A very beautiful and intriguing musical painting of the haiku!

played at a gallery opening yesterday
My goal was to create absolutely free, momentary music with my new Soma Terra and Soma Cosmos and a bit of guitar.
I started and after 18 minutes the journey was over and I had a very dry mouth

mixed on TE´s TX-6, recorded on TE's TP-7
Mastered in LIVE

Sounds from terra to heaven/hell(disquiet0613)

Created with AUM and various plugins on iPad, mastered in Cubase 12 with Ozone 10

Inspired by Naviar Haiku 510:
https://www.naviarrecords.com/2023/10/11/naviarhaiku510-in-pre-dawn-darkness/

Photo by zenbytes (2023, near Pathfinder Dam, Wyoming, USA)

darkness of rainfall - Naviarhaiku 510

Enjoy the accompanying visuals @ https://youtu.be/nXTq8-uefv8

in dark autumn nights
dew and the new bamboo shoots
reaching out to moon

Haiku by Shubham Dasgupta https://www.instagram.com/poetry.bysdg

More information: https://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF bamboO [naviarhaiku511]

Carpet the Water-naviarhaiku514

two seahorses
dancing in seagrass
slivers of sunlight

Haiku by: Corine Timmer www.bicadeideias.com (first published on FemkuMag Issue 34, November 2022)

More information: https://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF twO [naviarhaiku516]

Suss Müsik’s entire creative practice is centered around the quest to derive gold from detritus. It’s likely an attribute shared with carefree art school days of an earlier era: a time when post-modern photography, sweaty punk rock, and ramen noodles served as daily sustenance.

“Photographs, so much a part of our daily lives, become highly self-conscious when pulled from the fraying of their ordinary locations,” wrote the art critic Julia Ballerini in 1989. “They refer back to their origins in a different voice … suggest[ing] a complexity of potential attachments, detachments, and reconfigurations.”

For this week’s project, Suss Müsik utilized four handmade devices recently built from material laying around the workshop: a digital sample trigger, a joystick-activated grain synth, a touchscreen MIDI device, and a touchscreen modulation controller. These were used to manipulate sonic material (loops, found audio, etc.) from the backlog, some of which has been in the works for more than eight years.

Given the nature of this week’s offering, Suss Müsik captured the session on video. 

https://youtu.be/z-bk_wxwhMo

The piece has no title and was recorded live to a TASCAM 8-track.

More on this 621st weekly Disquiet Junto project, The Leftovers (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0621/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0621-the-leftovers/

Disquiet0621

An electronic composition, original sounds created in Pure Data.

Sea Dance (naviarhaiku516)

[disquiet] 0621 Lyra Leftover

Disquiet Junto Project 0621: The Leftovers
The Assignment: Use recently discarded material to make something new.

I startet with a folder that is in fact named "Resterampe" (German for something between "residual ramp", "junkyard" and "dollar store"; or so…) and in which I put interesting stems that I want to reuse some day.

I hammered together a Lyra 8 recording, a modular synth rhythm, some wooden and metal noise recordings. I added some freshly recorded melody and accompanying noises of a plastic bag of paper handkerchiefs.

Originally it was very minimal, but somehow it became overfreighted. I didn't change that, because it somehow fits the title.

-

More on this 621st weekly Disquiet Junto project, The Leftovers (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0621/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0621-the-leftovers/

Bandcamp

Resterampe [disquiet0621]

Percussion composition inspired by haiku by Carine.

Two Seahorses

Two seahorses
Dancing in seagrass
Slivers of sunlight

Dancing in Seagrass

Dancing in Seagrass - (naviarhaiku516)

two seahorses
dancing in seagrass
slivers of sunlight

Corine is an author, haiku poet, publisher, visual artist, designer, and animal lover who’s been participating in our Haiku challenges for the last three years. You can find more about her poetry and music on her Soundcloud and Facebook profiles

Two seahorses dancing (naviarhaiku516)

Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰

halF twO [naviarhaiku516]

halF unusuaL

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RabMusicLab

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