Hands Up is a combined force of two of London’s freshest talents:Per Qx &amp; We're Not Cool!

Individually these East End party starters have already raised the roof of some of Europe's hottest dance floors including:
BUGGEDOut!, Fabric, Dalston Superstore, Ministry Of Sound, Razzmatazz,T-Bar, Trailer Trash, Tresor and Stealth.

After meeting in a sweaty Dalston DJ booth they soon discovered they shared the same taste in music and passion for rocking the dance floor.“Hands Up” does exactly what it says on the tinNo messing around Big Room floor Bangers.

Their Energetic DJ sets and production is influenced by House, Techno and Electro with a sprinkle of Drum and Bass.

Taking the best elements from the music they love they have created a sound intent on one thing and one thing only.

Getting Your Hands Up…

Founded in London in 2007, Phantasy has steadily transformed into one of the UK’s most diverse and artistically ambitious small labels. Neither rooted in electronic or alternative music, Phantasy small but expanding stable of artists work closely with founder and creative director Erol Alkan, to achieve the best possible sound and vision for a diverse audience.

BOOKINGS
World (except N&S/America): daniel@jackmode.com
N America: p@slaytoncreative.com
S America: polina@jackmode.com

MANAGEMENT
nl@285.group

With a decorated past and an extensive list of achievements, Tim Green has maintained a high level of accomplishments since the mid-2000s. An artist who is deeply dedicated to expressing his truest sound, Tim’s depth of experience, innate musicality, and hard work lie at the heart of his formidable
success. In recent years, his affiliation with the All Day I Dream family, including close ally Sébastien Léger, and embracing the melodic sound, has triggered an unparalleled period of creativity and self-satisfaction. The success he has experienced throughout his career hasn’t been without its ups and downs, but, like any journey worth taking, the path to glory and inner happiness was meant to be that way. Through his high work ethic and natural-born talent, Tim Green has reached new levels of creative maturity and freedom… with so much more to come.
Tim’s musical ability is inherent, it’s in his DNA. His father is a keyboard player and he started taking guitar lessons at the age of eight, so it’s always been there. Growing up in a musical household, surrounded by a variety of sounds and influences, imbued Tim’s mind with a broad range of inspiration. His love affair with electronic music began with Daft Punk’s classic Discovery LP, which sparked a shift from live music in bands to DJing and studio production. Since his first release in 2006, Tim has utilised his skills to cultivate a diverse discography, from techno with labels like Cocoon, where he was a mainstay, to dancefloor-ready house for Dirtybird. Along the way, he’s
released an album Her Future Ghost (Cocoon), produced an impressive and diverse set of remixes for the likes of Underworld, Paul McCartney, Ben Bohmer, Friendly Fires, Eelke Kleijn, Perry Farrel, Sébastien Léger, Cassius, Seth Troxler and Lee Burridge, and written alternative pop material under
his alias Invisible Minds.
Amid all the success, Tim has been working towards uncovering his true sound. Occasional feelings of discontent sparked a desire to experiment. In 2016 came a key release on Get Weird, entitled ‘For A Memory’. The track, 11 minutes of deep, exquisitely produced melodic house, helped lay the
groundwork for what has become Tim’s signature sound - with depth, emotion, and musicality at the heart of his creativity. Along with his 2018 album Her Future Ghost, ‘For A Memory’ was pivotal to his progression into the Tim Green of today. These releases were part of his continual push to find a sound that he was comfortable with, and the catalyst behind his gradual shift into the melodic domain.
Through exploring this emotive sound, finding his groove, and entering a place of comfort with his creativity, Tim has found the freedom that so many artists yearn for.
A longstanding friendship with Lee Burridge (who supported Tim’s music in his sets, right from his first-ever release in 2006), also played a part in Tim’s development. His musicality has always been there, from his genetic makeup to playing in bands, to his diverse back catalogue. Building upon the
foundations laid down by ‘For A Memory’, in 2018 Tim found himself in the studio creating brand new tracks that simply gave him a good feeling, no agenda, just free flowing uplifting jams. He sent them to Lee, who instantly approved, and so began his connection with All Day I Dream. In March 2020 he dropped his first release on ADID, the seminal Vacation To Life. This was followed by the Moho EP with Sébastien Léger, which helped to further establish Tim’s prowess.
Since 2020, he has released another two EPs with All Day I Dream - The Moss and The Night Is Blue, plus an album, Eastbound Silhouette. His global touring schedule continues to be packed, taking him from the US to South America, across Asia and Europe, and back again. At every stop off he
encounters crowds who are open to his sound, driven by love, connection, and living life to the fullest.
When he’s at home being a family man, or spending time in the studio, that good energy continues to emanate cultivating a sense of comfort and inner contentment.
Almost 20 years since he first made a name for himself, Tim Green is busier than ever, touring the world and entering the most creatively enriching and fertile period of his career. He’s brimming with positivity, from the tunes he makes, to what he plays, and the response from the people on the dance
floor. The emotive, uplifting nature of his tracks has a deep resonance with those who experience it, leading to a constant flow of positive feedback. A dream for Tim, who’s fully enjoying the ride, and it shows in the music and his demeanour when he is performing. It’s become a positive feedback loop, where the energy he receives feeds into the music he produces, evoking more positivity on the dancefloor, which radiates back to him, and on it goes.
Maintaining a full-time music career is complicated, there’s no blueprint for success and inner peace.
Fortunately, Tim Green put the work in, kept striving, and discovered his authentic truth. Now driven by the powerful impact of his positive feedback loop, he is relishing the chance to express his musicality for himself, and melodic house lovers all over the world. All the while, he remains humble and full of gratitude for the gift of music…

Trouble Vision Launched on the 19th September 2008 at London's Corsica Studios. 

In 2011 it was voted 'Britain's Best Club Night' by the readers of DJ Mag and to this day functions as a roughly bi-monthly south London knees up operating out of Corsica Studios and beyond. 

Âme, Anthony Naples, Barnt, Bell Towers, Ben UFO, Bicep, Damiano Von Erckert, Dark Sky, David Rodigan, Deetron, Denis Sulta, Derrick Carter, Dixon Avenue Basement Jams, Fatima Yamaha, Four Tet, George Fitzgerald, Gerd Janson, Gilles Peterson, Harvey Sutherland, Honey Dijon, Jackmaster, James Holden, Jamie XX, Jay Daniel, John Talabot, Jon Rust, Joy Orbison, Julio Bashmore, Kornel Kovacs, Kyle Hall, Loefah, Marcellus Pittman, Martyn, Maurice Fulton, Maya Jane Coles, Medlar, Midland, Mosca, Moscoman, Motor City Drum Ensemble, Move D, Moxie, Nick Höppner, Pangaea, Paul Woolford, Pearson Sound, Pedrodollar, Pender Street Steppers, Red Axes,
Roman Flügel, Ruf Dug, Sadar Bahar, SBTRKT, Session Victim, Shanti Celeste, Skåtebard, Space Dimension Controller, Talaboman, Telephones, Lauer, The 2 Bears, Theo Parrish, Zomby

For more information subscribe here; http://www.troublevision.club

Techno since 1989, owner of Electric Ballroom. OG.

Brooklyn Heavy-Bass record label and party Est. 2006
Thank you to all who supported 9 wonderful years of Heavy-Bass music with us, May the memories live on. †

Bookings >> Ishsha@echolocationtalent.com
Management>> Laurence@maximum-boost.co.uk

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