Luke Million plays synthesizers

Bookings & Enquiries: mgmt@lukemillion.com

Summertime, All The Time.
MANAGEMENT: theviceroymusic@gmail.com
BOOKING: pete@coalitione.com

Born out of an era where Ridley Scott imagined dystopian futures on the silver screen, and artists like NIN and Aphex Twin rocked MTV.

Getting creative in the studio with the likes of Seven Lions, Skrillex, Deadmau5, and Tom Morello, and contributing to film scores and OSTs, including “Teenage Mutant Ninja Turtles” and “XXX -Return of Xander Cage” in collaboration with top composer Brian Tyler, Stanczak's long standing career in electronic music never stands still.

Also check https://soundcloud.com/dmns-duo for Mine and Nick Teares duo group

I dont have a style. if i like the way it sounds ill put down to it. i love music.. its the only way i express myself properly  so i hope you all enjoy this as much as i enjoy making it! Peace! SUPPORT AUSSIE MUSIC!


DJ E.A.S.E
Producer/Writer/Spiritual Conductor/CEO of MY Life. In honour of creation xxx 
Enquiries: kr@endlessloveshow.com

Glitterbox/Mighty Wonky Disco
Dj/Producer... Obsessed with disco. 

Sign Up - https://signup.ymlp.com/xgeuysmhgmgub

https://ffm.bio/stlucia
Management - Andrew Roach: ar@loyaltmgmt.com

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

Stick ‘em up! No, this ‘aint highway robbery, just a roll call for the heaving masses! Love child of up and coming Melbourne based DJ/producer, Hands High is undertaking a mission to fix clubbing arms permanently in the upright position. Having featured alongside the world’s largest electronic artists at Summadayze over the last two years including David Guetta, Justice, Armand Van Helden, Boys Noize and Calvin Harris to name but a few. He currently holds residency at Melbourne's biggest club nights, Code Red and RAW, while in 2012 making his debut at Stereosonic, Creamfields and Parklife festivals.

With original productions ‘We Got the Swag’, ‘Take the Drop’ and remix of Drop The Lime’s ‘Shake Baby Shake’  (on Onelove Records) having made waves, his latest single ‘City Lights’ (on Bomb Squad Records) debuted at #30 on the iTunes Dance charts and #38 on the ARIA charts!

Bookings:
<a href="mailto:bookings@coderedent.com.au" rel="nofollow" target="_blank">bookings@coderedent.com.au</a>
Code Red Management

Website/Facebook:
WWW.HANDSHIGH.COM.AU

Hands High is following