New Weird America
Discography: https://heidiharris.bandcamp.com/music
Booking & info: sukisound@yahoo.com 

Heidi's creative practice is based on an exploration and intermingling of traditional and non-traditional sound sources. Repertoire of instruments include: piano, clarinet, harmonica, guitar, melodica, synthesizer, theremin, and various sound makers. 

Heidi contributed many of these sounds including songwriting as a former member of the chamber folk trio http://soundcloud.com/cutleri, later in http://soundcloud.com/knife-throwers-assistance,  an eclectic musical collective based in NYC and continues to collaborate in her band: https://soundcloud.com/heidiandthe9feathers But Heidi's first “instrument” was her own voice. From a young age she performed lead roles in operettas and musicals, and although stylistically she has moved on to more avant-garde territories, the quality and range of her voice still hinges on her theatrical roots.

Heidi attended the Institute of Audio Research in New York City, focusing on the process of recording and producing, and went on to record several self-released albums in her home studio, Suki Sound. Her work has been reviewed by labels and blogs all over the globe, applauding her as a unique and exceptionally prolific songwriter and recording artist.


contact email: sukisound@yahoo.com

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

hello. semoga suka! ;)

reach me through Instagram:
@aliyamd

https://soundcloud.com/ian-melvin/audiobiography-ian-melvin

All the songs on this cloud are original compositions of mine.  Sometimes in collaboration with other SoundClouders.

Music is a kind of kaleidoscope, although it manifests itself on an incomparably higher level of ideality. Music produces beautiful forms and colours in ever more elaborate diversity, gently overflowing, sharply contrasted, always coherent and yet always new, self-contained and self-fulfilled. Eduard Hanslick 1854

I am a married father of two, grandfather of four, fine arts graduate and polymath.

I had been asked to commit my songs to recording for the benefit of my offspring, and also I guess before I go completely deaf (Yes. I am one of the 1 in 7 severely deaf people in the UK) so begins this project. 

However, as I have gotten into it I realize that I have a lot of new stuff bursting out all the time, much of it inspired by you good people on Sound Cloud. 

Collaborating has been a revelation and I want to do more and as much as I can, so if you hear anything of mine you like and/or have any ideas about production etc just drop me a line anytime.

My collaborative name is Eight Zeros and can be found here: http://soundcloud.com/eight-zeros and on Facebook here: https://www.facebook.com/eight8zeros

I would at some point like to work with someone to develop my own and hopefully your songs as an acoustic vocal duo so if you are geographically near and interested please get in touch.

Recordings were made first on a Boss Micro BR, then on an iMac running Garageband'11, inputting through a Behringer 1204 USB mixer and using a Rode NT2A for voice (Behringer C1 condenser mic for voice up to April 2013) and an AKG1000S for guitars. From January 2013 I have upgraded software to Logic pro 9. My weapon of choice is a Martin 00015M, with Martin SP Light's mostly recorded open though sometimes via Fishman Rare Earth Blend. 

All Material is Copyright © 2012,2013, 2014, 2015, 2016.

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