Wojciech Przysiezny, in dub and sound system culture commonly known as
Violinbwoy, is a gifted musician from Wroclaw (Poland). The now well
established dub merchant started his musical teachings at the young
age of ten. After years of dedicated training at a music school in
Poland, he achieved his personal success of mastering the violin.
Moving to the U.K. for a university degree in ‘music production’
helped him shape a real future in sound. It was here where he stumbled
upon the monthly dub session ‘University of Dub’ – the founding place
of his upcoming journey in dub.

This very session and sound inspired Violinbwoy to start creating
dub-influenced music off the edge. It immediately resulted in his
beats being picked up by sound systems and radio stations across
Europe and Western countries. In matter of months, his dubplates
effectively traversed the globe with support from the biggest sound
systems from the likes of ‘Jah Shaka’ & ‘King Earthquake’.

Soon after this positive movement, the Polish producer decided to give
away his first free release in 2012 named ‘Los Alamos’. His
influential sound was quickly recognised by the well-acclaimed
‘Moonshine Recordings’ flagship, which gave him the honour of remixing
‘Ireland’ by ‘Radikal Guru’. The imprint also enabled him to release
his first, highly successful vinyl release ‘Dread Out Deh’ (which sold
out in matter of minutes). This points out that Violinbwoy’s inventive
sound is accredited by the ever-growing dub culture.

The following years Violinbwoy got invited by various promoters to
come play live dub and violin shows across many venues in Europe. In
2014 and 2015 played live violin for Italian sound system ‘Imperial
Sound Army’ founded by the vocalist and producer of Alpha & Omega -
Dan I. All of this has made Violinbwoy a critical part of dub and
sound system culture. With forthcoming releases on Moonshine
Recordings, Archetype Records and Dub Invasion Records, it’s safe to
say that this musically-inclined dub producer just does what he loves
best: crafting his own version of the ‘roots & culture’ sound.

poly dance theatre records
poly dance theatre studio
eXperimental & pop recherche music institute
androo@hotmail.ch



NS Kroo producer & selector

inquiries: raj@giantartistmanagement.com 
bookings: matt@octopus-agents.com / flip@octopus-agents.com
north/south america bookings: ricky@visionarytalentgroup.com

10 weeks, 10 songs, 10 cities
https://linktr.ee/Fredagain

A complex ensemble at the crossroads of techno, ambient, and contemporary music, the duo Bark crafts performances that dismantle common dancefloor conventions.

Formed in 2020 by producer Aurélien Mortha, the project first reached audiences with the EP Flocons — a four-track, melodic, mineral-like piece of techno. In 2025, with the arrival of classically trained multi-instrumentalist Kevin Dumas, Bark evolved into a duo, now shaping hybrid, deeply sensitive music centered on immersive and organic live performances.

Far from relying on clichés or stereotypes, Bark’s world reveals a contemplative and obsessive intimacy. We witness a performance shifting between melancholy, brutality, breathlessness, and hope — unfolding over techno rhythms, lo-fi grooves, and distorted melodies.

At the heart of the creative process lie live recordings from long improvisation sessions begun at Le Ciel — an underground music laboratory — where the duo has been in residence for a year. From this raw material, combining complex rhythms, generative sequences, and live-played instruments such as piano, guitar, and noise percussion, a detailed sound design and post-production process takes shape, preserving the unpolished and experimental nature of the flow.

From the underground of Le Ciel, a close dialogue between sound and image also emerges through collaborations, offering the listener a fully immersive and conceptual experience.

Through this cinematic techno, we follow the naturalistic wanderings of Flocons and its solitary path, and then, we enter the urban intensity of Hurt, with its deep disillusionments revealed through flickering, strobing flashes. Between shadow and light, we are both pushed and moved. Along this emotional journey, we explore the foundations of melancholy — the melancholy of the past, and of what no longer exists.

From this twilight portrait, Bark beats the drum for those who, caught in their doubts and contradictions, feel more than ever the need to cry, to dance, to live, and to love.

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