We can start talking about the gloriously entangled futurist nostalgia appearing on Twin Color‘s debut Extended Play No 1, and then, maybe, we can start guessing about the origin of this project and the man behind it, or I can simply come out and tell you that it’s actually Fernando Corona, whom you already should know as Murcof. Yes, it’s Murcof, folks, and he’s back, with his take on time-warping retro-forward leaning music, which is somewhat like post-[insert your favourite style of “synth wave” in here], or really, sitting in a genre of its own – reminds me of when Richard Chartier first cautiously explored his now monumental Pinkcourtesyphone project. I say this because I think [I hope] that Twin Color is here to stay! Everything on here has that delicious tint of oozing sentimentality [even the font of the cover art has a bit of that Stranger Things vibe], for those late 80s late night belated radio stations, that played music by bands such as OMD, Depeche Mode, Thompson Twins, Book of Love and Ultravox. Across the four tracks “melodic lines eddy and whorl together while moon rays of Blade Runner synthesis shine brightly across the shadows; at times it is stately in its melancholia, at others driving with the exhilarating rhythm of final boss levels.” But beneath the surface of these reflective genres, there is that unmistakable sound of Murcof, with his intelligent sound design and a plethora of tasty ear candy. The first few minutes of the track I am premiering for you today should be enough to get you drooling. Enjoy!

Extended Play No 1

Fight Part I

TRACK PREMIERE : Twin Color - Fight Part. I

Here are some original solo piano pieces...  some mixes from my podcast... some exclusive track premieres...  and some tracks from the albums I review on Headphone Commute... Enjoy!

A.M.E. ( Anak Makan Es)


..and for those who don't have any tracks of their own and only want to add followers( ala carte facebook), I will be blocking you


To the promoters out there regarding you wanting me to follow you or offer services.
For now.. Thanks but no thanks..


For others who want me to follow them, I prefer to follow those who have least posted something of their own work on their channel..thanks

A musical narrative visible to the minds eye.

A dweller on the streams, handy the confluence of MIXCLOUD SOUNDCLOUD & SLEEPBOT, I make occasional day trips to AMBIENTBLOGnet ACL A_L ASIP ASP BC CAMP DISQUIET DREAMSCENESnl E&D FS HEADPHONECOMMUTEcom LSR PC RADIO-RETHINK RESONANCE-FM SEB SF10-33 SOATC TIMJ TSC UBU UT WAAG & WFMU.

Passionné de musiques électroniques depuis les années 90. 
Shooting d'events électros locaux.

Since 2006, true to its motto “Easy music, for the hard to please,” InFiné is a European label orchestrating sonic utopias where genres collide and hybridize. Here, techno reinvents itself in philharmonic halls, pianos spin through space, and electronica carries traditional music into the unknown.
With roots in both Paris and Berlin, the independent label InFiné is a rare space that embraces the unfamiliar and builds a legacy for the future. It is a refuge that refuses to choose between intellect and sensuality, and believes in the urgency of “the necessity of being.”
It brings together a global community of artists for whom creating is an act of resistance—a committed vision for sustainable music, in service of diversity, innovation, and artistic freedom.
Among the label’s emblematic artists are Rone, Deena Abdelwahed, Vanessa Wagner, Blick Bassy, Léonie Pernet, Bruce Brubaker, UTO, Gaspar Claus, François & The Atlas Mountains, and Kaito.

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