"Light is to the camera obscura as sound is to audio obscura." 
 
Odd electronics for the ears, making music covering the wide spectrums of electro-acoustic music, musique concrète, idm and occasional field recordings, with post-classical minimal leanings but beats and bass as well!.  Someone described it as "experimental easy-lsitening" which I like. 
For a while I collaborated as part of a collective under the name Sound Celestial Orchestra but that is no more!  (see, https://soundcloud.com/sound-celestial-orchestra)
I'm always keen on remixing other Soundcloud users and like a challenge.

"See, I warned you not to go and play on your modular synth straight after reading all those Alan Garner books. Now look what's happened."

Kristi Scarvelis singer/musician of @Auramics, etc. vinyl DJ record collector, designer, filmmaker & creative director based in NYC/LA, USA / Athens, Greece.

As a DJ, Kristi, plays her treasured library music records, giallo soundtracks, lounge, psych, early electronics, musique concrète, tape, collage and other obscurities from all parts of the globe that has influenced her musically with her band Auramics and other projects.

Scarvelis is a Greek-American and also a multidisciplinary creative director, designer, producer & filmmaker.

The Assembled Minds is the recording project of Matthew J Saunders (Magnétophone (4AD), R.E.E.L., The Twilight Sequence, Veil). Traditional analogue studio rituals, sci-fi dreaming, arcane LED-lit magical practices and all nature of wyrd wild sonic tom foolery.

The first lp, 'Tomorrow Curves', is a collection of analogue sci-fi soundtracks and voltage controlled incantations.

The second album, 'Creaking Haze and Other Rave Ghosts', is an invocation of hazy horror raves from the mists of the collective mind. Here's what Simon Reynolds said about it:

"Differently great. Rippling reverb-misted pianos and a sleepwalk trance of drum machines and pumping bass – the vibe is much more Ultramarine’s 'British Summertime' than ardkore. And there’s this sound that’s in most of the tracks: a high-pitched “peaky” timbre that is… ecstatically edging into dissonance, is the best I can do by way of describing it. It reminded me of what Trevor Horn once told me: his belief that great albums have the same sound running all the way through – his example was The Blue Nile’s Hats – so that every track is a chip off the same lustrous block, refracting slightly different. "

Enter our world, wide eyed and workshop grimy...

There are two people in this photograph and neither of them are me.

Residing in Los Angeles, California, Jnatra is an entrepreneur and musician that creates sonic landscapes using different mediums from vintage synthesizes, to psychedelic guitar effects, mixing different textures into song.

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