'Digital Recall' is taken from my upcoming EP 'Explorations In Music For Dancing Vol. 2'. Pre-order now - https://happahappa.bandcamp.com/album/explorations-in-music-for-dancing-vol-2

Out on the 2nd April via Bandcamp and the 9th April everywhere else.

www.instagram.com/halfapersian/
twitter.com/HalfAPersian

Explorations In Music For Dancing: Vol. 2 

Happa - Digital Recall

"Mechanical Rustle" is the latest track from @sharu & @aye5ha 's upcoming EP out on the 30th of July for @kindergartenrecords

Pre-Order: https://kindergartenrecords.bandcamp.com/album/ether
Read More: https://soulfeederweb.com/premieres/premiere-ma-sha-ru-mechanical-rustle/

[Premiere] Sha Ru — Mechanical Rustle

Following up on his Timedance debut in 2019, Sydney based wunderkind Air Max ’97 signs his return in style with a double dose of hi-detail club warpers. 

Without sacrificing any of his grimy and sub-loaded tendencies, the New-Zealand born producer expands his intricate and futuristic palette further with his most trance-inducing production to date.

Listen and preorder: 

Artwork by Harry Butt

Air Max '97 - Eat The Rich

Lithe - & Drop

IM096 - @aroent - Say
Label: Infinite Machine
Release Date: May 27th,2022
Format: Digital
Artwork by Vojd

Following on from a release-packed 2021, Infinite Machine are back with a new 4-track offering from the relative newcomer, Aroent. Across 3 new original cuts (plus a rework by UK dance royalty, Ploy) the Berlin-based producer delivers some serious rollers crammed full of gnarly drumwork and a pervasive air of unease. Like the strange, abstract creature of the record artwork, the music of Say EP is an amorphous beast, mixing the dense arrangements/layering of 90s IDM records with the off-kilter and swung beats of UK Techno and Funky.

The EP opens with its title track; a whirl of snaps, claps and phantom samples all firmly underpinned by an acid-inflected bassline. Aroent embracing of chance and luck in his compositions is evident on this track, throwing in idiosyncratic automations and randomizers to grow and evolve the tune over its 5 minute duration. The vox samples (stolen from Breaking Bad) seem to decay and fall inwards on each other on ‘Say’, as if the song is soundtrack to a decaying and corrupted society (not dissimilar to Heisenberg’s).

On ‘Rolling Oddities’, Aroent’s love for the Bristol bass & techno scene really shines through clearly. A track that seems almost built for a spinny night that rolls on until the morning, the song really does what it says on the tin with its combination of driving, rhythmic elements and it’s smattering of pretty out-there decisions in terms of arrangement and sound processing. This is a definite must-listen tune for fans of Batu, Lurka or Hodge.

Next up, ‘Bobcat’ takes things in a slightly more buoyant and ecstatic direction with its ever-rising filters and muted percussion that seems like it’s dancing along on tip-toes. On this song especially, Aroent’s genre-agnostic approach to production is abundantly obvious with elements of techno and bass sitting alongside kick drums that wouldn’t feel out of place on some Jersey Club tracks.

Ploy brings up the rear on Say EP with a ferocious ‘Skeletal Tool remix’ of the releases’ title track. Taking a reductionist approach to his rework, the Timedance signee strips out some of the originals’ more hyperbolic or dramatic elements and reduces it to a polyrhythmic, semi-genreless heater. Seriously - you try and pin this edit down to a single ‘genre label’, I dare you!

Despite the small number of releases to his name, Say EP is a highly confident and well-realized offering from the Greek-born, Berlin-based producer. In a way, Aroent is already creating his own sonic signature that lifts and interpolates aspects across the UK Bass spectrum and turns it into something totally unique. This is music that lurks in the shadows of warehouse clubs.

Tracklist:

1. Say
2. Rolling Oddities
3. Bobcat
4. Say (Ploy's Skeletal Tool Remix)

Aroent - Say (IM096)

Oerchar

Hello And Welcome To My Twenty First Track! I Wanted To Try Something A Tad Bit Different With My DnB On This Track! And I Think It Turned Out Pretty Awesome! It Is A Tad Bit Repetitive But Not As Much As Most Of My Other Tracks, Also I Did Kinda Screw Up Near The End A Bit But Its Not THAT Noticeable, Anyways Let Me Know What You Guy And Guyettes Think About This One! :P

FEELNIT - The Right Girl

produced by: @laughingears
release date: February 21st, 2020
label: @decisionsrecords
link: https://laughingears.bandcamp.com/album/blue-dusk

Blue Dusk

Laughing Ears - Blue Dusk

YCO001

BFTT - Suchblush

To celebrate the label’s second anniversary we’ve enlisted a crew of friends and family to put together a compilation which looks to consolidate the sound that the label has honed so far and envision where it’s headed in the future.

Additionally our in-house artist Bette Blanchard has created 8 artworks responding to the compilation, which have been riso printed on A3 to go in the home or studio <3

ACEN2001 is released on the 17th of August via All Centre

ACEN2001

Endless Mow - Fey Dor (Taken from ACEN 2001 - 2nd Anniversary Compilation)

Forced to pause the events in the spring, our restlessness has manifested itself in the form of a debut label release: a 21-track genre spanning compilation.

We chose to work closely with friends and family, artists that have an affiliation with AM, each expressing themselves in their freest forms from broken-techno, glitchy breakbeats and mutant dancehall, to IDM & electro.

@de_grandi

De Grandi - How Do You Know (Accidental Meetings)

‘20 SONGS TO END 2020’ - a collection of unreleased and unfinished tunes dating back to 2014. OUT NOW via Bandcamp - https://happahappa.bandcamp.com/album/20-songs-to-end-2020-unreleased-and-unfinished

mgmt: tom.cater@me.com

bookings: naomi@earth-agency.com

Happa - Digital Recall

Happa.

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