Thanks for listening!

https://sptfy.com/a_brief_memory_before_birth

A Brief Memory Before Birth

The European fire-bellied toad is, in fact, a frog. (No fire, either.) However, this is more than compensated by its satisfyingly fun-to-say Latin name: Bombina bombina. They also produce antimicrobial peptides in their skin secretions – the even more fun-to-say ‘bombinins’. 

Native to eastern mainland Europe – recorded here in the protected land of Poland’s Barycz Valley Landscape Park – they use their internal vocal sacs to produce their “whoop” call: the mournful, slow-motion honk immortalized here. Imagine the sound that clowns might make when they cry and you won’t be far off.

Bombina bombina mysterious call

Paral·lel & François Fontaine - Glisten

"Resurrected from the depths of the past, it comes for you...
Take a breathe. Maybe it doesn't mean nothing" 
_______

Track: "From The Past"
Artist: Lambmother
Artist Name: Juan Antonio Cantos
Released: Apr. 21, 2023

Tragicomic

From The Past

Lambmother - From The Past (Tragicomic EP)

This track was recorded in AUM and used apps such as Sunrizer and Hilman, The melodies came from Fugue Machine. Effects used were Nembrini Analog Rack Delay and Nembrini Delay3000.

Themes From Copenhagen V- Zealand

https://youtu.be/RaxryStFuGg
https://soundcloud.com/180881/mmxxiiivixiiiccssbl

MMXXIIIVIXXGRG

Original song using KORG Gadget.

Photo: https://stocksnap.io/photo/silhouette-woman-ZTFQL8008P by Allef Vinicius (https://stocksnap.io/author/30516)

Hannover Serenade

Szachty April 1 Market of Sounds

This is the original file, recorded with a preamp gain of 60 dB, then with a gain reduction of -0.90 dB in post.* Converted from 96/24 wav to 48/24 flac. No EQ or other processing. (FEL Clippies in AB 63 cm into MixPre-6. Rycote mini foam windshields plus Rycote mini windjammers. LOM/Rycote Uši lyre mounts.)

True peak level L -5.76 dB, R -6.33 dB
Sample peak level L -6.09 dB, R -6.49 dB
Total RMS level L -33.85 dB, R -33.02 dB
Integrated loudness -26.7 LUFS
Loudness range 17.2 LU

*The Uši Pros were recorded with a preamp gain of 50 dB, while the Clippies were recorded at 60 dB (on the basis of benchmark comparative tests that were made earlier): the correspondence was extremely close, but this particular recording was subsequently adjusted with a simple minor global gain reduction of -0.90 dB in post to bring it into exact alignment with the integrated loudness of the parallel Uši Pro recording. This correlation in perceived loudness is important for pinpointing and recognising the different frequency response profiles or spectral sensitivities and 'textures' of the two different builds of microphone; and thus, how best to make use of them in specific field recording situations, especially of natural quietude.

Please see the Playlist notes for more details: https://soundcloud.com/hearingbeings/sets/2024-04-14-autumn-evening-eucalyptus-forest-parallel-recordings-usi-pro-fel-clippy.

2024.04.14 Evening Eucalyptus Forest. Autumn. FEL Clippies (Original file at -0.90 dB).

Garbled tapes, space echos, portastudios and Sanyo Voice Activated Recording system feedbacking through MS10 and KM-60. 

Main samples from my recording of Morten Michelsen at the Kværner Iron Foundry - https://soundcloud.com/locomofon/sets/crane-room-recordings

As flesh is harnessed onto tape (Take 3)

__________________________________________________
Exploring hearing, the hearable, and the hearer, as an event, a mode, and a dimension of Βeing (τὸ εἶναι).

2024.04.14 Evening Eucalyptus Forest. Autumn. FEL Clippies (Original file at -0.90 dB).

Hearing Beings

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