Cornelius Ferguson a.k.a. Traxman And Better know as Corky Strong is from the West Side of Chicago and one of the longest serving producers working in House and Footwork with releases stretching back to the glory days of Ghetto House on Dance Mania records in the nineties. He’s also one of the co-founders of Chicago's two-decades- G.E.T.O DJZ INC clique and a member of DJ Rashad & DJ Spinn's Teklife CREW And the founder of TEKK DJZ 
crew and has recorded with power house lables like dance mania' planet mu' Dizzy Tunes' chi wax' litcity trax' booty tune' booty call records Raw wax and also was one of the creators of the legendary mixtapes on coloured cassettes which were the prototype for Juke and Footwork's evolution. His unique brand of Footwork is very strongly rooted in Chicago's history of Soul, Funk, House and Ghetto Trax; he’s a veteran and renowned crate digger who has provided the sample sources for many of House' Juke and Footwork's classic tracks over the years. His deep knowledge of music (check the mixes he occasionally throws up on the net) makes him one of the city’s most versatile and skilled DJs and producers. 

Traxman's own productions are an incredibly well rounded suture between hip hop’s natural funk and resourceful sample flipping, the hyper-kinetic innovation of footwork’s stop-start, half-time to double-speed drum programming and a deep respect and understanding of Chicago’s House past, that few producers can match; His mixes are a testament to this man's skills.

Godfather has had a very successful career over the years. Voted 15th best DJ in America by the readers of DJ Times and Pioneer Pro DJ for 2011 and in 2012 out of the top 100, best DJ in Detroit by Real Detroit magazine 5 years in a row (2008-2013), and is now the Red Bull Thre3stlye champion of Detroit for 2013! With sponsorships from Serato and Native Instruments, Godfather currently released an expansion pack entitled Dirty Knock for the iMaschine and Maschine, the industry standard drum machine by Native Instruments with endorsements from Diplo, Lil Jon, Steve Aoki, Disco Fries, Danny Daze, DJ Fuck and more. He plays it all from open format/mashup parties to  house to the deepest trap, ghetto tech and juke parties incorporating his battle style turntablism in his sets. He has played across the globe numerous times in cities all over Europe, Asia, Australia, United States, Canada, China, Japan and South America and receives worldwide recognition.

Lets take a look at it from the beginning!:

DJ Godfather is considered one of the founding fathers of the genre we now know as Ghetto Tech. He started DJing at the age of 15 with the help of, now business partner, DJ Dick. Within a few months of getting his turntables, Godfather was already playing in nightclubs and after hour parties all over Detroit. He started producing at the age of 17 for his first Miami Bass style group Bass Association. With the buzz of a few singles off the Bass Association album on 3 Detroit radio stations, Godfather made his first solo record at the age of 18 on the now Twilight 76 Records entitled "Work Dat". Taking his turntablism skills and mixing Detroit Techno music with Miami Bass music, and new sound was born, Ghetto Tech. With the formation of their new record label Twilight 76 with partners DJ Dick and Brian Gillespie, he took his talent and turned it into an entire business creating 3 other labels known as Databass Records, D.E.T. Only (An exclusive label with only 1000 copies of each release), and Juke Trax (A label dedicated to the Chicago style of Ghetto House and Juke music). With all 4 record labels combined, Godfather and his partners released over 250 vinyl releases and mix CD releases, selling over 800,000 units worldwide. You can hear DJ Godfather tracks on the 2 videos games, NBA 2K6 and NBA 2K7 on 2K Sports. He was also the first DJ to be released on the Serato digital download series, using Scratch Live technology and tracks only available digitally for a mix cd entitled "For The Freaks". With 12" vinyl record sales slowing down over the past years, Godfather and his partners stopped pressing vinyl and embraced the digital download world with their own digital distribution company and 2 online MP3 stores, Secretremixes.com for Mashups and DJ Remixes along with Electrobounce.com for Trap, Ghetto Tech, Electro, Techno and Juke music. They also started Soundbully, A digital distribution company that offers digital distribution to over 187 MP3 stores and ring tone carriers worldwide.

