*** Submissions: http://www.deepanddishy.com/

Looking for more? Check out:

https://soundcloud.com/lickitloud (House)
https://soundcloud.com/novofm (Indie Dance/Nu Disco)
https://soundcloud.com/fabcity (Hip Hop)
https://soundcloud.com/drumwerk (Tech House/Techno)
https://soundcloud.com/waveworx (Electro House/Progressive House)
https://soundcloud.com/sunglazed (Tropical House/Dancehall/Reggaeton)
https://soundcloud.com/59degrees (Chill)
https://soundcloud.com/trappuss (Trap)

*** Submissions: http://www.lickitloud.com/

Looking for more? Check out:

https://soundcloud.com/deepanddishy (Deep House)
https://soundcloud.com/novofm (Indie Dance/Nu Disco)
https://soundcloud.com/fabcity (Hip Hop)
https://soundcloud.com/drumwerk (Tech House/Techno)
https://soundcloud.com/waveworx (Electro House/Progressive House)
https://soundcloud.com/sunglazed (Tropical House/Dancehall/Reggaeton)
https://soundcloud.com/59degrees (Chill)
https://soundcloud.com/trappuss (Trap)

*** Submissions: http://drumwerk.net/

Looking for more? Check out:

https://soundcloud.com/deepanddishy (Deep House)
https://soundcloud.com/lickitloud (House)
https://soundcloud.com/novofm (Indie Dance/Nu Disco)
https://soundcloud.com/fabcity (Hip Hop)
https://soundcloud.com/waveworx (Electro House/Progressive House)
https://soundcloud.com/sunglazed (Tropical House/Dancehall/Reggaeton)
https://soundcloud.com/59degrees (Chill)
https://soundcloud.com/trappuss (Trap)

Wolfgang Lohr is a Berlin based producer, composer, remixer, artist, and DJ whose career spans way back and encompasses a vast variety of different musical projects. Born in Bad Segeberg and raised in Lübeck (GER) by the Baltic Sea, where he served as a trumpeter, singer, and songwriter for the ska band “DaSKArtell” (@das-kartell).

He finally moved to Berlin in 2007 and dove right into its colorful and flourishing electro scene. Till this day he’s involved in several groups and productions, such as the Disco-House duo “DINKS” (@dinksmusik) and the Tech House outfit “Dorade” (@dorademusik), making him a mainstay of the scene who has created remixes for well known, fellow artists like Felix Jaehn, Parov Stelar, Alle Farben, The Manhattan Transfer and In-Grid.

His cover of Ray Charles’ “Hit the Road Jack” has surpassed a total of 90 million plays and has turned Lohr into one of the most sought-after Electro Swing artists worldwide, with a catalogue that now spans about 150 own tracks and remixes.

In addition to his musical endeavors, he has co-founded a Tech House label Coast Connection (@coastconnectionrecords), the “FDF” music blog (@free-download-friday), turned House-label “FDF Records”, as well as the “Electro Swing Thing” (@electroswing) label that has become a home to the versatile cross-over genre and amplifies the voices of its artists.

Booking Request: 
info@electroswingthing.com

Twice-monthly community updates for the small desert town of Night Vale, featuring local weather, news, announcements from the Sheriff's Secret Police, mysterious lights in the night sky, dark hooded figures with unknowable powers, and cultural events. Turn on your radio and hide. Welcome to Night Vale. (Produced by Commonplace Books. Written by Joseph Fink and Jeffrey Cranor. Narrated by Cecil Baldwin. On Twitter as NightValeRadio)

Whiteqube deftly juxtaposes intricate synth sounds and intense beats with dark vocals. The duo’s music is starkly honest, multi-faceted and their sound fuses genres: EBM, techno/EDM, rock and pop.

 

Whiteqube’s eclectic sound was born from their musical influences. According to Jason Schary, one half of Whiteqube, “I am a music junkie, and my musical influences are quite widespread. I like everything from Nine Inch Nails to Depeche Mode; Bowie to Joy Division. I love most music: rock, disco, blues, techno and industrial.” T. Ryan Arnold is the other half of the duo. He says, “I have been a fan of electronic and dance music all my life, starting with my dad’s Abba and Saturday Night Fever vinyls. Later, I discovered synthpop, ‘90s rave and industrial. My favorite band of all time is Information Society.”

