The Windscale Blues Experiment   @windscaleblues

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

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Music's got a hold of me.
I am also half of Fictive Sisters https://fictivesisters.bandcamp.com

I have a soundcloud manifesto too (I know almost no one cares):
(1) I do not want to win at soundcloud
(2) I respect people who listen by trying to do work that is as good as I can make it but I may attempt (and possibly fail badly at) different kinds of music so you will probably find some of my tracks suck quite badly even if you like others
(3) If I follow you please feel no obligation to follow me back or to listen to my tracks because I know different people like different things
(4) If you follow me please don’t expect me automatically to follow you back because as I said different people like different things. I try to listen to most new uploads of the people I do follow, so there are only so many people I can meaningfully follow (and only so many reposts I can cope with) at any one time before it all gets a bit overwhelming
(5) If I add a track of yours to my likes that means I particularly like it and if I comment on a track that means I really did want to communicate something. I do not do these things expecting or wanting anything in return or fishing for listeners/followers etc.
(6) Soundcloud (still) can be wonderful and has wonderful people in its universe but some aspects of it do my head in and so I am putting this out here so everyone knows where I am coming from. This is not intended as criticism of anyone else, it is just what works for me

Brillman has been an electronic online musician during the last 20 years using many different names: Brillman, Controlfreak, freakcontrol, Red Karma, Atmosphere, Zero Loop, Pan64, Randomcontrol, geometric delay and Superfreak! Brillman mainly creates original sounds from hardware synths but also uses guitar, samplers, vocals or even poetry. He primarily utilizes a 4 to the floor approach. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

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Influences: Eno, Tangerine Dream, Kraftwerk, The Associates, Joy Division, Roxy Music, Bowie, Chemical Brothers, Frank Zappa, Hendrix, ELP, Polygon Window, G. Mahler, A. Bruckner, L.V. Beethoven, E. Satie, FSOL, The Orb, Laurie Anderson, Vangelis, Underworld, Led Zeppelin, Jeff Beck, Rory Gallagher, Miles Davis, Massive Attack, Black Sabbath, Prince, Sade, Etienne de Crecy, Daft Punk, Plastikman, Monolake, Japan, Pink Floyd, Resistance D, Talking Heads, Hawkwind, Gary Numan, J.M.Jarre…

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Synthesizers used (past or present):

Kawai K4
Korg Wavestation
Korg Wavestation SR
Kawai K3m
Kawai K4r
Yamaha AN200
Yamaha DX-7
Yamaha TG-500
Oberheim Matrix 1000
Roland SC-55
Roland JV1010
Roland JV1080
Roland JV2080
Korg M3r
Korg MS-20 mini
Roland D-110
Roland D2
Roland MC-505
Roland MC-09
Roland MC-808
Roland TB3
Korg ER-1
Korg MS2000r
Korg microkorg
Korg Kaossilator
E-MU Mophatt
E-MU Planet Earth
E-MU Proteus 1/2
E-MU Proteus 2000
Vermona DRM-1 mk iv
Waldorf Blofeld
Waldorf Pulse 2
Moog Subharmonicon
Moog Labyrinth
Moog Mavis
Freebass FB-383
Behringer TD3
Behringer Neutron
Behringer model D
Behringer K2
Behringer Syncussion SY-1
Arturia Microbrute
Arturia Minibrute 2s
Arturia Microfreak
Elektron Cycles
Elektron Digitone
Behringer Crave
Behringer Edge
Novation Mininova
Clavia Micro modular
Clavia Nord rack 2
Access Virus Snow
Twisted Electrons MEGAfm

Main DAW :  Studio one pro 7    Mixcraft pro 10 studio    Ability pro 5