This track mutated a bit in the making, as many do, and in some respects became more electronic, and yet, more pop, than when it first arrived in my head.

It's bit indulgent time-wise, just how I like it.

Give it some volume, and plenty of bass. Thanks for listening.


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"A musician working from Scotland, Harrison works in several styles, blending his many influences into something exciting and new, while firmly rooting his work in pop sensibility."

I'm a solo artist, working from a home studio, and have recently re-entered the world of music after a lengthy detour into more mundane pursuits. I've played in many styles over the years ranging from Classic Rock, Heavy Metal and Gothic/Emo to Experimental Electronica, Dance, House, and Pop. When composing, I like to pick from these many styles, plus mix in some of my other influences such as Classical, Jazz, Alternative Rock, and even some stylings from my formative Eighties and Nineties.

I've taken the measure of abandoning my old writing and recording habits, of moving primarily to a desktop environment, and of rejecting all previously written materials. It was a little frightening, but with earlier tracks comes baggage, and while fun to play from time to time, severely limits the creative process.

Clearly, I embrace a wide ranging set of influences, and they cannot be simply thrown together to make something enjoyable, and so I am taking my time defining the Harrison sound and discovering for myself what works and what is simply indulgence.

I hope you'll like what you hear as I flesh this out and I welcome all feedback.

Gentle, evolving textures and pads colliding with woozy detuned vibes that suggest Boards of Canada demos left in the sun for too long.

Ambient/Electronica artist, Film/TV composer @yuritomanek

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HarrisonBrowne