aridel

Buy: https://tamikrest.bandcamp.com/album/chatma

'Chatma' is the new album by Tuareg rockers Tamikrest. The album is a fully persuasive sonic document and is filled with sober reflection, moral indignation, musical experimentation, cultural celebration - and the kick of rock and roll. 'Chatma' translates as "Sisters" and the band have dedicated the album, in their own words, to "the courage of the Tuareg women, who have ensured both their children's survival and the morals of their fathers and brothers."

www.tamikrest.net/
twitter.com/Tamikrest
www.facebook.com/tamikrest
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www.youtube.com/user/glitterbeattv

Chatma

Tisnant An Chatma

Tamikrest - Tisnant an Chatma

Tinariwen -TIN AHLLAN-

Aridel - Aridel

Tinariwen-Wallahi la ar tasninam

TAMIKREST - TAKSERA
Record store day 2015
18.04.2015

“Taksera” (which in Tamashek means ‘a celebration with music’) is a rough and ready live album that is sure to give jolt to Tuareg-rock group Tamikrest’s already heady reputation. Recorded on a summer festival stage during their 2014 “Chatma” tour, the album vividly showcases the visceral and improvisational power of the band. The hypnotic grooves of the songs are blissfully extended, and the band’s signature drive and electric guitar telepathy are pushed up front and center.

The material on “Taksera” visits all three of the band’s acclaimed studio albums and gives a sharply focused argument as to why in the last few years Tamikrest has been one of the most lauded young bands from the African continent. Their 2013 album Chatma reached the No.1 position on the World Music Charts Europe and graced year-end “best of” lists at Uncut, Mojo, Les Inrocks and The Quietus. Songlines magazine went even farther and gave them their “Best Group Award” for 2013.

“Taksera” was engineered and mixed by Jean-Paul Romann, who has produced seminal albums by Tuareg music legends Tinariwen and Terakaft. The album was recorded at the Burg Herzberg Festival in Alsfeld, Germany on August 1, 2014.

This RECORD STORE DAY LP is a limited edition pressing of 1500 on 180-gram audiophile vinyl with a gatefold sleeve and download code. 

“Taksera” is in every way the celebration that the album title promises. It energetically underlines Tamikrest’s unique cultural mission and their commitment to explore new possibilities for Tuareg music.  It shows a band full of hard-earned confidence and swagger; a band in love with turning up their amps and letting it rip.


Tamikrest - Aratan N Tinariwen (live)

"Ténéré Tàqqàl" from the album "Elwan" to be released Feb 10, 2017
Pre-order ELWAN here: http://found.ee/tinariwen_store

Directed by Axel Digoix, produced by Pilule et Pigeon 
p&c 2016 Wedge 

TÉNÉRÉ TAKHAL 

Ténéré tàqqàl 
Eghàrghàr wa n-fissar
Dàgh iknasàn elwan
Azzadàn dàgh-s alimmoz 

Awwànàn ichinkad Adagh
Ibas tidwin igdad iskak
Aherahàghnàt timizzagh
Tiwàr tekenzart idim n-àlyad

A-wa àzzàman àssoheen 
Dàgh idja amsistagh
Azzaràn wi àssohàtnen
Idjmadàn inibdan

Ammun dàgh-nàgh meddàn 
Tàssiknàs tayitte n-nibrar
Tigla tisrawt fàlanàgh
Istàqqàt anmàghdar

What has become of the Ténéré

The Ténéré* has become an upland of thorns
Where elephants fight each other
Crushing tender grass under foot. 

The gazelles have found refuge high in the mountains
The birds no longer return to their nests at night
The camps have all fled.

You can read the bitterness on the faces of the innocents
During this difficult and bruising time 
In which all solidarity has gone. 

The strongest impose their will
And leave the weakest behind
Many have died battling for twisted ends. 
And joy has abandoned us
Exhausted by all this duplicity. 

*  Ténéré is a Tamashek word meaning empty land or desert. The plural of the word is tinariwen.

Ténéré Tàqqàl

Tinariwen - Ténéré Tàqqàl

"Assàwt" from the album "Elwan" to be released Feb 10, 2017
Pre-order ELWAN here: http://found.ee/tinariwen_store

Official Site: http://www.tinariwen.com
Facebook: https://www.facebook.com/tinariwenmusic
Twitter: https://twitter.com/TINARIWEN
Instagram: https://www.instagram.com/tinariwen/
YouTube: https://www.youtube.com/user/Tinariwen

Tinariwen - Assàwt

MUSIQUE TOUAREG
Aridel est un groupe de musique formé en 2009 par quatre musiciens originaires d’Alger revendiquant clairement l'influence du blues touareg Mélangé aux influences arabes et occidentales (jazz, rock), cela donne une musique très métissée et originale. Leur premier album "Rahet bali" sortie en 2011 est un voyage entre le nord et le sud; entre modernité et tradition.

MUSIQUE BLUES DU SAHARA ALGERIEN - MEDITATION DEPAYSEMENT

Terakaft - Tenere Wer Tat Zinchegh

TINARIWEN

The Sahara Sessions was recorded deep in the desert. Sheltered only by an animal-skin tent and the vast canopy of midnight stars, Etran Finatawa played their guitars and sang straight from the heart. Each poignant song and every slap of the calabash drum articulating the deep-set divisions in the Sahel region that are threatening their Nomad way of life.