Godfather is also producing under 2 other names. Don Dada which is a duo group with DJ Zebo out of Chicago incorporating trap music with juke, ghetto tech and electro house with 4 turntables in their live sets. Reviews have been fantastic as they already played Movement in Detroit and Spring Awakening in Chicago along with some other big music festivals. The other allis is Detroit Muscle which is strictly house music. Having remixed artists such as Lil Jon, Diplo, Aston Shuffle (Ministry Of Sound), Bad Boy Bill and more!

Recent projects Godfather has been involved in are remixes for Laidback Luke' "Pogo", Dizzee Rascal's "Bassline Junkie" and Baauer's "Harlem Shake which have all made the #1 monthly downloaded track on Serato's Whitelable.net and the 40 Oz Profits, making it in the top 100 on Beatport. Don Dada is also ready to release their Debut single "Rock Ya Whole Block" along with 2 follow up tracks. 


Sound waves manipulator. Based in Berlin.

Mastering engineer for: 
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Cue the bass…Deep in the heart of the ghetto, on the mean streets of Chicago’s infamous Southside, a music pioneer was born…
From the beginning, Thomas “DJ Slugo” Kendricks was influenced by his cousin, DJ Geno, a member of a local Chicago hot mix group, and other local icons such as the Hot Mix 5 (of Chicago radio). Slugo, with 20+ years in the game, over 20 albums in his pocket and over 50 CDs on the street, began a journey that lead him to become one of the original creators of a style of music commonly known as Ghetto House, more recently regarded as Juke.
Ghetto House, an urban dance sound created by inner-city producers from raw walks of life and derived from Old School House, is steeped with nuances from ghetto-life traditions and descriptions of the hood through rhythm. It moves beyond the just being and dives right into the metaphysical, with its rhythmic, infectious energy exciting the inner spirit and making folk return to their Motherland dance roots.
The magic struck Slugo at a high school dance where he asked the DJ if he could spin a couple of tracks. Although his set only lasted a brief 15 minutes, it ignited a flame that burns brighter than ever today.
From 1984-1987, Slugo honed his skills by observing the skills of his local heroes. Participating in heated DJ battles won him acclaim as a technical expert on the wheels of steel. He released his first truly professional mix tape Ghetto Mix Part III (1992). This tape landed in the hands of Ray Barney, CEO of the Chicago-based Dance Mania, one of the largest dance music labels in the world. Barney and Slugo formalized an agreement resulting in a long stream of releases on the Dance Mania label and affording Slugo the freedom to form his own label, Subterranean Playhouse.
During this same period, friend and fellow producer Paul Johnson introduced Slugo to a southern promoter, which culminated his professional merge into the rave scene. His unheard of Ghetto style of mixing quickly made him a favorite to tens of thousands of partygoers and promoters alike.
The release of the popular Cardboard Booty mix CD, called “the most influential ghetto house CD ever made” by London’s Underbeat Magazine, who also went on to call DJ Slugo, “the Ghetto-father of the American dance floor.” As his fame spread, releases with other national labels, such as Underground Construction, Dance Mania, GTI Records, Serotonin Records, Data Bass, CWAL Mob Recordings, Wide Records and Crosstalk International, Inc., as well as his follow up album, The Ghetto Don, flew off the shelves.
Taking his career to the next level, Slugo signed with the 1 electronic music booking agency in the United States, Teknomafia. With Teknomafia’s 10-year strong foothold on the nationwide rave, club & concert market as well as national distribution for his future releases, the only question that remained was where to begin. Slugo later said that this proved to be one of the best decisions made for his career. After Teknomafia shut their doors and in order to progress into mainstream music, DJ Slugo was the only electronic artist kept on the roster.
2002 saw Slugo returning to his roots with new projects, Where the Rats and Godzilla. Slugo calls these releases without a doubt, some of his best work. They have also without a doubt, exceeded the sales of nearly every other release he has done to this date and which lead to his wildly successful “Godzilla” track becoming a worldwide phenomenon.
After a yearlong respite to rethink his career path, Slugo is back in the game and taking the world by storm. Recent affiliations with England’s Wide Adventure and Crosstalk International, Inc. promise many great things to come.
“Imma keep making Ghetto House music because I love it!”
The saga continues…

For Bookings:

Email: bookdjslugo@gmail.com

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