linktr.ee/kmotionz

Bookings: Tom@echolocationtalent.com
Management: Michael@ctrlfrk.co.uk

aka mr liquid
aka senator bongwater 
aka general gist
aka trips & skips
aka kepler sound district
aka señor friction 
aka taylor freels
________________________

World territories
alexandre@pieces.live

North America
maria@resolutenyc.com

South America
denis@nomadtalent.com

Australia
mitchell@solidcircles.com.au

For general inquiries and press
thibaut@pieces.live

_______________________

The singular brand of house music that Taylor Freels produces as Liquid Earth is uniquely transatlantic, infusing the rhythmic sensibilities of London and Berlin with the sun-soaked serenity of his native California. Part '80s sleaze, part '90s deepness, part '00s wiggle, Freels makes dance music cocktails that pop like a twist of lime hitting seltzer. Melodic, crisp, and always refreshing, each track by the California-native is singularly recognizable as he refashions vintage sounds for the clubs of tomorrow.

Under his most recent alias, Liquid Earth, Freels has been pushing, as Resident Advisor put it, "tech house with a twist." His state-of-the-art analog grooves emerged from the ether fully formed in 2019 with some of the deepest basslines and crunchiest melodies out there. Freels' squigly take on contemporary house and techno always comes primed with a dose of California sunshine. Carrying on the legacy of storied California predecessors like Halo and Hipp-E, he's been swiveling heads and moving bodies with releases on labels at the vanguard of the underground, like Kalahari Oyster Cult and Is/Was sub label TerraFirm, collaborations with Tornado Wallace as Dinnervisions, and a remix of his starry-eyed, "Scope Zone" by Youandewan landed him notoriety among the scenesters alike.

More than just a producer, Freels knows how to pack a punch behind the decks, moving from classic West Coast Breaks to UK tech house with aplomb and mastery. His bookings and podcasts have been piling up like hot cakes with best-in-class mixes for the likes of Honey Soundsystem, Butter Side Up and Faciendo and DJ appearances from Dimensions Festival to Panorama Bar.

Freels' music, as both a DJ and a producer, remains unparalleled in its ability to solder funk with deepness. His early releases that propelled him to prominence on labels like Melbourne’s Voyage Recordings and the Amsterdam based Kalahari Oyster Cult, displayed an almost encyclopedic knowledge of house music. As Urulu, Freels zig-zagged across time and space to create music that felt embryonically transatlantic alongside a sugar rush of rave nostalgia. He now uses the Liquid Earth moniker to bring that same intimate knowledge to the trippier corners of the cosmos. With a seemingly endless trove of creativity and energy congealing behind the Liquid Earth project, Freels is poised to continue his take over of club land's headiest and spaciest dance floors

https://linktr.ee/mpu101
#chiemgau606
#california606
#colorado606

Fatima Yamaha’s now classic single ‘What’s A Girl To Do’ taken from the EP ‘A Girl Between Two Worlds’ saw the light of day in 2004, but it wasn’t until 10 years later that a re-release made the song truly explode. 
For many years, Fatima Yamaha was shrouded in mystery, known only to be a project led by “a young lady born to a Japanese father and a Turkish mother”. By now we all know Bas Bron is Fatima Yamaha. The Dutch producer has many guises, but Fatima Yamaha is his most enigmatic.
The album ‘Imaginary Lines’ was released in 2015 and followed the success of ‘What’s A Girl To Do’ with the fabulous single ‘Love Invaders’. Later followed by another banging club anthem ‘Araya’.
His live shows unfailingly live up to the highest expectations, offering refined house and techno complimented by virtuoso synths. But after years of selling out tours and headlining the most prestigious festivals all over the world, Bas took a year off touring to focus on new material and other ventures.
He directed, produced and made the soundtrack of the short film ‘Heian’ and recorded lots of other tracks, for many different projects. But this autumn there will finally be a new Fatima Yamaha album; ‘Spontaneous Order’. Bas shows his versatility on the album, effortlessly moving form harsh dancefloor tracks to spacious ambient drones and funky electronic pop tracks.

Booking: http://lucasgutierrez.com/audiovisual

Paris, Salle Pleyel - 21.03.2026
https://www.superpoze-music.com/

management : superpoze@grand-musique-mgmt.com

2D, Murdoc Niccals, Noodle & Russel Hobbs

Artist and filmmaker having fun experimenting with music

heffn hofft is following