 

Los Angeles clubgoers will likely recognize Schary (DJ Bractune), as one of the original DJs at legendary industrial clubs Das Bunker, Perversion and the extremely popular Indie/Britpop/Electroclash Club Bang. He remains one of the most sought-after DJs able to work any club genre—He still spins at Club Blue Mondays (the longest running 80s club in Los Angeles) every week.

 

Schary and Arnold formed Whiteqube in 2010 in Los Angeles. “Ryan and I were at a get-together and started discussing how artists don’t really make the types of music like we like anymore. One of our friends said ‘well, why don’t you guys make music then?’ A light bulb went off, and we decided to give it a shot.”

 

“We got together to analyze and deconstruct the music we like. That lead us to making an EP. Since then, we have toured the country with VNV Nation. We have also opened for Combichrist, Perturbator, and TimeCop 1983, among others.”

 

“Our live show is definitely something we excel in,” Schary explains. “As much as we love electronic music, watching a DJ or maybe a guy behind a keyboard occasionally raise his hand or something is so boring! We want the audience to feel energized and excited.” Arnold adds, “Jason and I have asked ourselves, ‘what would KISS do if they were a techno band?’ We make it big, high energy, and extremely entertaining. We engage the audience, feed off their energy and have the most fun we can onstage.”

 

Whiteqube’s upcoming EP, Design Flaws, is due out on September 21, 2018.

 

“I am so excited about this release,” Schary says. “We believe the sound is super original, mixing techno, old-school EBM, synthpop, and alternative rock. All five tracks on Design Flaws are songs with a message that you can dance to.”

 

This release is very special to us,” Arnold concludes. “Lyrically and musically, we’re really starting to find our voice and what we want to say with Whiteqube.  As artists, we have an obligation to entertain our audience and also to comment on life and society. I believe the songs on this EP strike an excellent balance between political commentary and exciting dance music, which is exactly what we’re most interested in making.”

Bookings/Requests contact: presidentofthecomputerclub@gmail.com

BIO: The Computer Club sound first emerged from Gigantor's studio in 2007 when his single “Load Rocket” started gaining artist acclaim and making noise in the blog circuit. The song, one of the first completed by Gigantor under the geeky guise, carried Computer Club’s name into both traditional record label outlets and the burgeoning music blogosphere alike – a trend rarely seen in the heavily populated landscape of today’s dance music. Original songs like “Flat Response” and “Laptop Levitation” showcase Computer Club’s highly honed sound design and audio engineering skills, while his edits of Nine Inch Nails, Friendly Fires, Prince, and New Order illustrate his ability to adapt the best of the big names to the dancefloor.

Along with his impressive studio output, Computer Club is a well-accomplished DJ by any measure. His steady stream of gigs has him traveling to every corner of North America with regular stops in New York City, San Francisco and everywhere in between. From rocking a strong crowd at L.A.’s Electric Daisy Carnival to dropping an intimate set for his former home of Atlanta, Computer Club constantly exhibits his deftness and versatility behind the decks.

While remixes of Combichrist's "Throat Full Of Glass," Mr. Oizo’s “Flat Beat,” Jewel Kid's "Break My Heart" and his notorious collaborative re-working of Konflict’s Drum & Bass anthem “Messiah” with Le Castle Vania have helped propel his name to new heights, Computer Club also released an EP titled “Nerd Secrets,” which to showcases a wide swath of musical styles, ranging from dancefloor-filling, hands-in-the-air bangers to rock-inspired songwriting to experimental dancefloor weirdness. Among the tunes on "Nerd Secrets" was the heavy hit 'Losing Streak,' featuring vocals by UK pop genius Frankmusik, this tune charted in the top 40 in the UK and also went to number 1 on hypemachine.

In 2013 Computer Club released the "Win Or Lose EP" which featured collaborations with rising stars MUST DIE!, Anna Yvette and Gosteffects, also included remixes from Infuze, Rule Of Eight, and Prototype Raptor. Along with the attention that this release garnered, Computer Club continued to make noise with the release of another MUST DIE! collab, "Payback," on Never Say Die Records, and made the blog circuit once again go nuts for his drum and bass reworking of Daft Punk's "Doin It Right."

In addition to his Computer Club moniker, Mike continues to push the boundaries of dance music as one third of Evol Intent, a hard-hitting Drum & Bass trio considered by many fans and DJs alike to be the genre’s most talented American group. Initially known as purveyors of the toughest brand of D&B, their debut album “Era of Diversion” exhibits a musical variety influenced by everyone from Radiohead and Aphex Twin to Slayer and N.W.A.


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