Read More/Buy Album: www.worldmusic.net/saharasessions

Simmering political troubles and excruciating economic hardship pose a dangerous threat to the nomadic way of life and the rich cultures of Niger. Divining their solution to these issues, Etran Finatawa celebrate their diverse heritage and call for its preservation to be a priority for Nigeriens and listeners the world over.

The Sahara Sessions opens with ‘Matinfa’, a gently rippling introduction peppered with traditional percussion; tendé, calabash and azakalabó (a calabash drum that floats in water) drums are all heard. The song title translates as ‘What Is This For?’ and is the first signifier of the album’s intent to comment on the tumultuous status of the Sahel region today. Although Niger has displayed a firm opposition to separatism that plagued neighbouring country Mali in 2012, the troubles have inevitably caused insecurity in the Sahel region and the threat to the countries rich and varied cultures is a very real concern. Etran Finatawa’s members are of Tuareg and Wodaabe heritages – neighboring tribes that both live as nomads. Water shortages and land disputes have led to deep-set economic issues that cause conflict and misunderstanding across communities. The work Etran Finatawa do to promote unity and understanding is invaluable. 

The album presents a collection of tracks: some fixed compositions developed and created by the band and others spontaneous improvisations that capture the spirit of the tent recordings.  Songs such as ‘An Mataf Germanawen’ (Union) and ‘Issuad’ (Let’s Come Together) patiently call for attention to be paid to the political situation.

Various guests also join then band on the album – arrangements that occurred organically and were spontaneously initiated. One of these, a Tuareg percussionist by the name of Ayouba arrived at the camp one night, revving out of the darkness on his motorbike. Before long Ayouba had set up his calabash drum and was spreading his contagious high-energy vibe like wildfire. His articulations can be heard on the three tracks ‘Matinfa’,  ‘Icheraid Azaman’ and ‘Toumast’. ‘Wa Oyan A Wa Imouss I Bastila’ is an excerpt from an improvisation with Abdourahaman Ag Ibrahim, a well-known local griot (praise-singer and oral historian), who came to visit the tent where Etran Finatawa were recording.

Etran Finatawa are as captivating as the horizon-stretching desert where the pitched their tent to record. Like the desert their music stretches out across the sands of time and culture.


Etran Finatawa: Icheraid Azaman

Get the album here: http://glitterbeat.com/glitterbeat_store/

Tamikrest means “crossing” in the language of the Kel Tamashek, a traditionally nomadic Saharan people that are commonly referred to as the Tuaregs. It is an apt name for a band that so successfully merges the values of their timeless culture with the sounds and visions they have encountered on a headlong journey to the concert stages and ipods of the world. 

Since the band emerged onto the international scene four years ago with their debut album “Adagh”, they have been in constant motion, moving between the Sahara and Europe as though these places were next-door neighbors. All the while, during this same time period, their homeland has suffered increasingly profound and catastrophic events. Originally hailing from Kidal, in the northeast of Mali, as the result of ongoing war, persecution and political collapse most of the band now lives in exile in Algeria. 

These last years have been intensely vivid for Tamikrest, defined as they have been by both tragic sadness (families and friends turned refugees, the brutal imposition of Sharia law in their hometown) and collective growth (their musical dreams building one upon another). 

Their new album “Chatma”, their third, deftly navigates these experiences and fashions them into a fully persuasive and poetic musical document. The album is filled with sober reflection, moral indignation, musical experimentation, cultural celebration and the kick of rock and roll.

“Chatma” is also Tamikrest’s first album to be wholly written around a defined theme. In Tamashek “Chatma” means “Sisters” and the band has dedicated the album in their own words to: “the courage of the Tuareg women, who have ensured both their children's survival and the morals of their fathers and brothers.” 

The opening track “Tisnant an Chatma (The suffering of my sisters)” is a heartbreaking homage: « Who can estimate the suffering felt by the soul / of one who sees her sisters exhausted from waiting/ of one who sees her sisters exhausted from waiting between countries, in deep distress /and daily oppression? « 

Fittingly for an album so lyrically evocative, “Chatma “ also delivers Tamikrest's most wide-screen and wide-ranging sonic statement to date. The infectious, sing-along rock stylings of "Imanin bas zihoun", the acoustic seduction of “Adounia tabarat”, the Pink Floyd influenced montage "Assikal" and the lush, melancholy ambiance of the albums finale, “Timtar”, all add up to a sustained audio adventure. Echoes of dub, blues, psychedelia, funk and even art-rock are seamlessly weaved by Tamikrest into their increasingly individual take on the Tuareg musical tradition. 

And on an album where the title translates as "Sisters", it makes perfect sense that this time around we hear the full emergence of the haunting voice of female vocalist Wonou Walet Sidati in tandem with lead vocalist Ousmane Ag Mossa. A new guitarist, Paul Salvagnac has also joined the band, bringing with him fresh textures and possibilities.

Contemporary Tuareg music has produced several unforgettable albums in recent years and "Chatma" certainly deserves to be ranked with these. But one also gets the sense, when listening to “Chatma” that there is something uniquely innovative and exploratory about Tamikrest's musical quest and that at last they have stepped into a wide-open space of their own.
 
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www.twitter.com/Glitterbeat_Rec
www.twitter.com/Tamikrest


MUSIQUE BLUES DU SAHARA ALGERIEN - MEDITATION DEPAYSEMENT

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