Voodoo Sci-Fi Blues 


DEBUT ALBUM OUT 12th June 2015

“Like Portishead doing a Tarantino soundtrack… this is great!!” Huw Stephens, Radio 1
"Sexy pop noir" - The Daily Sport
“Fantastically dirty… one of the catchiest choruses l’ve ever heard… made me want to dance round my bedroom with my hairbrush” Esther Press, The Fly Magazine
“With Smoky-voiced femme fatale Hatty Taylor on vocals, London-based three piece Vienna Ditto mix wild-eyed rockabilly riffs with sparse, atmospheric electronica.”
Q Magazine: Net Big Things: The best music online
“... a gorgeous, shimmering slice of film noir soundtrack pop... it reeks of tragically failed romance, dark Parisian backstreets and claustrophobic regret, Beth Gibbons mentored by John Barry by way of Twin Peaks. It’s not so much dreampop as fog-pop; seedily exotic tripped-out pop heard through late-night mist. This is fucking great.” Nightshift (Demo of the Month)

FOMO | Out Now
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On her return as Austel, Devon-born, London-based artist Annie Rew Shaw treads a different path from the one that saw her receive widespread plaudits for the delicate, luscious piano songs of her 2024 debut album Dead Sea.

Following years as a session musician – performing at festivals such as Glastonbury and touring the UK – Austel’s 2018 debut EP earned praise from BBC 6 Music and The Line of Best Fit, with her 2020 follow-up Cold Love gaining further support from Fresh on the Net, O2 Music and BBC Introducing. In 2024, she released her debut album Dead Sea, a dreamy exploration of loss, recovery and transformation - self-produced and featuring collaborations with Grammy Award-winning engineer Guy Massey. 

Now exploring the folkier intimacies of the guitar for music that’s also in conversation with the field recordings of Jon Hopkins & King Creosote, Adrianne Lenker and Cassandra Jenkins, Austel is developing a very personal sound that she still manages to make feel spacious and open. 

The first track of this new material, The Beach in December, is a gently arresting song that recalls in its smaller details the steps towards acceptance after the premature end of a budding relationship, but on a broader scale draws from a revelatory ayahuasca ceremony that “reignited a lot of childhood memories that I’d completely forgotten” and the idea of mapping out a life from those small fragments of experiences we often disregard.

Forged in the fires of Leeds’ late-night DIY scene, Têtes de Pois are a seven piece cinematic jazz outfit whose music, originally intended to heat up local dancefloors, has matured to become something more reflective and spiritual.

Ever Hazel is following