The Night

I'm Yours, You're Mine

Morning Flight

CHILDREN OF SILK EP 

spotify: http://spoti.fi/1N5wwpr
itunes: http://apple.co/1NMULtp
www: http://bit.ly/1JsCS1h
facebook: http://on.fb.me/1NJjrHP

"do not rename it when it can't be pronunciated. 
do not despise it when it is undressed. 
do not abuse it when it is in bloom.
do not only honor it inside buildings with marble vestments. 
do not stone it when beyond the walls of comprehension. 
do not kill it with gloves of silk for they will only soothe it.”

After the success of her first self-released EP “The Suspended Kid”, Sevdaliza releases her second batch of enigmatic songs on “Children of Silk”. The songstress/producer draws her influences from several textures like skin and glass. Sevdaliza’s melancholic visceral voice floats over beds of mechanical instrumentation, creating dynamics of chaos and order. Her songs have a philosophical questioning character, subjects like gender diversification and perception of emotion are strongly present. Diverse comparisons have been drawn yet it remains a difficulty to specify her in a particular genre. Rhythmic tensions build slowly into chaotic climaxes. Every retribution of her lyrics becomes more intense and personal, yet she isn’t able to break from that obscure statue of a woman. Children of Silk is now available worldwide via Itunes/Spotify.

lyrics: 
there's a woman
she fails him every time
she can't come down
she lives to be declined 
there's a woman
she's every fantasy
and no reality
in one 

there's some gravity
pullin' her essence down 
there's a remedy 
for them motherfuckers around 
there's a woman
she's every fantasy 
and no reality
in one

it bring her back to life
how can i suffer without the pain 
can we surface without our shame 
it brings me back alive
how i can suffer without the pain 
can we surface without our shame 

i wish i could cry 
i wish i could die 
(but my heart is too cold)

AMANDINE INSENSIBLE

WORK

Everything To Me

Find the song on Spotify, Apple Music etc.: https://smarturl.it/TAMB230DS
Visit IRAH: https://facebook.com/irahmusic
Visit Tambourhinoceros: https://tambourhinoceros.net

IRAH are Stine Grøn and Adi Zukanović
Produced by IRAH and Mads Brinch Nielsen
Mixed by IRAH and Mads Brinch Nielsen
Mastered by Morten Bue
Recorded at Sauna Studios and Funkhaus
Artwork by Jakob Steen

*** Lyrics ***

I call out thou name 
Hear my calling
How will you greet me this time
Stuck in this moment 
Forgot the veil 
Agreed to play the human game
Let the beat of the thunder
Reach my longing ears 
Let it vibrate through my cells 
As I take off
Let my breath be your breath 
Unity of Gods
Oneness with all that is
You greet me with love once again 
Kind eyes wash my grief away
Hands on my shoulders 
I let go 
Hold me in your arms
Let the beat of the thunder
Reach my longing ears 
Let it vibrate through my cells 
As I take off
Let my breath be your breath 
Unity of Gods
Oneness with all that is
I'll wait 
I'll wait 
Forever

I'll wait 
I'll wait 
Forever
Let the beat of the thunder
Reach my longing ears 
Let it vibrate through my cells 
as I take off
Let my breath be your breath 
Unity of Gods
Oneness with all that is

IRAH - Unity Of Gods

Lapse

released by @artsandcrafts
produced by @alexandervincentmusic + @itsmevox
mastered by @vermaasaudio
photograph by Logan White

I’ve never been so happy to be bleeding
At least my wounds are showing now
At least I spoke up
At least I’m a real man
At least I’m enough

I’ve never been so happy to be bleeding
At least my wounds are showing now
At least I spoke up
At least I’m a real man
At least I’m enough

I’m enough
I’m enough

I’ve never been so happy to be bleeding
You lick the hurt for me
You stir the pot
You are a real man
You have real thoughts

I’m enough
I’m enough

I’m enough
I’m enough

I've Never Been So Happy To Be Bleeding

Third single from Hannah Gill, written and recorded during the quarantine.

Track Credits:
Vocals & Lyrics - Hannah Gill
Piano - Jesse Elder
Upright Bass - Steve Whipple
Drums - Dave Tedeschi
Violin - Blanca Gonzalez
Cover Art by Hannah Gill

And stay tuned for more music + other news by signing up for her newsletter at www.hannahgillmusic.com
Or follow her at @HannahGillMusic on IG / FB / Twitter

Ashes

habibi habibi
no one understands me
habibi habibi
the caring left
habibi habibi
no one understands me
habibi habibi
the caring left
habibi habibi
as long as i sing
habibi habibi
i’ll let the birds in
habibi habibi
no one understands me
habibi habibi
the caring left
habibi habibi
no one understands me
habibi habibi
the caring left
habibi habibi
as long as i sing
habibi habibi
i’ll let the birds in

is there anyone out there
to get me out of my head?
is there anyone out there
to get me out of my head?
is there anyone out there
to get me out of my head?
is there anyone out there
to get me out of my head

habibi
as long as i sing
habibi
i'll let the birds in

Habibi

Hannah Gill, a 22-year-old vocalist & lyricist, grew up on the eastern shore of Maryland, listening to and being influenced by the likes of Nina Simone, The Beatles, and Joni Mitchell. She has been covered by The New York Times, Teen Vogue and NPR amongst others, has toured internationally as member of Post Modern Jukebox, and her original music videos have garnered a million+ views on YouTube.

Ashes

Hannah Gill

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